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Turner Prize 2017 shortlist announced

Tate Britain has announced the four artists who have been shortlisted for the Turner Prize 2017.

This year’s nominees are Hurvin Anderson, Andrea Büttner, Lubaina Himid and Rosalind Nashashibi.

The Turner Prize was established in 1984 and is one of the most prestigious and best known art awards in the world. It aims to promote public debate around new developments in contemporary British art, and is awarded to a British artist for an outstanding exhibition or other presentation of their work in the twelve months preceding 24 April 2017.

The winner is awarded £25,000, with £5,000 each awarded to the other three shortlisted artists.

The Turner Prize 2017 jury members are Dan Fox, writer and co-Editor at Frieze; Martin Herbert, art critic; Mason Leaver-Yap, Walker Art Center’s Bentson Scholar of Moving Image and Associate Curator at KW Institute for Contemporary Art in Berlin; and Emily Pethick, Director of Showroom. The jury is chaired by Alex Farquharson, Director of Tate Britain.

This year an exhibition of work by the four shortlisted artists will be held at Ferens Art Gallery in Hull as part of the UK City of Culture celebrations from 26 September 2017 to 7 January 2018. The winner will be announced on 5 December 2017 at an award ceremony live on the BBC, the broadcast partner for the Turner Prize.

More information about the nominees

Hurvin Anderson
Nominated for his solo exhibitions Hurvin Anderson: Dub Versions at New Art Exchange in Nottingham and Hurvin Anderson: Backdrop at the Art Gallery of Ontario in Canada. The jury praised Anderson as an outstanding British painter whose art speaks to our current political moment with questions about identity and belonging, and recognised a deeper interplay between figuration and abstraction in his work. Drawing from art history as much as his own Caribbean heritage, the artist’s dream-like paintings are compositionally dense and vibrant, combining geometric and gestural shapes alongside portraiture, landscape and still-life.

Adrea BÜttner
Nominated for her solo exhibitions Andrea Büttner: Gesamtzusammenhang at Kunsthalle Sankt Gallen in Switzerland and Andrea Büttner at David Kordansky in Los Angeles. The jury noted Büttner’s unique approach to collaboration and her exploration of religion, morality and ethics, articulated through a wide range of media including printmaking, sculpture, video and painting. Often incorporating archival material, Büttner’s exhibitions investigate shame, vulnerability and poverty. Using low media such as woodcuts or home videos, Büttner is interested in the role of the amateur in the production of culture.

Lubaina Himid
Nominated for projects including solo exhibitions Lubaina Himid: Invisible Strategies at Modern Art Oxford and Navigation Charts at Spike Island in Bristol, as well as her participation in group exhibition The Place is Here at Nottingham Contemporary. The jury praised these exhibitions for addressing pertinent questions of personal and political identity. As a key figure of the Black Arts Movement, Himid has consistently foregrounded the contribution of African diaspora to Western culture. Working across painting, installation, drawing and printmaking, and bringing both old and new work together, her work is both visually arresting and critical.

Rosalind Nashashibi
Nominated for her solo exhibition On This Island at The University Art Galleries at UC Irvine’s Claire Trevor School of the Arts in California, and her participation in Documenta 14. The jury was impressed by the depth and maturity of Nashashibi’s work, which often examines sites of human occupation and the coded relationships that occur within those spaces – whether a family home or garden, a ship or the Gaza Strip. Her films use the camera as an eye to observe moments and events, contrasting reality with moments of fantasy and myth. They show how the intimate and everyday collide with issues of surveillance and control.

For more on the Turner Prize, click here:

For Hull UK City of Culture 2017, click here:

Stars to appear in West End gala for Switchboard LGBT+ Helpline

Actor Mark Gatiss, a patron of the national Switchboard, LGBT+ helpline is to appear alongside twenty other performers in a one-night West End gala presentation of the true-life coming-out drama OUTINGS by Matthew Baldwin and Thomas Hescott as part of the Pride in London Festival.

