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REVIEW: Jack and the Beanstalk @Hilton Brighton Metropole

The Producers of Jack and the BeanstalkĀ at the Hilton Brighton Metropole, promise a Giant Family Pantomime and a Magical Christmas Fayre, which include excellent childrenā€™s dodgems, and non – festive food stalls.

HOWEVER, the pantomime itself is, indeed, a traditional family panto with the best Giant I have seen for a long while. A great prop operated very skilfully by one of the boy dancers, I expect.

Other highlights were the bold and colourful projections (Danilo Raino), the vocal talents especially Fairy Nature (Keris Lea who also wrote the panto) and the strong, experienced performances of David Rumelle as Dame Trott and the charismatic Alasdair Buchanan as ( a rather under-used) Fleshcreep.

Jodie Michele provided lots of traditional, panto choreography with the best boy dancers Iā€™ve seen for a while in a ā€œlocalā€ panto. There were rather a lot of songs but well sung by Molly Scott, Shaun Mendum and Richard Dawes and the appropriate amount of local and topical gags which went over the head of the rather young audience but mostly landed with the adults.

The narrative got a bit lost in Act 2 with the drama of escaping the Giant and cutting down the Beanstalk omitted but the audience didnā€™t care and were up on their feet singing and dancing along to this years ā€œmust haveā€ song sheet – Baby Shark!

First night sound problems will be sorted by tomorrow I am sure and I expect the lighting department will be adding the two followspots to all the dialogue as there is not much front of house lighting and the comics cannot be seen ( therefore, not heard,) against the powerful projections without the followspots.

All in all though, huge congratulations to David Hill and Lukasz Wojcik for not only taking on this giant enterprise with an audience of 10,000 already booked but also doing so much good in the community by involving and supporting many charities including the Sussex Beacon. Well done to all.

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REVIEW: Priscilla – The Queen of the Old Market!

Led by one of Brightonā€™s popular Drag Queens, Kara Van Park aka Wain Douglas and directed by West End high pedigree performer, Tania Newton, this production by theĀ Brighton and Hove Operatic Society is a “joyful, and faithful, representation of the on-going classic musical”.

IN the interval, I bumped into a friend who is producing the new UK tour of Priscilla in 2019 (and appearing at Theatre Royal Brighton for the Christmas season 2019/20120) and he commented ā€œas long as you have 3 strong leading men/ 3 great vocal Divas/ amazing costumes andā€¦..a bus, then you canā€™t go wrong !ā€

This production has all that and much more. The costumes and wigs are truly fantastic and so many of them. Also, the company (who, thankfully, are of all shapes and sizes) must be commended on their commitment to wearing them with panache and giving 100% commitment to the style and energy of both the direction and the choreography.

The music appeared to be on track but was rather low-level for my liking and the lighting, although complimentary could have benefitted from a follow spot or better focused specials however, thatā€™s not what a Priscilla audience comes for. They expect, and get, an excellent book, hit pop songs, glamour, comedy and some truthful pathos the latter particularly good in the scene between Bernadette (Wain Douglas) and Adam (Josh Hanson) and Tick (Tony Bright) and Benjy (James Marron-Page on the night I saw it)

The programme lacks a centre fold listing the scenes, locations and the songs with lead singers named so it is hard to pick out certain people. However, scene stealers were (I think!) Ella Segovia as Cynthia and the lady in the bar shaking it all in ā€œI love the Nightlifeā€. And a great ensemble number featured Chris HibbertĀ from the Sea Serpents, Brighton own gay Rugby team.

The Divas outshone and were led by another West End top class performer – Lucy Newton who also staged them – they looked terrific!

Well done to everyone for an excellent must see production led by Tania Newton and her team and Iā€™m glad Kara Van Park remained as such (not Wain) for her curtain call – a cool, directorial/personal, decision!

Brightonā€™s ‘Jewel in the Crown’ – David Raven at 85!

Brightonā€™s Jewel in the Crown was the phrase that Miss Jason chose to describe the much-loved David Raven aka Maisie Trollette, at the first of the celebrations of Davidā€™s 85th birthday which falls on August 15.

DECKED out in the eveningā€™s pink, white and purple theme, Legends was packed to capacity with friends and fans including Chris Hayward who was Davidā€™s ‘Sister’ in eight pantomimes, Sue Douglas (another panto fellow actor to David) Jae Alexander who had taken the night off from conducting 42nd Street in London, and Josh Mills who had flown in from Amsterdam especially to play piano for the eveningā€™s celebration.

