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COMPETITION: Win a pair of VIP tickets to see Spice and Sally Vate camp it up at 450 feet

Gscene have a pair of VIP tickets to give away for Spice and Sally Vate’s Sky High Cabaret on the British Airways i360.

JOIN the BA i360 team for a raucous evening of cabaret with top Brighton drag queens, Spice and Sally Vate performing together for the first time as Shade and Shimmer. These sultry sisters will be raising the roof four hundred and fifty feet in the air, during two back-to-back pod flights where anything goes!

Send an email to info@gscene.com with the answer to the following question.

Name the architects who designed the British Airways i360


Event: Sky High Cabaret with Spice and Sally Vate

Where: British Airways i360, Brighton Seafront

When: Friday, August 31

Time: 7pm – 8.30pm

Cost: £10 per person standing – £15 per person at a seated table

To book a place for £10 ticket, click here:

To book a place for £15 at seated table, click here:

Sharing food platters available: £13 per plate (meat or vegan)

New chair at Working to Connect

Things are changing at Working to Connect (WTC), the organisation that supports and represents smaller LGBT+ and HIV groups in Brighton & Hove.

It’s time to build on all the work achieved during the last five years and to move forwards creating an even stronger voice for the many volunteer-led groups in the city who do great work in many different ways to enrich our varied LGBT+ communities.
The WTC network connects a wide range of groups and organisations who can share resources, support each others initiatives and events, offer peer support and information, represent the needs of smaller LBGT+/HIV groups to funders and decision makers and promote and advocate on equality and diversity issues. Working together they collectively have a stronger voice.
Following the AGM last month a new Committee was elected with Finola Brophy (Rainbow Chorus/Older and Out) as Chair, SJ Ramage (MCC Brighton) as Treasurer, Tyler Austen (LGBT GEEKS) as Social Media and Website Officer, Viv Woodcock-Downey (BLAGSS) as Secretary and Stephanie Scott (Brighton Bothways) assisting the Chair.
Previous Chair, Gary Pargeter (Lunch Positive), stood down and was thanked for his brilliant work establishing and leading WTC and Billie Lewis (LGBT Community Safety Forum) stood down from his sterling work as Treasurer.
Finola Brophy
Finola Brophy

Finola Brophy said: “The WTC network will grow stronger and louder with new thoughts and ideas being explored at this year’s first Network Assembly Meeting on September 8 2018, at the Somerset Centre, St James Street.”

For more information contact Working To Connect, c/o Community Base, 113 Queens Road, Brighton NN1 3XG or view: www.lgbt-groups.org/small-groups/
 

DJ Profile: Jumeau

Still tingling from her fabulous sets at Brighton Pride, Queenie catches up with the marvellous Jumeau…

Hello – how are you? I’m great, still riding the high from a fantastic Pride weekend with some really fun sets and already thinking about how to make it even bigger and better next year.

What does your name mean?! It’s French for twin and pronounced joo-moe. I’m a non-identical twin, and not French, but I love French house and electro, so I always try to incorporate or reference it in my sets.

Where can we hear you playing? At Gal Pals (galpals.club) alternating between Brighton and London almost every month, and on mixcloud (mixcloud.com/jumeaudj) for live sets and teaser mixes.

What are you playing these days? I oscillate between summery sets with a lot of Brockhampton, Chloe x Halle and Doja Cat, and heavier electronic sets with some TEPR and Brenmar thrown in the mix.

Any other projects going on? I recently started a radio show with my girlfriend called 1-800GALPALS on Platform B (platformb.org), we chat about queer pop culture and play our favourite songs by women and non-binary musicians on the 3rd Friday of every month. I also run pop-up video game events (healthbarbrighton.com), we curate our nights around different themes and create spaces for people who don’t traditionally consider themselves as ‘gamers’.

Fave song ever? Way too hard to choose! Fave at the moment is Americans by Janelle Monae. My mornings for the last month have begun by listening to Dirty Computer in its entirety – by the time I get to Americans, I’m feeling euphoric and ready to take on the day.