Mark Gatiss
Mark Gatiss

Other cast members include comedians Zoe Lyons, Rob Deering, Andrew Doyle, Camille Ucan and Lizzie Roper, actors including Olivier Award winner Nichola McAuliffe and Whatsonstage Award nominee Ian Hallard, with further casting to be announced soon.

The production will be directed by Tony Award winner David Grindley with Olivier Award winner Jon Brittain (writer of trans drama Rotterdam) as associate director.

OUTINGS, the world’s first show based on coming-out stories premiered to huge acclaim at the Edinburgh Fringe 2014, and has since delighted audiences on tour around the UK.

This powerful, funny and confessional collation of over 20 true-life tales was created by award-winning writers following an online campaign for submissions that was supported by Stephen Fry amongst many others.

Inspired by recent high-profile ‘comings out’ by stars of stage, screen and sports, the show celebrates the lives of lesbian, gay, bisexual and transgender (LGBT+) people from around the world, exploring how they came out and what effect it has had on them.

Punchy, lucid and moving… Highly recommended….. The Guardian

An impressive production.. Extraordinary….. The Observer

Life-affirming….. The Arts Desk

All proceeds from the evening will be donated to the national Switchboard LGBT+ helpline charity.

Switchboard provides a one-stop listening service for LGBT+ people on the phone, by email and through Instant Messaging. The charity was founded in 1974 and was formerly known as Lesbian and Gay Switchboard.

For more information, click here:

 

The Pride in London Festival runs from June 24 to July 9, in partnership with visitlondon.com, showcasing some of the most inspiring talents and celebrating diversity in the LGBT+ communities. It includes theatre, dance, talks, conferences, LGBT+ tours, art and much more.


Event: Gala performance of OUTINGS with Mark Gatiss

Where: Lyric Theatre, 29 Shaftesbury Avenue, London, W1D 7ES

When: Monday, June 26

Time: 7.30pm

Cost: From £25

To book tickets online, click here:

Who’s the boss behind the bar? @ Bar Broadway

Morgan Fabulous chats with business partners Alasdair Jarvie and Michael McGarrigle about their award-winning showbar.

Bar Broadway is the only bar in Brighton & Hove that is all about the musicals, or anything with links to musical theatre. Beyond that, they try to provide something a little different to the Brighton scene.

When co-owners Alasdair Jarvie and Michael McGarrigle took over they gave the bar a makeover inside and out. They painted the bar ‘Broadway Red’ and installed three gilded TV screens around the bar to play musicals from start to finish.

The curtains were raised, and all that remained was to get Charlie Hides (now a RuPaul’s Drag Race star) and Queer As Folk and Emmerdale’s Denise Black to bring some fun and laughter and showbiz glitter. Next on their shopping list of things to do, is a full refurbishment of the downstairs toilets, the only part of the previous bar that remains untouched.

Both Alasdair and Michael come from theatre backgrounds. Alasdair gained an MA in Film & Television Scriptwriting, and ran a fringe theatre company in Manchester which produced 18 plays over four years.

Michael is also a costume supervisor for film and TV. He has been fortunate enough to work with some of the greats, including; Laurence Olivier, Kirk Douglas, Joan Collins, Sean Connery, Joel Grey (MC from Cabaret) and Topol (Fiddler On The Roof). At the moment, he is currently in Spain working on series 10 of ITV comedy drama Benidorm.

Alasdair grew up in Inverness but escaped to Glasgow when he was 17 to study mathematics and computer science. A few years later he met Michael, who grew up in Glasgow, in Bennets (now AXM), they hit it off, and rest as they say is history.

Michael is a huge fan of Spanish film maker Pedro Almodóvar, and his favourite film is All About My Mother. His favourite musical is Oliver, the first musical he saw. Alasdair’s favourite film is Connie & Carla, he loves the humour, campness, the singing and Debbie Reynolds. Muriel’s Wedding comes a close second.

