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Queer activists disrupt red carpet action at property awards

Last night a group of LGBT+ activists dumped manure and released cockroaches on the red carpet at the London Property Awards.

The action blocked off the annual celebration of “an industry which leaves queer youth homeless on the streets of London” and in the process property developers in tuxedos were forced to scuttle into the Grosvenor House Hotel through the back door.

The Sexual Avengers are a network of campaigns and individuals campaigning for queer rights through direct action and community building.

They recently made national headlines after putting a queer spin on the famous English Heritage blue plaque campaign, placing subversive blue plaques on the House of Lords and other London landmarks.

The action was intended to remind attendees at the £3,000-a-table dinner that their profits are sucked from a system which is responsible for the oppression, homelessness and deaths of queer people.

A spokesperson for the group said: “They are celebrating on the bodies of our brothers, sisters and non-binary allies”.

Research shows one in four UK homeless youth are LGBT+, and this figure is rising by 20 per cent each year.

1 in 4 UK LGB people and 4 out of 5 trans people have experienced domestic violence, while queer people are 2 to 3 times more likely to experience mental health issues.

These vulnerable queer people work in disproportionately precarious careers without access to family or support networks, and urgently need affordable social housing to survive.

A spokesperson for Sexual Avengers, said: “We are at the mercy of the housing market, where landlords and letting-agents condemn us to live in unsafe flats among filth and vermin. Property developers have grown rich by building multi-million pound housing projects, gentrifying working-class, multicultural areas and driving impoverished queer people away from support networks and into the street.”

The Sexual Avengers are demanding:
♦  Social housing built for need not greed: with 60,000 new genuinely affordable homes per year being built as a minimum.
♦ The provision of queer-specific homeless support services, and an end to irresponsible luxury developments driving working class people away from their support networks through gentrification.
♦ The scrapping of Help to Buy and Right to Buy, which systematically breaks up the social housing system and inner-city communities so many LGBT+ rely on.
♦ A rent cap pegged to the average income and council housing rent rates.

Sexual Avenger Stacey Jones, said: “My partner died of cancer last April, and they wanted to kick me out in May. They couldn’t understand how I could be in a relationship with a woman when I had a child.  I’d just lost my partner and had to sit there and justify my sexuality. Why did I deserve the house where we lived, where I cared for her and where she died?

“Property developers need to build for need not greed. I’ve been homeless twice, and I’d be on the streets now if it wasn’t for Stonewall. The number of empty properties and the number of people on the streets –it’s madness.”

Sexual Avengers say they exist to:
♦ Avenge decades of criminalisation and oppression
♦ Avenge the silencing of radical queer history
♦ Avenge the sanitation of the queer identity
♦ Avenge the pacification, separation and isolation of the queer community

Sexual Avengers is queer led but welcomes all genders and sexualities at their meetings every Wednesday from 6.30-8.30pm in East London.

Photos by Bex Wade.

For more information, click here:

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Conservatives complain Uber taxis “not playing by the rules”

The Conservative spokesperson for Licensing in the city speaks out against Uber’s apparent disregard of the spirit of the commitment made by them to operate in Brighton and Hove when they were given their operators license.

Cllr Lee Wares
Cllr Lee Wares

Councillor Lee Wares, who leads for the Conservative Group on the Licensing Committee said: “Uber’s commitment to the City and me as one of the Councillors who granted their operators licence was simple; that they would only use Brighton and Hove licensed drivers and vehicles. The reason this is important is that drivers and vehicles have to comply with the Council’s ‘Blue rule book’ which determines the safety standards of the vehicle, the training and background checks of drivers, identification, the provision of CCTV and the ability for the Council to inspect at will any vehicle and any driver. Where vehicles or drivers fail inspections, or drivers are subject to complaints, the Council can take them off the road.”

Since Uber’s operator’s licence was granted, it has become clear the company are using vehicles and drivers not licenced by Brighton and Hove City Council. It is therefore impossible to know who is licenced or not and the Council having no ability to inspect, who has been checked.

The Conservative Group say that whilst they recognise that Brighton and Hove’s existing local taxi trade can be the subject of complaints, they also acknowledge that the local taxi companies operate to some of the highest set of rules in the country.