Best ever gig and dream gig? I’ve been supporting Mykki Blanco on his UK shows recently and every gig has been AMAZING. It’s really great warming up the crowd for such a high energy show. I love to play anywhere the audience has no requests and are just happy to come along for the ride.

Tune you wish you’d never played! Mind is blanking here, probably because I’ve erased the memory out of sheer embarrassment and tried to move on with my life after probably clearing the dancefloor(!).

Guilty pleasure?  I don’t believe in them! If I love a song, I’ll love it (and play it) loud. 

Describe yourself in three words! I asked the internet because I got way too introspective with this, they came up with: Nerdy, extroverted, cutie; Queer, here, needabeer; The biggest babe; Squirrel, Ipswich, kettle; You contain multitudes.   

Jumeau’s current top five 
Disclosure feat Fatoumata Diawara Ultimatum Universal-Island
Boston Bun feat DVNO Spread Love (Paddington) Atlantic UK
First Choice The Player (Mousse T & Boris Dlugosch) Defected
Janet Jackson Alright (Kaytranada Remix) Daytripper
Sade Nothing Can Come Between Us (original) RCA

Early start at Hastings Pride on Bank Holiday Sunday (August 26)

Hastings Pride gets off to an early start tomorrow, August 26 with the parade starting at 10am from Cornwallis Street car park.

Celebrations for Hastings Pride began on August 20, and will culminate with a parade and festival event tomorrow, Sunday, August 26, starting at 10am, sporting the theme Space and Aliens.

So why Space and Aliens? Organisers say in the last twelve months, there has been a rise in hate crime in Hastings along with a movement to exclude trans people from social spaces.

The Government’s LGBT survey shows how LGBT communities are treated by society and in summing up the survey, Stonewall the equality charity say: “Laws have improved, and attitudes have changed but our society still treats LGBT people like second-class citizens.”

A spokesperson for Hastings Pride says: “Breaking down social barriers lays at the heart of why we felt a Hastings Pride was needed because so many things could be better for so many of us who live here and in the surrounding areas.

“The one thing that all the issues we are highlighting have in common is ‘xenophobia’. Often xenophobia is talked about in terms of the hatred of other races or aliens, but its literal meaning is the fear of strangers. It is the fear of people who others do not know or understand which has led to the rise in hate crime.”

The Pride parade will start from Cornwallis Street car park next to the Priory Meadow Shopping Centre at 10am, progressing along the seafront to the festival site at the south end of the Oval where there will be a wellbeing area offering help, support and information on issues affecting LGBT+ people in the Hastings area and stalls offering respite and care.

In addition there will be an array of food stalls and community stalls and the relaxing Pride Owl & Pussycat Bar. There will be much more for younger people to enjoy this year with rides and carnival activities.

For details of performers appearing on the Star Base Beta stage, click here.

Hasting Pride remains free, but relies on donations to pay the bills, to donate, click here:

Optivo, On the Rocks and Substance have been confirmed as sponsors again this year.

For a complete programme of events for Hastings Pride, click here:

MUSIC REVIEW: Social media is taking over

We’re becoming self-obsessed, so say electronica band 10 o’clock chemical in their latest E.P.

 

WE ARE DIGITAL,” cry dystopian electronica band 10 O’clock chemical as the chorus of the second track from their debut E.P Favours for the Wicked draws to a close. The sci-fi inspired band lavishly decorate driving tectonic beats with a hazy mirage of bizarre aliens figures, dressed to the nines, in a space age club, as the track known as We Are Digital continues. Layers upon layers of pent up lyricism, and manufactured instrumentation, debate society’s enchantment with all things electronic, asking us if we really are too busy with technology.