Michael likes to read biographies and he’s just read one on Dusty Springfield.

He says: “I don’t think anyone realises how tragic her life was, the book left me in tears and stirred a renewed interest in her music. She was surely the best British female vocalist this country has ever produced, even though she was part Irish.”

Alasdair and Michael are totally overwhelmed by how popular Bar Broadway has become since they took over on August 1, 2014. It’s gone way beyond their expectations. Sometimes they look at each other and know they are thinking the same thing: “is this really happening?”

They acknowledge they’ve been very lucky with their staff, as they’re constantly told how they’re all so friendly and good-humoured. Alasdair says they’re a great bunch of guys, they work hard and they both believe them to be amongst the friendliest bar staff in Brighton.

Michael’s favourite thing about being an owner of Bar Broadway is that when he’s alone in the bar, he can listen to any song from any musical of his choice when he is doing the dusting.

Alasdair says he’s not much of a drinker, but vodka tonic is his favourite tipple, though he’s partial to the Espresso Martini’s at Plotting Parlour, along Steine Street, which he says are “quite moreish”.

DJ Profile: Peter Castle

This month, Queenie catches up with DJ Peter Castle to chat about the amazing fact that he’s been Legends’ Saturday resident DJ for 10 years. Have those years been as good for him as they’ve sounded to us?

Peter Castle
Peter Castle

What have the last 10 years been like? It’s gone quite quickly and I can still remember 2007 and the tracks I was playing. Of course, music trends and tastes have changed as they always will, but during the last 10 years technology has brought even more choice and availability to people, which makes it more challenging. Being a DJ is not all about me me me, it’s about fun and getting a good crowd going. Legends has a great crowd and a hardworking team of friendly staff, management and DJs Claire and David on other nights.

What’s the secret to a long residency? Finding the formula that both the club and the audience want and tweaking it over the years as trends change.

When did you start DJing? I started doing mobile discos when I was 13 and then moved into clubs. I am now in my 40th year of clubs!

What’s changed during this time? Clubs have had to make many changes, but as a DJ I have too. I started DJing using these black round things called records (today they are back in fashion but called vinyl). Then I had to replace my whole record collection with CDs, then again with MP3. I don’t go home smelling of a stale ashtray now, I start later and finish later. Music choice though is now harder. I used to get promo copies on vinyl two months or more before the release which was great as I was playing stuff that other people didn’t have and there was a huge buzz. Music was worth something – if you heard a track in a club and you wanted it, you were in the record shop on its release date. Today, everyone has access to a track and music is more disposable with more music being produced. On the other hand we are no longer controlled by record companies that dictate what we can buy and listen to.

When will you retire? Probably at my funeral when I will have my favourite all time track Finally by CeCe Peniston played… ‘Finally it’s happened to me!’ A choice mix of course. 

DJ Peter Castle’s current top five:

TCTS featuring Sage The Gemini & Kelis Do It Like Me (Icy Feet) MOS

Jax Jones You Don’t Know Me (extended club mix) Polydor

Fatboy Slim Where U Iz (12 mix) Southern Fried

Ed Sheeran Shape Of You (Jack Wins remix) Asylum

Ryan Blyth & After 6 Show Me (Freejak remix) New State Music

TwistedXXX Media stars to take centre stage in LGBT Foundation information videos

Actors from leading gay porn studio, TwistedXXX Media, will be taking centre stage to create a series of informative sexual health videos for Greater Manchester’s LGBT Foundation.

The videos, featuring some of the group’s well-known models, will tackle a range of issues affecting men who have sex with men, including body image, exploring fetish, and safer sex advice.

Paul Martin OBE, Chief Executive of LGBT Foundation, said: “We are delighted to have TwistedXXX Media’s support. We’ve worked with the studios for several years, providing sexual health screening for its actors and their partners along with well-being support to reduce risk and increase pleasure. It’s great to have some of their well-known stars agree to talk openly and honestly about their personal experiences and how these important issues can affect anyone who identifies as a man who has sex with other men.

