Great fast paced fun for fans of modern relationship comedy, light touch while pretending to be something deeper, a must for those who worship at the Alter of ABBA with plenty of original music scattered throughout the evening.
Great fast paced fun for fans of modern relationship comedy, light touch while pretending to be something deeper, a must for those who worship at the Alter of ABBA with plenty of original music scattered throughout the evening.
This haunting performance of Henryk Górecki’s Third Symphony is a startlingly but soothing staging from the ENO yet again showing us what a dedicated team of people can do with imagination, flair and a determination to explore and share the very best of music with a diverse and invested audience.
This is an utterly charming performance, with some of Kents signature touches, a stage filling bit of spectacle, live orchestra, La Boehme is a romantically sad story, ending in tragedy but with some delightful set pieces celebrating love hope and beauty
It was my first time. A line from this bizarre high school musical which reflects my own experience this evening and wow did I get more than I bargained for!
Amusing and engaging, with some solid comic throw away lines and one stand out emotional scene of grief expressed, it felt froth with no firmness.
There’s something extra fun about watching a classic ballet, danced in a classic way in a rococo theatre like the Theatre Royal, its velvet plushness and plastered glided excesses underlining what a lovely experience ballet can be.
I was moved by this Epic dark experience, it was emotive and evocative. I left feeling that I’d been shifted into a different reality, It’s a memorable experience, you will remember it. They’re not afraid of shade are PunchDrunk, in any way means or form.
John Waters doesn’t disappoint here, his mind is twisted ways which makes rococo baroque look straight, this fun exploration of more Baltimore lives is a shock-o-rama of his favourite themes
The redemption of the title is a curious idea for men who neither wish for it or appear to strive for it, remorse is certainly explored but Andy seems to be the only person (man) advocating his own innocence in this sorry tale. David Esbjornson directs this confident cast with a firm hand, although some of the American accents were prone to drift around, but by drawing out believable performances, exploring the heavy emotional impacts of lost hope and the essential need for a person to find their own way, the cast gives this complex multi-layered bro-mo story a fascinating live exploration.
A successful night and a polished introduction to a remodelled Yeoman. Offering a fine evening of nostalgic semi-serious opera with its heart of G&S essential silliness maintained.
