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DJ Profile: DJ Dazwell

Want to get yourself wiggling through autumn? Queenie meets the man who’ll cater to your every dancefloor need – DJ Dazwell!

Hello – how are you? 
Hi, I’m absolutely fantastic thanks! 

Where can we hear you playing?
You will find me playing everything house, dance and EDM most weeks in Brighton. Fridays I’m at B&G in Burgess Hill and Saturdays at Savannah’s in Haywards Heath. Also on Mixcloud.com every week with a new mix of whatever takes my fancy.

What are you playing these days? 
I’m an ‘open format DJ’, so I’ll play whatever the crowd want. Chart, house, R&B, D&B, anthems and cheese, whatever’s needed to keep the party going. I’m a massive mash-up fan, so expect to hear things you wouldn’t anywhere else.

Any other projects going on? 
I’m always on the look out for moments of brilliance for my Mixcloud mixes and I’ve just done the opening set on the Arch Stage at this year’s Boundary Festival at Stanmer Park which was amazing!

Fave song ever? 
For me it has to be Gadjo So Many Times. It’s just the perfect summer feel good song.

Best ever gig and dream gig? 
My best gig to date was actually this year. I had an hour slot at the Sunday afternoon of the Brighton Pride Street Party. It was by far the biggest and best set of my life so far. Seeing thousands of people dancing along to tunes I’d selected, on a hot sunny Sunday afternoon with the iconic Brighton Pier in the background. Simply amazing! The atmosphere was like nothing I’d ever experienced before. Normally when you’re DJing, it’s in a dark booth, late at night and no one can really see you or what you’re doing. But being centre stage on such a glorious day was a whole new experience I’ll never forget.

Tune you wish you’d never played? 
So many to choose from… To be honest, I don’t think I’ve ever regretted playing a particular song. I’ve had many dodgy requests from customers which are always a challenge to work into a set, but then that’s the fun in DJing. I guess I shouldn’t be dropping Baby Shark over club classics, but hey, the crowd love it.

Guilty pleasure? 
Technology and gadgets. I have to have the latest gizmo, even if I don’t need it.

Describe yourself in three words!
Chilled out guy!   

DJ Dazwell’s current top five 
Ryan Blyth ft BB Diamond Raise A Glass (Original Mix) Sony
Fisher v Oliver Heldons Losing Gecko Friends (Stickmen edit) DTD
PBH & Jack Shizzle Ayla (Club Mix) 3Beat
Weiss (UK) Feel My Needs (Purple Disco Machine mix) Toolroom
One Direction v OMI What Makes A Beautiful Cheerleader (Dazwell Mashup) themashup.co.uP

Charles Street Tap raise £680.44 for the Rainbow Fund

Rupert Ellick and Chris Marshall, general manager of Charles Street Tap, celebrated their combined birthdays on Sunday, September 2 to raise money for the Rainbow Fund.

CHRIS Marshall (pictured) receives a certificate of thanks from the Rainbow Fund.

Artists donating their time on the evening included Lola LasagneDavina SparkleDrag With No NameJennie CastellLady ImeldaRose GardenSandraHeart & SoulSally VateMiss DisneyJason ThorpeJoss O’BrartLucinda LashesCinebraSpiceMrs MooreKara Van Park and Pat Clutcher.

Chris Gull
Chris Gull

Chris Gull, chair of the Rainbow Fund, said: “Without the continued support of local LGBT+ businesses, we would not be able to continue supporting LGBT+ people in Brighton & Hove. Many thanks to Chris and Rupert for handing over their birthdays as a fundraiser to benefit the Rainbow Fund. A very special thank you to all the staff at Charles Street who worked their socks off all evening, the many, many artists who donated their services on the evening and to the volunteers from the Brighton and Hove LGBT Community Safety Forum who gave up their evening to shake the collection buckets.”

The Rainbow Fund make grants to local LGBT/HIV organisations delivering effective front line services to LGBT+ people in Brighton and Hove.

Through an independent grants panel, The fund give grants to LGBT/HIV organisations in Brighton & Hove who deliver effective front line services to LGBT+ people in the city.

In the 2017-18 grants round the following organisations benefitted from grants amounting to £110.688: These included Allsorts Youth Project (£5,000), Brighton Gems (£1,725), The Clare Project  (£5,000), The Rainbow Chorus (£7,150), Older & Out (£5,270), Sussex Beacon (£7,500),  Accessibility Matters (£1,800), Whitehawk LGBT support group (£1,000), Trans Alliance  (£5,000), Peer Action (£7,300), Lunch Positive (£8,082), MindOut (£14,989), Switchboard  (£11,725), and LGBT Community Safety Forum (£29,147).