“Actors in the porn industry are no less immune to the problems and insecurities affecting the wider LGBT community. We are really happy that Twisted XXX Media’s actors have agreed to share their personal stories and help point to the practical advice and support that organisations such as the LGBT Foundation can offer.”

LGBT Foundation offers a comprehensive range of sexual health and well-being services, including full sexual health screening, group workshops, and helpline advice.

For further information about the Foundation, click here: 

MENTAL HEALTH FEATURE: Depression

A first-hand account by Dr Duncan Stewart and Mike Wall.

Do not confuse ‘being depressed’ with the medical syndrome of the same name, this would be like misunderstanding the difference between sleep and a coma. No one who has suffered from depression harbours any doubt that they were seriously ill as this account of his illness by my friend Mike Wall will demonstrate.

“When it eventually happened it felt like a sudden explosion going off in my head. I had known something wasn’t quite right for some weeks, perhaps about a month. Looking back now I think that there were probably signs of my mental deterioration for longer but it was gradual process until the last few days. 

“While writing this I’m still experiencing some slowness in my thought processes, which isn’t surprising as this was the symptom that eventually forced me to accept that I wasn’t feeling right. 

“For me the first signs were probably about 12 months before the ‘big bang’. It was around that time that a friend commented to Roger, my husband, that he felt I seemed unhappy. When Roger said this to me I was a little shocked because I thought that I was hiding it very well. I admitted to Roger that I did feel sad but that I couldn’t explain why. 

“At the time I put it down to anxiety, which I had been experiencing regularly since homophobic activity at work led to my having to take time off with symptoms of severe stress a couple of years previously. At that time I was also starting to become aware of a reawakening of demons that I’d been struggling with since living through some traumatic events in my childhood. I had successfully suppressed these memories and emotions for so long, that I felt that I’d be fine this time too and just get on with things.

“Six months passed by and I was still feeling unexplained sadness on occasion. My sleep pattern was also a mess. I found it difficult to fall asleep and when I did I would wake in the early hours and find it almost impossible to go back to sleep. This too had been going on for some time. 

“When I think it through I can, with the benefit of hindsight, see that at around that time there were other signs. I lacked any motivation to do things that I previously got a lot of pleasure from and I was feeling tired all the time. For example, I used to love spending time at my allotment but now I lacked the desire to go there at all. I thought that this was mainly down to tiredness. 

“Then, about three months before my breakdown, I was finding it very difficult to focus on things. At work I would find myself reading sentences over and over again, I needed to spend a lot more time preparing for meetings as I was losing confidence in my ability to offer input and I began to doubt my own judgement about the simplest things. 

“Most days I would wake up feeling uneasy about everything but I have never been a morning person so I just put it down to that. However, looking back I realise that I felt the same most evenings too. My mornings and evenings were plagued by sadness and I’d find myself feeling quite tearful for no apparent reason. It was affecting me so much that I could be sitting watching TV for an hour and have little or no idea of what I’d just seen. 

“Now that I understand depression better I realise that there were physical symptoms that could also have been linked. I never would have associated regular headaches, feelings of nausea and tummy ache as being connected to something going on in my brain.

“The final month was the most difficult. Whilst I’d been drinking more and more over the last 12 months, during the last few weeks I was increasingly drinking to get drunk rather than drinking for pleasure. I guess it was an attempt to self-medicate – to turn my brain off so that I didn’t worry so much about my lethargy, lack of motivation and dread of being in social situations. Usually a sociable person I truly didn’t want to be around people, not because I was afraid, but because I just didn’t care to be around other people and couldn’t muster any enthusiasm for conversation. 

“I also feared that I would lose my patience or even worse my temper, as I was starting to find that I was getting more and more irritable and my mood swings were quite unpredictable.

