REVIEW: Opera: Orpheus in the Underworld @ ENO

October 10, 2019

Lez Brotherston’s costume designs squirm with delight across Lizzie Clachan’s set is great fun, starting off worryingly school play like before exploding into a daft Arcadian swimming pool party on a Tarantino Cruise ship and then plunging into a seedy Soho peepshow world of London in the 1950’s.

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