With a penchant for racing electronic squeals, and calculated drum machine taps, the Stoke On Trent four piece conjure a melodical thought cloud on the digital or social media obsessed, drenched in irony, through their E.P. Favours for the Wicked. Despite their opposition to the mechanical mindset of modern times, much of their own instrumental toolbox comes straight from the digital. Singer, songwriter, and keyboardist Rhys‘ gritty Muse like vocals settle in nicely with the sultry automated baselines of the dark tracks, particularly with their first single Babylon Is Fallen. And the weaving of electronic components with live instrumentation is on full show as the avid singer’s voice melts into a vocoder filter, veering into the realms of the robotic.

Steering straight into the skid of computerised timbre is retro track It’s War, which started life as a humble Dubstep style song. Built around bright neon synths, and falsetto style vocals, the band, deemed Cheshire Music Awards’ Best New Artist of 2017, point the finger at overtly consumer based culture. Each melismatic call from Rhys’ Matt Healy-esque voice decorates the harsh reality of the violence experienced in Black Friday riots, with its own pretty bow. The 80s style soundtrack fuses together jumpy beats and euphoric melodies with such depictions of parasitic materialism, all the while drawing the listener in to cheerfully dance along.

10 o’clock chemical have created a gorgeous concoction of infections dance tracks with a twist: beneath the lighthearted rhythms lies a tale of overtly self-absorbed materialism that is taking over modern culture. And yet, the band seem to maintain an ironically digital sound that just transcends dance music’s simplicity. Overall i look forward greatly to their next poignant and catchy tunes.

 

OBITUARY: Norman Wallace-Metcalfe: April 19, 1946 – June 22, 2018

In the early 1990s, Norman Wallace-Metcalfe was in the forefront with those establishing The Sussex Beacon as a household name around Brighton and beyond.

AFTER a successful career as an Advertising Arts Buyer, Norman volunteered and then worked full-time for The Sussex Beacon alongside Michael Topping, his other half for over 50 years, who was a Trustee of The Sussex Beacon. It was no surprise to their many friends when Norman rose to the challenge of promoting Brighton’s soon-to-be internationally acclaimed AIDS Hospice.

As the Appeals Co-ordinator, Norman gave a smiling, compassionate and hopeful face to the otherwise tragic business of AIDS management. This was something of a miracle at a time when there was no cure or certain diagnosis and when so many folk were dying every week.

Of course, Norman didn’t achieve this all on his own. Indeed, he was very much a team player, but while The Sussex Beacon Trustees organised institutional funding and the management and nursing team and doctors saw to the bodily needs of the clients, Norman and his able squadron of volunteers and office staff raised money, local awareness and the profile of the Sussex Beacon. To many in Brighton The Sussex Beacon is still their favourite local charity. Norman’s outstanding organisational skills enabled us to contribute time, money and fellowship to making the precious last weeks and days of people with AIDS more bearable.

The variety of events that Norman instigated was legendary. Grand dinners and parties in the smartest hotels, pubs and clubs; all kinds of concerts with celebrity appearances from artists including Jimmy Somerville, the international violinist Nigel Kennedy who both gave concerts at the Dome completely free and Cameron Mackintosh who sponsored the fabulous Broadway to Brighton show at the Theatre Royal; sales, tombolas, auctions and pledged-giving, all helped to swell the coffers and keep spirits up when hope was scarce.

Norman was one of a kind, described at his funeral as wickedly funny, dapper, thoughtful, brave, cheeky, a great raconteur and the ultimate host. He lived in the moment and could make people shake with laughter.

His stories were naughty and delicious, and he told them like a master. Genius timing was coupled with a repertoire of superb facial mannerisms. Indignation was a specialty. If you tried to tell a story yourself and it wasn’t passing muster, it would be greeted with “Is this a long story?”

Norman’s own story concluded with over 15 years of serious ill-health that frequently took him from public view but did not dent his support for good causes. His bravery and stoicism was ever an inspiration to others. His enthusiasm, imagination and generosity will be an enduring memory.

Obituary prepared by Andrew Connal.

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