“In the end the crash was quick, over about 48 hours it felt like my brain gave up. I couldn’t think clearly, I started speaking gibberish and I truly felt that I just didn’t want to go on. Luckily for me Roger was there and he took me straight to my doctor. He immediately diagnosed me with depression, prescribed some medication and gave me and Roger some excellent advice. Thankfully, Roger was there as I wasn’t really taking much in. My doctor also referred me to see a counsellor, which was very useful.”

Some people have the misfortune to be genetically predisposed to developing depression but Mike’s illness, coming on after a period of stress or as a reaction to a personal disaster, is more typical. He developed all, or most, of the expected symptoms caused by a gradual depletion in the natural brain chemicals that enable nerves to interact, enabling our thought processes, controlling our body clock and physical activities.

What often makes the diagnosis, or our own realisation, difficult is that not everyone develops these symptoms in the same order or to the same extent. One of our aims in writing this article is to encourage anyone who recognises this pattern of symptoms in themselves, or people close to them, to seek advice.

FEATURE: Princess C*nty

Holly Smith – a biologically female drag queen, by Rebecca House.

A few months ago I’d never heard of the term ‘bio-queen’. It wasn’t until I had a conversation with someone from the drag industry, that I became aware of the expression and its definition. This then led me to do some research around the area. Bio-queens, which can also be referred to as ‘faux-queens’, ‘lady queens’ and ‘hyper-queens’, are biological women who perform as drag queens.

As it’s common for drag queens to consist of predominately biological men, I thought it would be interesting to interview a woman who performs as a drag queen to discover and understand her opinions and experiences within drag.

Holly Smith, a performing arts student, could be viewed as a bio-queen but does not self-identify with this term. She first became interested in drag as a teenager and has been performing in drag since August 2016. She regularly attends drag open mic nights and you can now see her on stage as Princess C*nty every Sunday evening at Priscilla’s in Brighton. 

Holly who comes from a musical theatre background, said: “I’ve always loved performing and musical theatre, as well as other art forms. So for me it [drag] is a way of dressing up in sparkly things or whatever you want to wear and transforming into another character. I like it when other people enjoy what I do. I try to push boundaries and I like being outrageous as well as exploring different areas of the art of drag.” 

On the topic of drag kings, Holly mentions: “At the time [before starting drag] I was thinking about performing as a drag king as that’s all I thought I could do, whereas I’ve now come to realise it’s silly to put those restrictions on yourself. No matter what you do you should do what you want to do because that’s what you want to do. As much as I love the art form [drag kings], it just wasn’t what I wanted to do.”

Later, whilst discussing drag in terms of gender roles, Holly says: “Drag does stretch gender roles as I see it as people just being people, doing what they want to do and wearing what they want to wear, regardless of gender and sexuality.” 

The subject of the bio-queen label arises and Holly suggests: “Technically I’m a bio-queen because I’m a biological woman, but I don’t identify as that. I think of myself as a drag queen but it doesn’t really matter what you call it in my opinion. It’s the same with sexuality. People ask are you gay? Straight? Or bisexual? I don’t feel like I fit into any of those categories. I just like people and it’s the same with drag, ‘I am what I am’.”

Holly further proposes women performing as drag queens are not currently as common as men: “It is becoming more common because the world is ever-changing and there was a time where it wasn’t accepted for men to dress up as women in the way that they do today.”

This led us to Holly’s experiences as a drag queen and how the drag community as a whole are very supportive: “The only time I’ve ever really experienced negative reactions is where people just haven’t really understood. The Brighton scene is incredibly supportive.”

“Quite often someone will say ‘oh, I think I’ve met you before as a guy’… personally, I find it really amusing.”

Holly finishes saying: “I’d like to thank everyone on the scene who’s been so incredibly supportive and not just to me but to all the other drag queens starting out. I just hope Brighton continues to be what it is, to have that real sense of community, and to keep supporting each other.” 