The ConservativeGroup believes that Uber should fulfil the commitment it made at the Licensing Committee and only use Brighton and Hove licensed drivers and vehicles who comply with the Council ‘Blue rule book’ to ensure both passenger safety and that taxi and private hire vehicles in the city operate on a level playing field.

Cllr Wares continued: “Resident’s freedom to use vehicles operated by Uber exists, however it should be noted that the Council’s ability to mitigate risks to their welfare does not. It is important that the standards we operate in this City are the highest they can be and I shall press Uber to achieve this.”

He added: “Uber could, if they wished, block out any vehicle on their App covering the City that is not licensed by Brighton and Hove. It is in their gift if they wish to play by the same rules as everybody else”.

Local gardeners to raise money for cancer charities

The 6th annual Macmillan Coastal Garden Trail will take place this year on July 29 and 30th.

Award winning Seaford gardener, Geoff Stonebanks’s Driftwood Fundraising Group, has raised over £40,000 for the new Macmillan Horizon Centre in Brighton, through the trail and other events in his own garden.

The Macmillan Horizon Centre is a partnership between Macmillan Cancer Support, the Sussex Cancer Fund and Brighton and Sussex University Hospitals NHS Trust. Opened in November 2016, the centre was designed with input from people affected by cancer to make it the best place to offer the support and services that people in Sussex need. The centre offers all round support from a team of specialists in a calm, friendly and welcoming environment.

Do you know anyone who might like to open their garden for Macmillan this year?

If so, please contact Geoff on 01323 899296 or email geoffstonebanks@gmail.com

For list of gardens already registered, click here:

Government refuse grant to help regenerate Madera Terraces

Plans to regenerate Madeira Terraces suffer setback after government refuse grant of £4 million to seed fund the project.

Council leader Warren Morgan has written today to the Tory MP for Brighton Kemptown, Simon Kirby expressing his anger at the decision, saying the government had let the city down badly.

The council had planned to use the funding towards a £24 million project to restore the crumbling Madeira Terraces on Brighton seafront, turning them into shops, cafes, galleries and a hotel.

Cllr Warren Morgan
Cllr Warren Morgan

Councillor Warren Morgan, Leader of the Council, said: “I am bitterly disappointed and angry with the Government. Yet again they have let us down, first they failed to invest in our rail infrastructure, now they are failing to invest even a modest amount in our seafront heritage and tourism infrastructure. This was seed funding that would have enabled us to get going on the project with private investment and matched funding from the city council. Our bid was strong and the response before today was positive, so I cannot understand why the Government has let us down so badly. Our local MP and Government Minister Simon Kirby has some serious questions to answer, and serious questions to ask his Conservative colleagues about why they think Brighton and Hove does not matter. I will be writing to Simon Kirby for his urgent response.”

His letter to Simon Kirby MP, he wrote: “Dear Simon, I am writing to you with regard to the bid from Brighton and Hove City Council to the Government’s Coastal Communities Fund for £4m worth of funding to start the project of restoring the Madeira Terraces, which appears to have been unsuccessful. Despite announcements around successful bids being announced around the country, we do not appear to have been informed directly that our bid has been rejected by ministers.

The £4m we asked for, a modest sum in relation to some other bids, would have kick-started this £23 million project to restore this much-valued stretch of Kemp Town seafront to its former glory, providing a home for new businesses and artists, triggering further public and private investment needed to complete it, and giving a major boost to our local economy and tourism in Brighton.

I am bitterly disappointed at the way this has been handled by Government, and that we have not secured funding despite favourable responses up to this point. Can I ask you to make urgent representations to your ministerial colleague and Secretary of State for Local Government Sajid Javid as to why this bid has been rejected, and what alternative sources of funding your Government will offer to enable us to undertake this essential project in your constituency.

Due to the public interest in this issue, I will be publishing this correspondence, and will of course share your reply.

Simon Kirby, MP
Simon Kirby, MP

Simon Kirby, MP for Brighton Kemptown, commented to Gscene: “I have immediately taken up this matter with DCLG. I have always been a strong voice for Brighton Kemptown & Peacehaven, happy to work with all local councils and will do my best to continue to lobby for the money.”

PREVIEW: TRANSWORKERS an exhibition by Stella Michaels

If you are trans, life may not have been easy for you and your relationships with parents, friends, and neighbours may have been fraught.