Successful groups/organisations receiving money in the 2018-19 grants round will be announced at The Rainbow Fund LGBT+ community grants presentation evening at The Hilton Brighton Metropole on Monday, October 15, at 7pm which will be hosted by comedian and Rainbow Fund Patron Zoe Lyons and Lola Lasagne.

If you’d like to be on the guest list please contact the Rainbow Fund via the “contact us” button on the website at www.rainbow-fund.org.

Places will be allocated on a first come first served basis, and people will be contacted on Wednesday, October 10 to let them know if they are on the VIP list.

For more information about the Rainbow Fund, click here:

Brighton Pride 2018 raise record £250,000 for good causes

Brighton Pride smash all previous records, raising £250,000 for good causes in Brighton & Hove during Pride 2018.

Photo by: Ian Courtier
Photo by: Ian Courtier

THIS record amount will be distributed as grants to LGBT+/HIV organisations and generic community groups through the Rainbow Fund, Pride Social Impact Fund, Pride Cultural Development Fund and the new Pride Solidarity Fund.

THIS year’s bumper Pride weekend of free and Pride ticketed events which took place all over the city saw an exciting and diverse programme including the launch of the new Sunday family friendly day in Preston Park, the LoveBN1Fest, headlined by Nile Rogers, CHIC and Jesse Lynne which helped raise extra community funds, bringing the total raised by the present organisers of Pride for local good causes to £705.000.

Paul Kemp
Paul Kemp

Brighton Pride CIC Managing Director, Paul Kemp, said; “We are immensely grateful for the support of everyone who purchased tickets for the official Pride events, as well as our sponsors and local supporting businesses, all of whom have helped us raise this record amount for good causes and groups doing vital work in our LGBT+ and local community good causes.”

The financial benefits to the City do not end there, with new Independent analysis of the economic impact of Pride showing that this year the City’s economy benefited to the tune of £20.5 million through visitor spending on travel, accommodation, retail, and food and drink across the weekend.

Paul continued: “We really want our local communities and businesses across the City to benefit from the Pride weekend and we are delighted that this year’s event has helped to bring economic boost to the city as well as raising much-needed funds for our community  groups across the our City”

Chris Gull
Chris Gull

Chair of the Rainbow Fund, Chris Gull, said: “This is great news for the city, and particularly for the good causes that will benefit, including The Rainbow Fund. We will continue to ensure that these funds are distributed as grants to our local LGBT+ and HIV projects in the fairest way, and that we remain aware of the reduction of other funding sources.”

Greens want more ‘movement’ on Mears housing repairs contact

Options to bring housing repair services back in-house must go further, say Greens.

OPTIONS being considered by Brighton and Hove Council to bring housing repair services back in-house should go further and cover more housing works, Greens will argue today.

A meeting of HNHC today, September 26 will debate how to proceed with the delivery of council housing repairs, with the current multi-million pound contract with Mears PLC set to expire in March 2020.

Over 11,550 and 2,900 leasehold properties and tenanted homes had been covered by Mears’ services, including kitchen and bathroom repair and customer service. With the contract coming to an end, Green councillors have raised repeated concerns over the suitability of outsourcing the service to private providers, calling for it to be brought back in-house.

However, with the Council likely to recommend bringing only some elements of the service back into Council ownership, Greens are calling for the committee to consider a wider range of options for in-house services, such as kitchen and bathroom works.

A Green amendment to the proposals will push the Council to continue to explore bringing further elements of the contract in-house when practicable. They will argue that a council-owned repair service will be easier to manage, with the potential to bring added community benefits for tenants as well as increased accountability for the public and stronger employee rights.

Cllr David Gibson
Cllr David Gibson

Councillor David Gibson, Green Housing Spokesperson, said: “Greens have long argued that with key parts of our housing contract, we should bring them in-house. We thoroughly welcome the proposal to bring the responsive repairs element of this contract in-house. This represents an important achievement for tenants and the public who also deserve a more accountable service.

“Bringing responsive repairs under council management is a good start, but we want to go further by adding in planned kitchen and bathroom works, along with a commitment to achieve as much as realistically possible in-house.

“Other Councils, such as Islington and Sheffield, have already done this and have been able to achieve better social value, better conditions for staff and accountability for tenants. Unlike the issues that have led to conflict within the Mears contract, in-house provision also grants us greater flexibility to improve the service as needed, rather than be subject to the constraints of an external contract.

“It is extremely positive that all parties agree the contracts need to be more strongly managed by the Council, but Greens believe in not-for-profit, publicly accountable provision, and we should seize this opportunity to improve the housing repairs service for tenants.”