Council Spring clean removes three tonnes of roadside rubbish

Cleaning crews have removed tonnes of rubbish from the side of the A27 and A23 in a series of night time clear ups following growing concerns about the amount of rubbish in the countryside.

Staff from the council’s Cityclean team picked up litter from grass verges and central reservations on the two main routes into the city.

Work was carried out at night because the roads are so busy, to minimise any disruption to traffic and ensure the clean up team can work safely.

In the first five nights, more than three tonnes of rubbish was cleared – everything from litter to bumpers and other car parts.

The council is responsible for clearing the verges from the Falmer turn off on A27 to almost the Southwick Tunnel, and on the A23 from the roundabout to the Brighton pillars.

The motorways are cleared approximately every 3 months, with crews working for 10 hours each night.

The Cityclean team works alongside a contractor which provides mobile lane closures and ensure the safety of the council employees.

 

 

Countdown begins to Brighton Fringe opening as events hit 1,000

With two days until opening, Brighton Fringe has hit 1,000 events for the first time in the festival’s history.

When Brighton Fringe announced its programme in March, 970 events had registered to take part, but additional artists registering online means Brighton Fringe 2017 now includes 1,000 events.

There will be more than 300 world premieres and over 100 international shows covering comedy, world-class theatre, dance, cabaret and circus, music, spoken word, visual art, events and film.

England’s largest arts festival kicks things off with a fireworks display on Thursday, May 4.

Free tickets are now available for up to 2,000 people to view the display from the South Side of St Peter’s Church and enjoy entertainment courtesy of Fringe City.

Fringe City, Brighton Fringe’s free outdoor creative showcase, returns to New Road to bring the North Laine alive every weekend during the Fringe.

On Saturday, May 6 Fringe City will consist of two stages packed with taster performances all afternoon. Highlights include comedy from Zach and Viggo, winners of last year’s Best Comedy Award, music, acrobatics and cheerleading from Brighton’s all-male cabaret Der Wunderlich Revue and a taster performance from the HIP Trip of Brighton, a psychedelic celebration of 1970s Brighton.

On Sunday, May 7, Fringe City audiences can dust off their dancing shoes for the Big Brighton Fringe Festival Ceilidh, try their hand at a free pottery workshop and enjoy a wealth of comedy, cabaret, music and theatre. Look out for performers from WINDOW, Brighton Fringe’s showcase for exceptional new work, including Cabaret From The Shadows and Behind The Lines.

Also happening on May 6 is the first of two Brighton Fringe Family Picnics in the Pavilion Gardens, the second of which takes place on the first Saturday of half term (May 27).

For the first time this year Fringe City will also take place on Thursdays and Fridays at Bartholomew Square from May 11, in association with Sweet Venues and on the evening of June 2 there will be a Late Night Fringe City on New Road as part of The Fringe’s Final Fling.

Also new for 2017 is the Fringe City Charity Day on May 8, which will host the finish of the Mayor’s Paris-to-Brighton Charity Cycle Ride, plus community stalls and live Fringe performances.

Julian Caddy
Julian Caddy

Julian Caddy, Brighton Fringe’s managing director, said: “I’m delighted to see the record growth of Brighton Fringe. It is a massive celebration of local, national and international creativity, all thanks to the tireless work of thousands of people, to create an arts festival like no other. I look forward to joining you to explore and open my mind to the wonders that await.”

Brighton Fringe 2017 runs May 5 to June 4.

To book tickets, click here:

Or telephone: 01273 917272.

OPINION: Transitioning with Sugar: Trans exclusionary feminism by Ms Sugar Swan

When I came out very publicly as trans, I was flooded with love and respect and within the first month of ‘being out’ half a dozen people had contacted me and come out as trans.

Sugar Swan
Sugar Swan

Some of them I knew from Brighton, some I didn’t, but they all had the same message for me: “Thank you for talking about this and normalising things and allowing me in turn to come out”. Some of these people are still yet to come out to anyone else and I’m their only confidant.