The media will have lampooned you, and you may have had to live some or all of your life in stealth in order to live at all. Or your secret may have been discovered after a lifetime and the repercussions may have cost you, your partner, or your children, or your health, or your job, or your home, or all of them.

You will know all about low self-esteem, feelings of isolation. Feeling of not being the same as others. You may have suffered loneliness, hate crime or violence. You may have self harmed or considered suicide. You may even have been successful in the latter; as many as 40% are. Gender dysphoria can be a killer.

A key indicator is employment or lack of it. Unemployment and its fellow companions, poverty and ill-health, are common in the trans community. These are often due to an individual’s low self-esteem.

It’s been a long time coming, but it’s here. Being trans is ordinary, and the pictures in this exhibition are proving it – for what’s more ordinary than going to work?

Contrary to the historically negative and viciously derogatory images in the media, Stella images are of ordinary trans people with ordinary day jobs.

The more alert employers are realising the worth of trans people in the workplace, many of whom have historically suffered long-term unemployment as a result of discrimination. “It’s about what you can bring to the party.” as one employer put it.

Self respect grows out of challenge. There’s plenty in the workplace – but those challenges can be met and overcome, as the pictures in this exhibition show.

By assembling these pictures, Stella hopes that others will take heart and encouragement and be able to avoid some of the pitfalls of low self-esteem.

Often, the only thing that holds us all back is ourselves.

Yes, we may still have a lot of work to do and a long way to travel. But is may be a trans person selling us the ticket, driving the train, or even signing our pay cheque.

If your on the trans spectrum, work in public and would like to be in Stella’s exhibition next year contact her on FACEBOOK.


Event: TRANSWORKERS an exhibition by Stella Michaels

Where: Friends Centre, Brighton Junction, 1a Isetta Square, 35 New England Street, Brighton

When: Run till May 9

Time: Open Monday-Friday 9.30am – 5pm: 3pm during Easter Holidays and Bank Holidays.

Cost: Free entry

BOURNEMOUTH PREVIEW: Refracted: Collection Highlights

Painter and Model by John Minton
Painter and Model by John Minton

To commemorate the 50-year anniversary of the partial decriminalisation of homosexuality in England, Bournemouth’s Russell-Cotes Art Gallery and Museum is launching a major new exhibition, Refracted: Collection Highlights.

The project which has been co-curated with members of the local LGBT+ communities is funded by a grant from the Heritage Lottery Fund and seeks to mark this significant change in social and cultural attitudes and to celebrate and work with a vibrant section of Bournemouth’s community.

Taking inspiration from the Rainbow Flag, which has been used since the 1970s to symbolise the mixed LGBT+ community, the volunteer curators at the Russell-Cotes have selected paintings and objects from the collection to reflect the colours of the rainbow flag and their associated themes: sexuality, (pink), life (red), healing (orange), sunlight (yellow), nature (green), magic and art, (turquoise), harmony (blue) and spirit (purple/violet). Through these themes, they have refracted the Russell-Cotes Museum’s extraordinary and diverse collection and have created a stunning exhibition which will appeal to all.

Some of the works in the exhibition reflect human LGBT+ experiences over the decades before decriminalisation.

Highlights include:

The Annunciation, 1877 by Simeon Solomon (1840 – 1905), a Pre-Raphaelite follower who was arrested and imprisoned for sodomy, destroying his promising career.

♦ Artist, John Minton (1917 – 1957) was so conflicted by his homosexuality that he committed suicide and his stunning life-size portrait, Painter and Model, will take centre stage.

Other works of art and objects have been chosen for their kitsch and exuberance, for their relevance to the rainbow themes, or merely because of their personal appeal to the individual curators.

In addition, there will be a varied and exciting programme of events which will be running in conjunction with this exhibition (from May 13 to September 8) and also linking to Bournemouth’s Pride Weekend (July 1 and 2).

Talks will be given by visiting speakers on topics including Gilbert and Sullivan’s Patience teapot (revealing Victorian attitudes to gender and sex) and the Wolfenden Report on decriminalisation. Art workshops and children’s activities will be inspired by the exhibition and its content. Alongside, smaller exhibitions will focus on contemporary gay Bournemouth and artists in the collection.

