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Martlets Peacehaven shop celebrates 10 years of raisings funds for the hospice

The Martlets Shop in Peacehaven has been celebrating 10 years of raising money for the Martlets during October.

Martlets Hospice Peacehaven Shop

To celebrate, the store’s managers Janice and Josie, invited all volunteers, customers and supporters to join them on Friday 23 and Saturday, October 24 for tea, coffee, cakes, tombola and a raffle between 10am and 4pm on both days.

One of the Hove based charity’s larger shops, the Peacehaven store has been raising funds to support the hospice by selling a wide range of items. As well as stocking donated furniture, household goods, curtains, bric-a-brac, TVs, DVD players, books, clothes and children’s toys, it is also a specialist mobility centre.

Here you will find electric beds, mobility scooters, new high-seat chairs in a variety of colours, electric recliner chairs, walking sticks and wheelchairs.

The Martlets has nine other shops around Brighton & Hove, Lewes, Rottingdean and Woodingdean, which are a valuable income source for the hospice.

All the profits raised through Martlets Shops helps the Martlets Hospice provide end of life care to adults who are affected by terminal and life limiting illness, as well as caring for their families and loved ones.

The Hospice receives less than a third of their funding from the government and must raise £11,000 a day to help people who are dying to do so with dignity and in as calm and peaceful a way as possible.

You can find the shop at 170 South Coast Road, Peacehaven. Telephone: 01273 588 808

New LGBT careers guide from Stonewall

New Trans inclusive guide includes sections on transitioning at work and features more employers than previous ten guides.

Starting Out

Stonewall, the LGBT equality charity has launched the eleventh edition of the Starting Out guide – Britain’s national guide of LGBT-inclusive employers for lesbian, gay, bi and trans students and jobseekers.

The 2015 guide profiles all of Stonewall’s Diversity Champions and for the first time is trans inclusive.

Starting Out profiles organisations and individuals across a range of corporate and public sectors. It also features sections on bi visibility and transitioning in the workplace, as well as a focus on inclusive global employers.

Baker & McKenzie supported the launch event, which saw LGBT students, graduates and jobseekers network with representatives from Stonewall Diversity Champions from sectors including local government, creative, construction and retail.

Stonewall’s Senior Director of Programmes Venu Dhupa, Nathan Akhavan-Moossavi from Baker & McKenzie and Jak Xenon, who features in Stonewall’s #WithJak campaign, all spoke at the event, at Baker & McKenzie’s offices in London. Jak met his future employer at the Starting Out launch last year, after attending a Stonewall School Champion school and going through its Young Leaders and Youth Volunteering programmes.

Peter HolmesPeter Holmes, Project Manager, said: “We couldn’t be happier with this year’s Starting Out guide, which has not only changed for the better in size and design, but also features a wider range of employers than ever before. Starting Out profiles people who have gone through the same steps as graduates and jobseekers to get their feet on the career ladder – and are a great representation of our diverse LGBT community.”

To read Stonewall’s Starting Out guide online, click here:

For more information about the #WithJak campaign, click here: 

Pride community groups feedback meeting

Brighton Pride will be holding a community groups feedback meeting on Tuesday, November 17.

WEB.600The meeting will take place upstairs above Charles Street Bar starting at 7pm. To gain access go through the door at the far end of the downstairs bar and up the stairs.

This is your opportunity to feedback to Pride any ideas you have to improve your Pride experience in 2016

Entry to the meeting is free but you must RSVP and register online to get an eticket to gain entry.

To RSVP, click here:

PREVIEW: X Factor Brighton dates announced

You took the journey with them from those first arena auditions, sat on the edge of your sofa during the dramatic six-seat challenge, followed their path to judges’ houses and will be tuning in to the studio shows; now is your chance to see The X Factor Live in Brighton.

X Factor Tour 2016

The X Factor 2016 Live Tour, a country-wide arena tour starts in Aberdeen on February 12 and will travel to Glasgow, Belfast, Dublin, Brighton, Bournemouth, Leeds, Birmingham, Cardiff, London, Nottingham, Liverpool, Newcastle, Sheffield and Manchester with contestants performing classic songs and viewers’ favourites from the TV series.

Attended by over three million people, The X Factor Live Tour has been one of the most successful annual arena tours in the UK for the past eleven years.

Tickets are now on sale and the tour hits the Brighton Centre on Monday February 22 and Tuesday February 23, 2016.

Ticket prices: From £19.50. Family tickets (2 adults 2 children) available from £120.

To book telephone the Brighton Box Office: 0844 847 1515

The X Factor Live 2016 Tour dates:

Friday, February 12                    Aberdeen, AECC Arena

Saturday, February 13               Glasgow, SSE Hydro Arena (Matinee and Evening)

Wednesday, February 17           Belfast, The SSE Arena

Friday, February 19                    Dublin, 3 Arena

Monday, February 22                Brighton Centre

Tuesday, February 23                Brighton Centre

Wednesday, February 24          Bournemouth, BIC

Thursday, February 25              Bournemouth, BIC

Friday, February 26                   Leeds, First Direct Arena

Saturday, February 27               Birmingham, Genting Arena (Matinee & Evening)

Tuesday, March 1                        Cardiff, Motorpoint Arena

Wednesday, March 2                 Cardiff, Motorpoint Arena

Saturday, March 5                      London, The O2 (Matinee & Evening)

Sunday, March 6                         Nottingham, Capital FM Arena

Wednesday, March 9                  Liverpool, Echo Arena

Thursday, March 10                    Newcastle, Metro Radio Arena

Friday, March 11                          Sheffield, Arena

Saturday, March 12                     Manchester, Arena (Matinee & Evening)

Tickets from £19.50 (subject to booking fee)

Tickets including limited availability Family Tickets (4 tickets maximum 2 adults) are available from the venue box offices, select ticket agents and the official hotlines.

To book online, click here: OR click here:

Or telephone: 0844 811 0051 / 0844 826 2826

REVIEW: Asian Dub Foundation – THX 1138: The Dome

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One of the most powerful films I’ve seen was a screening at the Dome of the silent classic The Passion of Joan of Arc with a new score by members of Portishead and Goldfrapp. The subtle, emotionally resonant music perfectly complemented Carl Dreyer’s spiritual masterpiece – so I’m all in favour of old films getting a sonic makeover. But George Lucas’s first film, set in a shaven-headed dystopian future, can best be described as “interesting“. And Asian Dub Foundation’s score breathes life into the movie in a couple of places – the pounding theme used for a car chase near the end works well – but for the most part succeeds in drowning out the dialogue, most of which was inaudible.

Robert Duvall plays the title character, a drone who works in a factory which – quite clearly – makes C3POs. But he falls in love with his roommate (Maggie McOmie) which is forbidden and so he goes on the run to various puzzling locations such as what appears to be an insane asylum which is a vast expanse of white landscape. He escapes from it with help from a hologram. I think the film is making some comment on race relations in 70s America as the hologram is the only black character we see. But then having not heard much of the dialogue I’m not 100% sure he’s really a hologram.

It’s often visually arresting – for instance a shot of some lizard creature caught in a computer’s innards is weirdly beautiful. But with no discernible narrative or any real attempt at characterisation, no amount of brilliant imagery is going to save the day.

There also seems something perverse is playing music over a film whose sound design, by Walter Murch, has been hailed as ahead of its time. To be brutally honest I’d much rather have seen the film in a proper cinema with its original soundtrack.

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