An investigation about a Mears sub-contractor overcharging for housing repair services raised by community activists resulted in Mears having to repay the council £513,000.

Peter Tatchell Foundation secures charity status

Six year battle confirms that human rights is a legitimate charitable objective.

Peter Tatchell
Peter Tatchell

THE Peter Tatchell Foundation has secured charity status from the Charity Commission, after a six-year battle, with the Commission confirming the Foundation’s human rights and charitable bona fides.

The Foundation seeks to promote and protect the human rights of individuals, communities and nations in the UK and internationally in accordance with established national and international human rights law.

Director of the Foundation, Peter Tatchell, says: “This decision has confirmed the Foundation’s charitable work and status, and our legitimacy as a mainstream human rights organisation. It will enhance the credibility, authority and effectiveness of our work promoting and protecting human rights in the UK and around the world. It has been a long six-year struggle to achieve this goal. We are thankful to the Charity Commission and to Mishcon de Reya who assisted our application. I hope that our precedent will aid the bids of other human rights organisations striving for charitable status.”

Law firm Mishcon de Reya represented the Peter Tatchell Foundation pro bono for two years in its quest for charity status.

Commenting on the approved charity application, Mishcon lawyer Matt Ingham said: “This long-awaited approval reflects the Charity Commission’s more nuanced and sophisticated understanding of how the campaign for human rights is distinct from establishing a charity for political purposes. It is important to understand the barriers that prevent legitimate charitable entities from gaining approval in order to properly address them. With the valuable cooperation of the Charity Commission we were able to reach a great result for The Tatchell Foundation, which will have positive implications for other campaigning organisations going forward.”

Chair of the Peter Tatchell Foundation, Jeremy Hooke, added: “Having official charitable status will open many doors to us and thereby enable us to better help the individuals and organisations who seek our advice and support. We are immensely grateful to Matt Ingham and the team at Mishcon de Reya for their invaluable legal support during our application to the Charity Commission.”

Dulcie takes sabbatical from Brighton Pride

After many years of invaluable service in a variety of essential roles including Parade Manager, Dulcie Weaver takes a sabbatical from Brighton Pride so she can return to university and follow her first passion, music production.

A WELL known face on the Brighton LGBT+ scene, Dulcie has many years of DJing under her belt as well as event organising and promotion at a variety of venues across the city.

As part of the new Pride organisation Dulcie has been instrumental in overcoming the numerous challenges left in the wake of the previous bankrupt management, helping to create the current model that has delivered over £455,000 in fundraising in just 5 years.

Paul Kemp, Director of Brighton & Hove Pride said: “Dulcie and I have worked together on different projects for almost 30 years from the early days of Wild Fruit, Sunday Sundae and Cash Queen. As a loyal and respected colleague she has been a huge part of Pride in the last 5 years and I’m extremely proud of the partnership and continued friendship. I’m thrilled that Dulcie is going to be fulfilling her passion for music and know she’ll continue to be a huge supporter of both Pride and the Brighton LGBT+ scene and won’t be disappearing.”

Dulcie said: “I feel very honoured to have been able to serve the various LGBT communities for the past seven years. I’ve met so many great people from the third sector and am so amazed by all the things they do for their communities. I’d like to thank everyone who over the years, has helped to make Pride happen year after year. I wish Paul and his team a brilliant future and look forward to seeing a great fundraising result for 2018.”

 

PREVIEW: Hombres – a photo exhibition of the male nude

Ted Cotter spent his working life in financial services in the City of London.

A HIGH-level hockey player in his spare time, he turned to photography relatively late in life, joining the world’s oldest photographic society The Camera Club in London in 1990. He subsequently became its Secretary, Treasurer and then its President.

At the Camera Club he created a group to study and photograph the male nude form, running it for fifteen years. “Male nudes were frowned upon, but we said “we’re here, deal with us .”

The first male nude exhibition at the Camera Club rattled a few cages, he says, but was the most successful opening the club had had.

Over the intervening 30 years Ted has built up a group of models who pose for him at intervals – some yearly and some more ambitiously every decade. His ‘continuity’ project charts the men’s maturing and ageing and is an ongoing piece of work, of which he is duly proud. And the models have often become good friends, feeling totally at ease with the work.

So what makes a good subject for Ted ? “The guys need muscle tone, so I can mould them into abstract shapes but they mustn’t be muscle Marys, and they have to bring personality to the shoot.” He particularly likes working with dancers. “They have great control of their bodies, physical strength but also an inner strength of character.”