Judith Richardson, a volunteer co-curate the exhibition, said: “It’s been fascinating to see and select pieces of the Russell-Cotes’ rich heritage and to share these with the wider community. I found a painting of Rudolf Nureyev particularly fascinating, as it represents the Russell-Cotes’ more recent past, when Nureyev filmed ‘Valentino’ on location here in the 1970s.”

Nerys Watts, Head of the Heritage Lottery Fund South West, added: “Thanks to money raised by National Lottery players, we were delighted to support this project, particularly in time to commemorate the 50th anniversary of the partial decriminalisation of homosexuality. It is wonderful to welcome the opening of this exhibition, the inspiring result of a project which has put the LGBT+ community in charge of ensuring the stories that matter to them can be heard.”

Cllr Lawrence Williams
Cllr Lawrence Williams

Councillor Lawrence Williams, who sits on the Russell-Cotes Art Gallery and Museum’s Management Committee, and is the responsible Bournemouth Borough Council Cabinet member, said: “It is fantastic to see members of the local LGBT+ community working together with the Russell-Cotes to select the pieces that will be included in this exciting new show. I encourage local residents and visitors to go along to view what promises to be a stimulating and fascinating exhibition in Bournemouth’s beautiful seafront gallery.”

 

The Russell-Cotes Art Gallery & Museum is one of the most fascinating historic houses in England and is situated on the East Cliff of Bournemouth with fantastic views of the coastline. Built by Merton Russell-Cotes as an extravagant birthday gift for his wife, Annie, it celebrates the couple’s passion for art and travel, world cultures and natural history.

Russell-Cotes Art Gallery and Museum
Russell-Cotes Art Gallery and Museum

 


Event: Refracted: Collection Highlights – A Major New Exhibition

Where: Russell-Cotes Art Gallery and Museum, East Cliff Promenade, Bournemouth

When: May 13 – September 8 2017

Time: OPEN: 10am to 5pm, Tuesday-Sunday and Bank Holiday Mondays.

CLOSED: Mondays, Good Friday, Christmas Day and Boxing Day.

For more information, click here:

More artists added to Brighton Pride main stage line-up

Becky Hill, M.O, Fickle Friends and KStewart will join the legendary Pet Shop Boys and Years and Years on the main stage of Brighton Pride at the Summer of Love Festival on Preston Park on Saturday, August 5.

Becky Hill
Becky Hill

Becky Hill scored her global first number one with Oliver Helden’s Gecko (Overdrive) with chart topping hits including Wilkinson’s Afterglow and Rudimental’s Powerless. Her solo career has seduced us with tracks including Losing, produced by MNEK, and Warm, declared by Radio 1’s Annie Mac as the Hottest record in the world.

M.O
M.O

Inspired by TLC, Destiny’s Child and Spice Girls, M.O burst onto the scene with their unique re-imagining of Brandy & Monica’s The Boy Is Mine (with a little help from UK rap upstart Lady Leshurr) on SBTV’s A64 session.

Hailed, “the only girl group you need to worry about” by DJ MistaJam, M.O’ s Show N Prove produced Wait Your Turn was declared a stand out tune by The Guardian.

Fickle Friends
Fickle Friends

Fickle Friends were described by the NME as “following the pathway to pop perfection”, and honed their live craft with appearances at over 50 festivals including The Great Escape, Reading Festival, SXSW, Leeds Festival and Bestival.

Enjoying critical acclaim with their brilliant singles Could Be Wrong, Say No More, Cry Baby, Brooklyn and Swim, their forthcoming album is produced by Mike Crossey (Arctic Monkeys/The Courteeners/The 1975).

KStewart
KStewart

West London native Kate Stewart aka KStewart comes from a family of talented musicians. Hailed by iD Magazine as this generation’s answer to Mariah Carey, and by The 405 as One To Watch with “all the makings to be the biggest popstar in the world”, KStewart’s collaborations include Marlon Roudette, Oliver Helden, TCTS and MNEK.

With more artists still to be announced this year, and 14 other entertainment areas, the Brighton Pride 2017 Festival is set to be the most spectacular ever.

To book tickets for Pride, click here:

Manchester Pride reveal The Big Weekend DJ line-up

Manchester Pride has added some of the best dance music acts in the country to its line-up for the Gaydio Dance Arena at The Big Weekend which takes place from Friday August 25 to Monday, August 28.