After Miss Jasonā€™s signature ā€œlet it swing, let it Rock ā€™n Roll”, David entered down the centre aisle to cheers and a standing ovation and entertained us with ā€œI feel a song coming onā€ and ā€œAnything goesā€ along with some top form banter demonstrating Davidā€™s years of experience, sharp wit and pure showmanship.

A very warm and funny video was shown with a birthday greeting from Paul Oā€™Grady followed by Dave Lynn, Davina Sparkle, Lola Lasagne, Drag with no name and Miss Jason singing a very funny parody called ā€œFans of Maisie” to the tune of ā€œBroadway Babyā€. After each of them quoting a memory, a comment or praising Davidā€™s substantial and on-going commitment to charity work, they sang a tribute in the form of ā€œCandle in the Dark.ā€

Next, a video of very interesting and, probably, formerly unseen photos of David through the ages was shown, during which time, Drag with no name supported the video singing the beautiful So, hereā€™s to lifeĀ resulting in another standing ovation and a few tears.

The stage was then handed over to Maisie and Josh for a sensitive Who can I turn toĀ – with an interpretation that elevated David Raven in to the Star that he is.

After thanks to Claire Fuller for the technical support, Miss Jason joined David for TogetherĀ then the tables were turned with a surprise for Miss Jason. David presented him with a painting of the two of them together performing at a former Brighton Prideā€¦.more tears ensued.

The evening finally came to an end with a masterful performance of If I never sing another song bringing true meaning of the current trendy phrase ā€œacting through songā€ and was sensitively accompanied by Josh Mills. As ever, the audience would not let him go so we had a second encore What a wonderful world.

The evening had been put together by Miss Jason and Alan Cardew and was delivered with style, comedy and some very moving moments. Happy birthday David!

Video Courtesy of Latest TV.
Photos courtesy of Jack Lynn.

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REVIEW: Brighton and Hove Actually Gay Men’s Chorus – OVATION

OVATION performed by The Brighton and Hove Actually Gay Men’s Chorus, St Andrewā€™s Church, April 21, 2018.

GENERALLY, the title of a show is chosen carefully to both attract an audience and to give an idea of what to expect. There was no need to attract an audience as St Andrewā€™s Church was packed to the rafters by the many fans of the Chorus. However, the title could have been interpreted as a tad self-congratulating, but there was no problem in that respect. Not only did the Chorus and guest stars receive an Ovation, it was a well-deserved standing one at the end of both halves of the show.

With Samuel Cousins conducting for the second year, with energy and obvious enjoyment, the musical accompaniment by Simon Gray on piano and Nick Rocks on drums supported the singers without ever over-powering them.

Miss Jason
Miss Jason

With the men looking smart in bow ties and red waistcoats, the Concert opened with a medley from Mame and Hello Dolly – a fitting choice for Miss Jason to make a glorious entrance from the back of the church in a magnificent outfit which he wore with as much style as any celebrated ā€œDollyā€ would do.

Bring him home featured the rich, warm tones this Chorus is known for and included some nice dynamics. There were a few messy vocal cut offs in a section of it but I put that down to nerves as the rest of the programme was very tight.

Philip Davies lead Stars singing with feeling and looking very relieved when he had finished ā€¦itā€™s never easy being the first soloist! A small point to be looked at is, during the solo section, the rest of the Chorus had been directed to ā€œlook at the starsā€. a lovely touch but there needs to be decision as to how high the actually sky is. A tiny matter but itā€™s all in the detail!

Charlotte Vaughan
Charlotte Vaughan

This concertā€™s guest vocalist was the beautiful soprano – Charlotte Vaughan. Trained at the Guildhall School of Music and the Royal Academy of Music. Her first song was The Winner takes it all which was an easy sing for her but she blossomed in Act 2 with Bernsteinā€™s Glitter and be Gay which brought the audience to itā€™s feet with roars for more. Name to watch out for.

Somewhere only we know by Ian Hollands was delivered beautifully and his voice blended so well with the Chorus – I would have liked a longer version if anything.

One Moment in Time and Titanium were powerful Chorus items with clear lyrics (something not always apparent on pop songs) and Miss Jason should add Everythingā€™s coming up Roses to his repertoire. It suits his showmanship and will be even better when ā€œoff the bookā€.

