THE arrival of a new Madonna album still excites editors in charge of column inches even if commercial success is a fraction of the heady days of True Blue and Like A Virgin. The preamble to this latest offering is unlikely to have been what Team Madonna had planned; 20+ leaked demos from a hacked computer account in Tel Aviv, and a potentially catastrophic yank off a podium at The Brit Awards, but judging from the hastily assembled and predictable headlines the morning after, Madonna is still considered (digital) printing press gold.