 Danny Howard
Danny Howard

Manchester 2017 will see DJ sets from internationally renowned Faithless, BBC Radio 1’s Dance Anthems Danny Howard and English electronic music duo and production team Simian Mobile Disco head up one of the event’s most exciting and relevant DJ line-ups to date.

The warehouse party style arena at the lesbian, gay, bisexual and transgender (LGBT) festival has grown in stature over the past three years and the unique car park stage has put the event on the dance music map with world-class acts such as Judge Jules, Groove Armada, Honey Sound System, Stonebridge and Honey Dijon.

Mark Fletcher
Mark Fletcher

Mark Fletcher, chief executive for Manchester Pride, said: “Since we launched the Gaydio Dance Arena it has proven to be massively popular, not only with our audience but also with the DJ’s that we’ve been able to attract to come and play for us.  

“Every year I really look forward to visiting this unique space at the end of the day and taking in the atmosphere. It’s something very different from the rest of The Big Weekend, and from any other Pride celebration that I’ve attended. Something feels very Mancunian about it. 

“It’s brilliant to have such well renowned credible names from the word of Dance music coming out to support the event and celebrate LGBT+ life in the City. It’s also great to see Ben Pearce back on the bill after he took some time out last year – we know our audience will be thrilled.”

The Big Weekend tickets are currently priced at £22.50 for a weekend ticket, £16.50 for day tickets and children’s tickets are also available.

Tickets provide guests with access to the event site, including the Main Arena, Sackville Gardens, the Gaydio Dance Arena and the Expo and help Manchester Pride raise money for LGBT+ and HIV charities and organisations in Greater Manchester.

For video of full line-up, click here:

 

 

 

For more information about Manchester Pride, click here:

PREVIEW: Bad Girls the Musical@The Old Market Theatre

With the local prison service currently in something of a state of turmoil, the timing of the staging of Bad Girls – The Musical at The Old Market Theatre (TOM) in Hove, couldn’t be better.

With a highly talented local cast from Brighton Theatre Group, the musical that ran for over a year in the West End recently, takes as its starting point the original core characters from the first three series of Bad Girls the iconic TV series.

Set in the fictional HMP Larkhall, it tells the story of new idealistic Wing Governor Helen Stewart (Collette Ridehalgh) and her battles with the entrenched old guard of Officer Jim Fenner (Frankie Davison) and his sidekick Sylvia Hollamby (Sharon Starr).

It also follows the love story that develops between Helen and charismatic inmate Nikki Wade (Hollie Hines). Other featured characters include Shell Dockley (Sophie Graffin) and her runner Denny Blood (Beth Yeates), old-timer Noreen Biggs (Ann Atkins), The Two Julies (Emma Sayers and Jo Barnes) and the ultimate Top Dog, King-of-Gangland’s missus, Yvonne Atkins (Jaki Pockney).

The tragic death on the wing of Rachel Hicks (Amy Lawrence) – in which Jim Fenner is implicated – leads to an angry protest from the women and forces Helen and Nikki to their opposite sides of the bars. But when it’s clear that Helen stands to lose her job over Jim Fenner’s misdeeds, the race is on for the women to nail Jim once and for all.

With a musical score performed by a live band hidden away in the depths of the theatre and with direct input from Kath Gotts, writer of both the score and lyrics, Bad Girls – The Musical is packed full of catchy tunes such as A Life of Grime; All Banged Up & The Future is Bright), plus a ballad or two that will bring a tear to your eye including the evocative Freedom Road.

The show is directed by Michael Burnie, choreographed by Jodie Michelle with musical direction by Ellen Campbell.

Bad Girls – The Musical promises to be gritty, witty and wonderful as “THESE GIRLS AREN’T JUST BAD – THEY’RE WICKED”.

 

 


Event: Bad Girls the Musical

Where: The Old Market Theatre, 11A Upper Market St, Brighton BN3 1AS

When: April 18-22

Time: 18,19 20 at 7.45pm: 21 and 22 at 5pm and 8pm

Cost: 18,19 20 £15/£13: 21 and 22 £17.50

To book tickets online, click here:

FEATURE: Sugar’s Big Hair Trip Part 1

Latvia, a country neighbouring Russia, regained independence from the Soviet Union in 1992 and decriminalised homosexuality soon after.

