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MUSICAL THEATRE REVIEW: FOLLIES @The National Theatre

From the moment the ghostly floating winged images of the idealised long-gone Follies girls seem to glide across the vast Olivier stage, and the orchestra plays its opening wistful chords, you know you are in for one of the best Sondheim show nights of your life.

Re-creating and partially re-casting its 2017/18 hit run, the National Theatre company is still on top form.

Two of the four principals are new – Joanna Riding is outstanding as the vulnerable deluded Sally, unhappily married to the bumbling adulterous salesman Buddy, played again by Peter Forbes, with a jovial bravado that covers his basic misery.

Alexander Hanson is the glamorous but mentally tortured Ben, playing opposite Janie Dee, who reprises her acidic, bitterly cold. Phyllis, who has most of the best one-liners in the evening.

Their chemistry is subtly timed and played, more resigned and  depressed than angry.

Dominic Cooke’s ever-flowing direction and Bill Deamer’s characteristically brilliant, funny, yet balletic choreography help to get us through the rather episodic nature of the piece. It’s a long haul at 2 and a quarter hours non-stop with no interval, but through to the end we stick with it.

Tracie Bennett’s show-stopper I’m Still Here is a little darker and sharper than last time but still terrific. The moment you will take away with you will be Joanna Riding’s rendition of  Losing My Mind. She starts the song in a very restrained way, facing upstage, singing into her mirror.

When she turns to us, her face is clown-like, mascara running onto her cheeks, too much lipstick, and a very swept-back wig. It’s as scary as Norma Desmond in her madder moments and in a very similar vein. And as she reaches the final or am I losing my mind? she yanks the wig off,  holding it up like Salome with John the Baptist’s head. It’s a spine-tingling moment.

The direction chooses constantly to intertwine the the older generation of hoofers at their 40th anniversary show reunion with their younger versions and at times the stage gets cluttered, especially with the monumental ruins of the Weissman Theatre revolving among  them.

But Bill Deamer masters the space, and the fantasy sequence Loveland gives us delicious Busby  Berkeley campness from his highly talented young dancers and singers.

Sondheim and his collaborator James Goldman, remind us that we all make bargains with one’s life and the bitter sweetness of this brilliant show lives in all our lives.

Follies is playing a limited season at the National Theatre, in London.

Review by Brian Butler

Jason Lee – King of the high C’s

Jason Lee, the Brighton-based singer/entertainer, talks to Brian Butler about his musical family, Freddie Mercury and being Frankie Valli.

JASON Lee was destined to be a singer and musician – it’s in his genes for sure. One of 4 sons of a highly talented musical family, he began life in the Cotswolds surrounded by the sounds of music at home.

“There was no other path that seemed available” he says. And it’s a path that has taken him all over the world, on cruise ships and in show bars, theatres and concert venues since he was a teenager.

Now turned 40, he says he has enjoyed every minute of his 25-year career.

As a child he wrote music and has continued to do so. After studying drama and music at school and playing gigs with local bands – mostly rock and roll – “where my heart lies“ – he decided he needed to discover himself . “So guitar on my back I travelled through Europe as a teenager. I can’t believe I did that – playing in restaurants on the Costa Brava and then down the coast from Estartit. I followed the sunshine,” he says, laughing.

Joining a small production company got him into musical theatre – which has endeared as his chief love. He spent 5 years in a show bar in Tenerife as their principal singer. While there he met a holidaymaker who became his husband to be. They have been together for 16 years.

Once into musical theatre he widened his knowledge and tastes to shows like Les Mis, Chicago and the works of Stephen Sondheim.

“We came to Brighton for a visit and fell in love with the place . We decided we needed to move here.“ And so they did.

After gigging in pubs Jason played in a few showcases and landed the part of Frankie Valli in a touring spin-off show about the Four Seasons. It’s a characterisation that he has continued to develop and it’s now a big part of his repertoire.

But he’s also played Brian Wilson in a touring show Good Vibrations for a couple of years. On and off cruise ships he played both singers in separate shows.

“My earliest memory is of singing with my mother in our dining room. She was a great fan of the Beach Boys and along with the Four Seasons were always being played on the gramophone.”

“I had always had a falsetto voice and I always knew where the break in my voice was to get the head tones.“ And that enabled him to get Valli’s famous high notes.

“I never had any training as a singer so I never thought that I would get into big permanent shows. I haven’t had a career path; I just try to keep happy in what I’m doing. I would love to do Sunset Boulevard, Les Mis, Phantom, Sweeney Todd and the Boy from Oz – a little appreciated musical about the life of Peter Allen.”

He admits he is still waiting for a show which he can look back on as his ‘big thing’ but admits he doesn’t know what it will be. Asked who his biggest influence has been he says quickly “Freddie Mercury … he was just amazing the way he held an audience in his hand- it’s an absolute craft.”

Asked to give advice to his young self, he says; “Don’t stop writing music and stop worrying” admitting that as a young gay man in a village was at times confusing for him. “Don’t hold back” he adds.

His future plans in Brighton include An audience with Jason Lee – A Davina Sparkle event on Sunday, March 24 over lunch at the Jury’s Inn Waterfront, where he promises Valli and many more offerings.

And he will be hitting the road to panto land in Brighton’s alternative pantomime – this year at the Phil Starr Pavilion on Victoria Gardens during the B Right On, where he will be playing Dick in Big Dick Whittington and His Pussy from April 4 to 14 along with Brighton’s best including Dave Lynn, Davina Sparkle, Miss Jason, Lola Lasagne, Sally Vate, Allan Jay, Christopher Howard and Stephanie Von Clitz.

“I don’t make a lot of plans for the future though I am extremely busy this year. I thought I would stop when I was 40 but I didn’t. I don’t think I’ll ever stop performing. It’s like a drug isn’t it?”

He’s no longer keen on long periods away on cruise ships, and now tends to get flown out for one night and flown back.

“It’s all about selling that song – even if you’re playing to a handful of people.”

On the vexed question of the future of the Pride Village Party, Jason is very clear: “It’s the heart of pride and of the Brighton community. It would be a real shame to lose that. Long may it continue as it is.”


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