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BRIGHTON FRINGE REVIEW: Etherwave: Adventures With The Theremin: Hypnotique

Etherwave:

Adventures With The Theremin

Hypnotique

Dukebox Theatre

This is a curious hybrid of music, fascinating educational lecture and semi auto-biography of performer Hypnotique who regales us with her personal story about how she came to fall in love with and learn to play the world’s first electronic instrument – the Theremin invented in 1920s Russia. After some less than serious history mingled in with some very interesting information and history on how electronic music developed and it’s influence on music today – including Led Zeppelin, Kraftwerk and Portishead, which Hypnotique clearly linked back in the Thermin and it’s inventory. It all leads back to him, but in this case her as well, id have liked some more of the personal story, as she struck a enigmatic chord, elegant, dressed as a disciple of the  Anna May Wong school of mystery, evidently world traveled and yet somehow, curiously nervous of being in Hove and sharing her passion with us.

As she talks and links up with some faux live connections with fellow Thermenists around the world, Hypnotique managed an impressive tour through the history of the instrument – with some intentionally dodgy photo-shopping-  its effect and how to play it and even why. She then did some clever duets and music performances, one of ‘don’t you want me baby’ very funny indeed and then continued to weave  tall tales of espionage, spooky soundtracks, and her encounters with Amazonians, Bob Moog and Simon Cowell. It all hung together fairly well but as this is not the first time this show has had an outing, I expected it to be a little tighter, although the lack of a sound technician at the music venue might have caused the less than perfect accompanying sound which all but obliterated a self penned song. When she returned to the Theremin, she shone,  it’s the most curious of things to listen to but also to watch played and her technique harks back to one of the most accomplished players of this difficult instrument Clare Rockmore with the clawed hand vibrato teasing subtle tones and sounds from the ether.

Hypnotique studied the theremin with Lydia Kavina, grand-niece of its inventor Leon Theremin. She’s performed with The Heliocentrics, Gong and TV’s James May’s 20th Century her pedigree is impressive as is her skills and this is an educational show which is also musically innovative and leads us back to the start of music shifting from an analogue only world to the endless electronic, digital possibilities of today.

There was no time for questions, which was a pity as the attentive and engaged audience were brimming with them, I wanted to know if her emotional state changed the way the music sounded and also why after so much development, investment and seriously technical advancement that her theremin looked like  a travel-lodge trouser press.

Full details of the event can be found on the fringe website here:

BRIGHTON FRINGE REVIEW: Rainbow Chorus – Can’t take my eyes off you

Can’t Take My Eyes Off You, Rainbow Chorus’ contribution to this years Brighton Fringe, was a musical collaboration with the Yorkshire based six strong a capella singing group Deep C Divas.

The show opened with Shosholoza and Siahamba, two numbers of African origin which presented the Rainbow Chorus at its infectious best and put the audience in a positive frame of mind – followed by a clever arrangement of Wonderful Word/I Love You, fast becoming a Rainbow Chorus signature number. Soloists Caroline Pearce and Paul Shuttleworth were excellent and captured the emotion of the merged numbers.

The rest of the first half was handed over to the Deep C Divas who opened their set with a haunting and powerful arrangement of Linda Perry’s Beautiful, presenting a capella discipline at its very best. Other highlights of their set included; Billy Joel’s And So It Goes and a first class performance of Holly Near’s Uh Huh. They had all the audience humming along to the Ashford & Simpson You’re all I need to get by and finished their set by capturing all the essential comedy moments in Amy Carol Webb’s These are my own.

I personally felt their set would have benefitted by being split into two halves and maybe they should have opened the evening because the sound of just six voices was for a time lost in the excitement created by the African numbers from the Rainbow Chorus that opened the first half. 

It took a while for the audience to re-adjust to the exposed, unaccompanied voices of the Deep C Divas. However, that is a programming issue and should not detract from the fact that the Deep C Divas are an accomplished singing group who sang beautifully together in a huge church and brought a little Diva magic to each of the numbers they performed.

The second half was more of a collaboration between the two choirs. Rainbow Chorus gave stirring performances of Queen’s Under Pressure and Dolly Parton’s Nine to Five before joining with Deep C Divas in the night’s signature song Cant’ take my eyes off you, the anthemic Hand in hand and the optimistic Russian Eurovision song contest entry in 2015, A million voices. If only the sentiments of the song were actually happening in Russian and Chechnya today, the world would be a better and safer place for LGBT+ people.

All second half numbers presented the Rainbow Chorus at its very best. They love singing and successfully communicate that to their audience. Their few rough edges become insignificant because it is so uplifting to just sit back, listen to them and bask in the joy they create.

The Rainbow Chorus is a reflection of the personality of its musical director Aneesa Chaudhry who is the essential link between the singer and the audience. She brings the very best out of this group of singers and is ably supported on piano by Mojca Monte whose style of accompanying is perfectly suited to this chorus.

The evening was beautifully BSL Interpreted by Marco Nardi who was a delight to watch and whose contribution added to the overall joy this evening generated.

The next Rainbow Chorus concert Classics to Classical in on Saturday, July 15 at St George’s Church, in Kemptown.

For more information about Rainbow Chorus, click here:

Brighton & Hove Pride is Family Pride

Brighton Pride will celebrate our diverse rainbow families at Pride this year with family events across the city.

The One Family Pride Diversity Area remains at the heart of the Brighton Pride Festival. It is a fun and family orientated, safe and alcohol-free zone at the centre of the Brighton Pride celebrations.

A place to get creative, engage with local artists and entertainers, have fun and pop a proud grin on your children’s faces. The Family Area on Preston Park will celebrate our wonderful LGBT+ families.

Children 10 years and under are free (but will still require a ticket, available online), youth family members (11-18 years) are eligible for a discounted £7.50 ticket.

For more information from the Family Ticket Shop, click here:

As well as the improved and larger OneFamily Pride Diversity Area at the Pride, Summer of Love Festival on Preston Park on August 5, there will also be family entertainment at the Pride Pleasure Gardens on Old Steine from August 4-6, the Pride Dog Show on Sunday, July 30 at Preston Park and the free Pride Community Day with sports fun and games also on Sunday, July 30 at Preston Park.

To book tickets for Brighton Pride, click here:

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