Ted has three main projects – the chronology work over many years with the same men; a thematic series with men posed round ropes, and a new idea for male and female pictures, probably including the woman in various stages of pregnancy and including the new child when born.

All his photography is black and white. “Colour in a photo of the human form is distracting ; there is much more tolerance in the developing of a monochrome print and it adds to the sculptural effect I aim for.”

As with all highly professional photographers, much of his work is discarded along the way. Typically a three-hour shoot will produce 5 or 6 exhibition-quality photos.

Still based in studios at the Camera Club in Kennington, London Ted admits: “My best photos have often been mistakes. I tell the subject not to move but then they do and create a better shape.”

“The most important element of the work is total trust between subject and photographer.” This clearly only comes with time, but when you photograph the same people for over 30 years, time is clearly on Ted Cotter’s side.

Ted Cotter hopes to mount this current exhibition in Brighton in 2019.

You can view more of his work on Tumblr at towncrierphotos.

For enquiries to buy his work, email:  towncrierphotos@gmail.com

Hombres is presently showing at the Casablanca cocktail bar and art venue in Sitges until October 14.

Local artist paints Freddie Mercury for Hibernation 2018 fundraising auction

Local artist, Lez Ingham supports Hibernation 2018 fundraising luncheon with new painting of Freddie Mercury.

Lez Ingham
Lez Ingham

LAST year Lez donated a painting of George Michael which was auctioned at Hibernation, the community luncheon organised by Bear-Patrol raising £3,300 for the work of the Brighton and Hove LGBT Community Safety Forum.

This year Lez has kindly offered to create a unique painting of Freddie Mercury to auction for the benefit of the Rainbow Fund.

Lez said: “Occasionally I’m stopped in my tracks by a flash of genius. I’m intrigued by super bright stars, and Freddie Mercury was definitely both a genius and a star. In 2017, I painted a portrait of George Michael, another bright star, in my estimation to be auctioned at Hibernation, Bear-Patrol’s Annual Community Luncheon. I was overwhelmed by the enthusiasm and interest, and the incredibly well organised and entertaining event.”

When Lez arrived at the Old Ship Hotel for the luncheon last year she was massively stressed, as she’d very nearly destroyed the painting of George, minutes before catching the taxi to the hotel.

She continued: “When I paint a portrait of someone, famous or otherwise, I immerse myself into their character, and try my best to get under their skin. Freddie Mercury was outrageous, flamboyant and exotic. His energy and imagination had no boundaries. He had a twinkle in his eye and a ‘campness’ that transcended other rock stars, excluding Bowie of course.

“Freddie was fun, cheeky, sexy as well as being a musical genius, or as he famously described himself, ‘I’m just a musical prostitute my dear.’

Lez has chosen to depict Freddie in this years painting, as an outrageous showman with a wicked sense of humour, blessed with the ability to transform himself into a surreal visual feast.

She adds:I’m Going Slightly Mad was released after Freddie was diagnosed with HIV in 1991.
He chose to film the music video in black and white, reminiscent of early silent movies. Wearing heavy white face make-up and a wig, he manages to amuse and titillate with such aplomb.

“I hope this painting of Freddie is as well received as George was last year and hope he manages to raise a fair amount of money for The Rainbow Fund, an organisation close to my heart.

“I look forward to seeing all the Bears at Hibernation on Sunday, October 21 at the Old Ship Hotel and thank Danny Dwyer for asking me to create a piece of art for Bear-Patrol once again this year.”

The Rainbow Fund give grants to LGBT/HIV groups and organisations who deliver effective front line services to LGBT+ people in Brighton and Hove.

REVIEW: Austentatious @ Brighton Dome

 

Austentatious

Brighton Dome

September 24th

AUSTENTATIOUS is an entirely improvised comedy play in the style of regency author Jane Austen.  The cast create a riotously funny new literary masterpiece, based on nothing more than a title suggested by the audience. Like balls, no two shows are ever the same. Performed in full Regency costume, with live musical accompaniment, Austentatious’s past works include ‘Bath to the Future’, ‘Strictly Come Darcy’ and ‘Mansfield Shark’.

Each person in the audience has a slip of paper with a ‘Penguin Classic’ book cover to write down a title of a ‘lost’ Austen classic, one is chosen and this wickedly sharp troupe of improvisers, all skipping around in period costume with a few chairs and plenty of alacrity, get to work on constructing a narrative that may, just, have come from the pen of Ms Austen herself.   They tick the boxes of period drama fans, Austen die-hards, impro fans and people who just like to be delighted by silliness done extremely well.