At this point I realised that there was some good that could come from my transition, not just for me, but for other trans and cis people too. I had an inner conflict about whether or not I wanted to waive my right to a private transition but had an overwhelmingly strong feeling that the more visible I was the more people I could help.

I continued to document my transition on social media and although I do keep a private side to my life, as one must for one’s sanity, I started to make my posts, especially my posts around transition public.

This of course opened the floodgates to messages of hate alongside the growing number of people who were coming to me for help. Late last year, I was asked by Gscene to write a monthly column and I knew that in doing so I could open myself up to more hatred. However, I decided that the good I could do would outweigh the bad.

Fast forward to May and I’ve been writing this column for five months and, as expected, the hate continues to pour in: from people telling me that I am mentally ill at the easier end of the spectrum, to wishes of death at the other. This isn’t helped when once highly respected feminists Germaine Greer and Fay Weldon spin their hate against trans women and try their hardest to undermine our very existence. This is something that upsets me far more than any hate coming from mostly cis gender men over the internet, it is intelligent, feminist women hating on me and trying to turn other women against me.

 This makes me feel betrayed by the gender I am, female. This rips my heart out.

Anyway, I digress. What I’m trying to focus on is the positive that being so open can bring. Since Gscene gave me this platform, along with the extra hate that it was bound to bring, the loving floodgates have opened and I’m busy connecting newly ‘out’ trans people to services and helpful doctors, pinpointing support groups and offering 1-2-1 Skype and email/message support to individuals.

Last month I went for the first two days of work on my head in Latvia. I was as open as ever about this and in turn it’s brought about something wonderful. I was approached by someone who felt empowered to have surgery and they asked me to accompany them for moral support.

I write now from a farming community village with a population of 400 in rural northern France, 160km from Paris, 40km from the Belgian border, 30km from the nearest city, and the private hospital in which they underwent surgery.

We’re staying with one of their longest-serving friends, Jo, a young widow, under 50, who has opened her home up to me and couldn’t be more welcoming. A staunch feminist, she and I have discussed feminism and especially trans feminism and the hurt I feel from the likes of Greer and Weldon.

Jo assures me: “Sugar, Weldon and Greer do not represent the ordinary feminist or even woman on the street. They come from a position of privilege, especially Weldon, who is incredibly wealthy. I stopped thinking of her as a feminist years ago. Greer is someone I once felt inspired by, but unfortunately she became intellectually petrified some decades ago”.

Jo is not trans exclusionary in her feminism and has welcomed me with opened arms, I feel I’ve made a friend. Living in such an isolated place, Jo doesn’t see many trans people, in fact, in 16 years of living in rural France she’s only met one very brave woman who has transitioned here.

Attitudes towards me here are even worse than they were in Latvia. I’m probably the first trans woman that many of these people have ever seen and I’m laughed at and stared at every day and it’s draining.

When I’m with Jo I have the protection of being with another and the hate isn’t so bad, but when I’m on my own it’s much more hateful and particularly upsetting. People feel they’re able to abuse me more when I’m alone.

Social etiquette is different here. In the UK it’s considered rude to stare or point at someone and usually if I make eye contact and give a death stare to someone judging me in a negative way they’ll often look away feeling most embarrassed.

Here, that isn’t the case. When I stare back at someone in rural France, they’re unfazed and that is quite frightening but amidst my feelings of discomfort amongst the locals and the hatred I receive both online and in the writings and speeches of the Trans Exclusionary Feminists, some good has come from this month. I’ve empowered someone to have some work done and I’ve made a new friend and maybe, just maybe, I’m doing my bit for trans awareness in this remote part of the world.

Next week we return to the UK and I have two weeks at home before I return to Latvia for the second instalment of my surgery, a week after which I will be celebrating my six month mark of Hormone Replacement Therapy.

Things are good.

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