Jack Lynnā€™s Rule the World surprised us with such a big, full voice for some-one so charming and slight and Billy Kelly led the ChorusĀ  strongly to close Act 1 with the ever-powerful Somebody to Love/Bohemian Rhapsody.

Raffles are always a useful way of generating more funds for the chosen charity of the evening which was Sussex Beacon this time but there are quicker ways of executing them as this one did drag on a bit in spite of Miss Jasonā€™s quick off the mark comedy – “apparently it was a hamper-no-one told me!ā€

A short version of Carmen Burana led into a sassy quartet of Broadway ā€œBabiesā€, Broadway hits I got Rhythm and Top Hat and a tender, melodious mashup duet by Chris Tippett and Gareth Ashley.

The anthem Rise like a Phoenix lead well into Patrick Bullock and his magnificent beard, singing Being Alive with great passion. This is the one song that I would have enjoyed just as a solo although I know this is not the choice of the Actuallys.

Nessum Dorma and Never Enough brought the concert to a rousing end and mention must be made of the excellent arrangements throughout from Samuel Cousins, Simon Gray and Jason Pimblett.

Thank you for a great night!

You can next hear the Brighton and Hove Actually Gay Mens Chorus sing at their Pride Summer Show on Friday, August 3 at St Andrews Church at 7.30pm.

REVIEW: Let it snow – Actually Gay Men’s Chorus

The marvellous fact about the LGBT+ choirs in Brighton and Hove, is that they are all unique and bring special elements of their own to each of their concerts.

Some are community based, some are theatrical, others are mixed sex, gospel based, pop influenced or just simply people coming together to enjoy the physical and emotional joy of singing.

What Actually Gay Men’s Chorus at St Andrews Church on Friday, December 22 brought to the equation, was a fairly small group of dedicated men performing a simple but heartfelt concert programme that relied on its content and details for our enjoyment.

Dressed smartly in white tie and dress shirts with their musical director Samuel Cousins resplendent in tails, they delivered a mixture of Christmas songs and carols with an air of confidence and enjoyment.

There is for me, still a little way to go to relax and loosen up some of the members of the chorus, for them to feel in the words of the last song of Act 1…to be free to Let it go, but the improvements I have seen over the four or five years I have attended their concerts is vast.

I don’t think audiences realise how frightening it is to actually (excuse the pun) perform in front of friends, family and strangers after weeks or months of rehearsing with only themselves as the critics.

Gerry McCrudden made an excellent host, funny and informative with a great deal of Irish charm.

He was joined by the solid but sensitive accompaniment of Simon Gray on the piano.

A lovely addition to the evening was the programming of Harvey’s Brass Ensemble consisting of Neal Bland and Steve Morris on trumpets, Peter Cowlett on trombone and Phil Barber on tuba.

Special guest was the stunning soprano Karen Orchid who sang Panis Angelicus and Ave Maria faultlessly.

We, the audience, were invited to join in four of the Christmas carols and the mix of the other items ranged from classical to traditional without too many modern songs to break the eveningsĀ ‘traditional’ approach.

Particular chorus favourites were Bethlehem with an arrangment by Simon Gray and The Vaults of Heaven and Torches, both arranged by Jason Pimblett.

The soloists did themselves proud as usual and it was good to see some new faces taking the solo spots.

Another meaningful addition was the addition of two poems written and performed by probably the youngest members of the chorus, Jack Lynn and Chris Cage.

They were very moving and certainly had my companion in tears.

The charities being supported on the evening were Inclusion for All and The Sussex Beacon. To encourage us to dig deep, huge amounts of mince pies were served before, during and after the show.

Lastly, there was a very generous hamper complete with a Ā£25 Waitrose voucher as the single raffle prize.

As it was my birthday, I was invited to draw the raffle and, to everyone’s delight, it was won by Patron and staunch supporter of both the choir and the Sussex Beacon, Mr David Raven AKA Maisie Trollette, a fitting end to a very successful evening of music making.

The next Actually Gay Men’s Chorus show, Ovation will be at St Andrews Church on Saturday, April, 21 at 7.30pm

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Let it Snow with the Brighton and Hove Actually Gay Men’s Chorus was performed at St Andrew’s Chorus, Hove on Friday, December 22, 2017.

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