However, general social opinion has not moved on much since then. In 2005, Riga, the capital city held its first pride but unfortunately counter protesters greatly outnumbered pride protesters and in 2006 Riga Pride was banned by the authorities.

Regardless, pride took place again in 2007 and the 500 pride goers outnumbered the 100 counter protesters. However, simultaneous anti-pride events elsewhere in the city attracted thousands of protesters.

Same sex marriage is banned, as is same-sex adoption with only 12% and 8% of Latvians supporting these equalities. As an LGBT+ person in Latvia you are at a much greater risk of attack than you are here in the United Kingdom and local meeting points for the small LGBT+ community are often targeted. As an LGBT+ person you are able to make no criminal charge against your attacker other than that of ‘Hooliganism’.

So what was, I, a trans woman who does not pass through the world looked upon as cisgender by the majority of people, going to Latvia for in the first place?

A hair transplant. I had searched the world for a surgeon willing to take me on as a patient and I just could not find one. I am so bald from going through male menopause at 19 years old that most surgeons would not touch me stating that I was simply not a candidate for this surgery and my only option was wigs, or they would try to take my money upfront knowing that they would only be able to give me a partial head of hair and not tell me this until I had made the journey to their country and was half way through surgery.

I had just about given up hope after receiving so so many knock backs when my now standard email explaining who I am accompanied with photos of myself didn’t get a refusal email, but a request to Skype.

I wasn’t too hopeful as I had already been through this process many times and eventually been refused, but this time was different. I had my first Skype consultation with a female surgeon and she explained to me what I had heard many times over about the limited amount of donor hair but I appealed to her, reminding her why she went into this line of business in the first place and made it very clear I was prepared to take a risk if she would.

This would be new to her as even the most advanced clients are done in one long day surgery of 8-10 hours, and perhaps the next morning. She warned me that this would not be easy, it would be pioneering, there would be no guarantees and that I would have to sit through up to 16 hours of surgery a day over multiple days. She recruited extra nurses to work alongside her and we were all set to try something new – so, I was off to Riga. Scary on all accounts.

I had never used my female passport before and going through the London airport I found it all very exciting. Having breasts and testicles show up on the 3D scanner which then assumes that one of them is concealing drugs resulted in me being referred for extra security.

My gender and pronouns were respected and I felt I was treated with dignity. This continued as I passed through the airport, as, by their very nature are a crossroads of all types of people of all diversity. It was only when I approached the gate of a Latvian borne flight by a Hungarian carrier that the attitudes towards me changed.

I am a strong woman and not easily flustered anymore and although I could tell the man sitting shoulder to shoulder with me on the flight wanted to punch me in the face, he knew he couldn’t and I felt safe knowing that.

Passport control was much easier than anticipated and before I knew it I was in a car on the way to a 5* hotel. The hotel and the staff were amazing and could not do enough for me, even running out for cigarettes for me because I didn’t feel safe.

The next morning I was picked up in a car at 8am and was taken to surgery. I met my team of 5 who were to be working on me and we wasted no time.

The actual procedure was worse than I had ever imagined but i always knew it was never going to be a walk in the park. We worked solidly stopping twice for meals and I was driven back as the nurses cleaned up the theatre at 11:30pm. I was picked up at 8am the next day and we finished at 11pm agreeing that the potential risks of working a 3rd day far outweighed any benefits, so we stopped and booked another 2 full days surgery in 10 weeks time, when I have, fingers crossed, healed without infection.

The physical and emotional pain I was in over those two days was matched by the physical and emotional exhaustion from the team working on me. I consider myself very lucky to have found them and to have convinced them into taking on this level of work.

As I prepared to fly home my face was swollen beyond recognition. I tried my best to apply some make up to at least try to look a little like my passport. I had a letter in Latvian and English from my surgeon explaining what I had been through and that I would not look like my passport photo. Nor could I wear a wig, and so bandaged up, with my best foot forward I headed home, grateful of those letters, as I really did need them.

I am now 7 days post op and the nerve endings are starting to come back which is increasing my pain levels despite the cocktail of painkillers I am on. I am showing no sign of infection which is great and I am looking forward to 9 weeks time, 5 by the time this is published, when I fly back to be reunited with my surgical team for another few days of work.

What a lucky, lucky woman I am.

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