The ‘lost’ Austen masterpiece recreated in the regency splendour of the Dome was ‘Virtue & Vampyres’  and had all the tropes & motifs one would expect from a regency period drama of social commentary and romantic pursuits about a family of ancient Vampyres living discreetly in Guildford.  It’s prim but subtly naughty, flirtatious and utterly unctuous and the group work superbly well bouncing ideas off each other and running with them into the deepest darkest impro woods.

Austentatious Solo
Photo Credit: ©Richard Davenport 2015, Richard@rwdavenport.co.uk, 07545642134

Watching a super group of comedy folk work so seamlessly together is a joy in itself and watching them set each other up, and artfully nipping in and out of each other’s traps was delightful and then the occasional ganging up to make someone wallow in glorious improvised twaddle and it working! There’s nothing an audience likes more than a comedian who can pull off the long shot and although the team work is well rehearsed it’s the little moments of personal madness which spin out into the wider plot which makes this regency show shine.

The narrative neatly folded back up in the second half, bringing all the bonkers parts of the plot into something resembling a workable narrative, with some lovely running jokes and rather mean pressing by some of the performers on the others which brought great hilarity, this was warm and engaging entertaining.   The on-stage fiddle playing from regency hottie Oliver Izod, underscoring and rather understated was perfect background to the scene setting and I loved the dramatic emotional playing to suggest, or underline the action happening on stage. The musician is a superb addition to this show and gives a regency authenticity to the silliness on stage.

Austentatious Solo
Photo Credit: ©Richard Davenport 2015, Richard@rwdavenport.co.uk, 07545642134

Throwing an interval in makes this long form improvisation easier to digest and also gives the frantic pace of plot some time to settle in.  90 minutes of improvisation is a long ask of an audience, it is testament to the talent of this crew and their pure adorability that the time flies past.

One felt the selection process was a little unspontaneous, sifting thought the choices offered up from the audience until one was settled on, I’d rather a more chance ( and dangerous) element to the title of the evening and I felt a tiny disappointment at the Vampyres genre being the chosen one. I understand the need to filter out the endless filth that gets flung at an improvisation group and the Meta clash of genre is always a delight, but it undermined what I was expecting to be a sparkling night of wit and tingling speculations paying off.

Other than that one small gripe the troupe are well versed in deconstruction and the endless forms of parody, they tease and roll with each other’s suggestions and allow space for some occasionall fireworks and delightfully damned oddness.  The evening was one filled with light hilarity and ending as it should with a dénouement of romantic attachments, “Virtue and Vampyres” was a gentle frolic around the backwaters of the lost cannon of Miss Jane Austen’s works and brought to temporary life by the every delightful and utterly charming band of improvisers which makes up this charming troupe. The Prince Regent would surely approve….

On Tour, do leave a card and call on them should they be visiting your county for the season.

Bedford Tavern raise £650 for Rainbow Fund

Bedford Tavern remain committed to raising funds for all LGBT/HIV organisations in the city.

GOLDEN Handbag Favourite Barman Matt Richards and Adam Brooks, the multiple winner of the Golden Handbag Favourite Landlord award, receive certificate for raising £650 for Rainbow Fund during their Christmas Summer Xmas Weekend in June fundraiser at the Bedford Tavern.

Events during the weekend included Kristmas-Oke on Friday (22), Spice’s Christmas Show on Saturday (23) and a three course Christmas Lunch on Sunday (24).

Through an independent grants panel, The Rainbow Fund give grants to LGBT/HIV organisations in Brighton & Hove who deliver effective front line services to LGBT+ people in the city.

In the 2017-18 grants round the following organisations benefitted from grants amounting to £110.688: These included Allsorts Youth Project (£5,000), Brighton Gems (£1,725), The Clare Project (£5,000), The Rainbow Chorus (£7,150), Older & Out (£5,270), Sussex Beacon (£7,500), Accessibility Matters(£1,800), Whitehawk LGBT support group (£1,000), Trans Alliance (£5,000), Peer Action (£7,300), Lunch Positive (£8, 082), MindOut (£14,989), Switchboard (£11,725), and LGBT Community Safety Forum (£29,147).

Successful groups/organisations receiving money in the 2018-19 grants round will be announced at The Rainbow Fund LGBT+ community grants presentation evening at The Hilton Brighton Metropole on Monday, October 15, at 7pm which will be hosted by comedian Zoe Lyons and Lola Lasagne.

If you’d like to be on the guest list please email the Rainbow Fund via the “contact us” button on the website at www.rainbow-fund.org.

Places will be allocated on a first come first served basis, and people will be contacted on Wednesday, October 10 to let them know if they are on the VIP list.

For more information about the Rainbow Fund, click here:

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