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House of Grand Parade

Graham Robson talks to Lydia L’Scabies, Crystal Lubrikunt and Rococo Chanel of House of Grand Parade (HOGP), a hybrid of alternative cabaret performance within a nightlife setting.

House of Grand Parade
House of Grand Parade

Tell us a bit about yourselves…
Crystal: “Together we’re electric but as individuals each of us has a genre of our own; Lydia L’Scabies is the innocent and preppy girl at school gone venerably bad, she is a critique of youth culture and promiscuity, and is back for blood every time she hits that stage, and she leaves you needing a shower every time. Rococo tends to be the eerie one, she uses her own brand of ‘angry-stripping’ and with her love for horror, the supernatural, and Disney princesses you end up questioning whether you want to run from her or be with her. And my name is Crystal Lubrikunt and I’m known for my tight lip-syncing, ferocious attitude, non-stop sass accompanied with gigantic heart, and the odd psychotic obsession with cake.”

How does HOGP fit into Brighton’s drag scene?
Crystal: “We started out representing the youth of Brighton’s LGBT scene through the very first alternative drag night in Brighton because there wasn’t a real safe environment for some LGBT youth who didn’t particularly enjoy being surrounded by bitchy twinks on poppers. But in a wonderful way we’ve grown and now we cater to all generations with respect and love. Respect for each and every venue in town that gives us queens a chance to do our thing. We provide a style of drag that’s been missing in Brighton through The Powder Room at Club Revenge and our own HOGP events.”

What can people expect at your Anniversary Event at Funky Fish Club on February 25?
Crystal: “This event marks a year since our last capacity-hitting show at The Blind Tiger (where we began back in June 2013) and we intend to bring you the best of Brighton’s current scene, whether it’s alternative burlesque, drag and new talent that has yet to hit any of Brighton’s stages. There will be glitter, heel-stomping and a whole lot of talentless men on that stage! We say each one we do gets bigger and bigger… this time, we’re not kidding.”

How did HOGP come together?
Lydia: “Well it was by eavesdropping on my behalf! We were all at University Of Brighton together; myself in the year above on Performance and Visual Arts. I overheard the others talking about Paris Is Burning and I sparked interest in starting an alternative drag night. After the first one in June 2013, we felt like we had something, and then HOGP was formed! Through the last year or so it’s been a beautiful but of course trying experience, through getting to know each other so intensely through work and personal lives; but ultimately I wouldn’t change a thing. I am proud to call them friends and collaborators.

You’ve been called ‘Unnatural, disastrous, glamorous & talentless’, is that a fair description?
Lydia: “It came from a press release we did in which I quoted us as an ‘unnatural disaster’. We intended to be this creatively terrible thing that had been intentionally bestowed upon Brighton audiences, and we like our work to be disruptive, but also engaging. Talentless came from a popular ‘frape’ I received from a dear friend (honorary member of HOGP, Penelope Pitbull) and it sparked something of a proud title. And Glamorous? Well, we need to say something nice about ourselves.”

You’ve been known to challenge an audience, such as bashing Russia at Brighton Pride. Is this something that’s missing in a lot of drag/cabaret?
Lydia: It was one of the main reasons I wanted to start drag. Not to discredit anyone because the Brighton drag scene has many hardworking and talented people within it, but I wanted to do something that didn’t rest on ‘light misogyny’, cock jokes, and tired show tunes. I’d say the new faces on the scene are challenging drag’s ‘typical’ representation as well. The cabaret and burlesque collective in Brighton is very strong, with some wonderful and crazy talented people we’ve had the honour of working with, such as Joe Black, Coco Deville, Dixie Dread, and Lux Values. I was really into the idea of bringing drag on the cabaret platform back to a ‘Weimar’-style that had social or political critique, or even something visceral to myself that I could use to give back theatrically to others who may have felt a certain way.”

How do you go about challenging the drag art form and its ‘typical’ perception?
Rococo: “Traditional drag in the UK for a long time has come with a stigma. The beloved stereotype of the northern man in a sequinned gown will be forever treasured in our society. However, times are changing rapidly, particularly the last few years. More and more individuals and groups throughout the country are cropping up, taking drag artistry to the next level, perfecting their craft, looks and performance. Drag can be whatever you want it to be. It’s the increasing diversity and originality that keeps things fresh and exciting.”

Is Brighton getting its alternative spirit back?
Rococo: “Moving to Brighton two years ago as an introverted, nightclub-avoiding country boy (not much has changed) I honestly stayed at home as much as I could. From the little tastes of nightlife I sampled, compared to sleepy Devon, it was intimidating but I saw the alternative events bubbling around me, even if I wasn’t directly involved. Now that I live in the party scene, I see things coming to the forefront, slowly but surely. The alt-kids never left, but now we’re coming back to the surface.”

The Powder Room returns to Revenge for the Haus of Edwards in March. Tell us about that?
Rococo: “Initially with The Powder Room, we tried to create and serve performances that one would expect to go down well in a nightclub, but soon realised that this wasn’t the route to pursue. Now we will not compromise our performances there and we always perform our undiluted work, no matter how theatrical or cabaret it may be, and I think our crowd appreciates that. It’s fascinating to see how a club crowd will react in different ways to something that’s a little more out of their comfort zone. But enough talk. See you there!”

HOGP are appearing at:
• Funky Fish Club on Wednesday, February 25, doors at 9pm, show at 10pm.                                    To book tickets, click here: 

• The Powder Room present The Haus of Edwards with three of the fiercest queens from RuPaul’s Drag Race: Alyssa Edwards, Shangela and Laganja Estranj, and host Ginger Johnson on Friday, March 6, 9pm.

Conceptual artist highlights HIV issues in his work

eel is a Brighton-based conceptual artist with a particular interest in spray cans.

eel
Proletarian

HE SAYS his work often appears playful and simplistic at first glance, but on closer inspection reveals a deeper social context.

For example, he says his Proletarian pieces: spray can tops secured in a wooden frame by rusted barbed wire, represent the struggle of the working class and the restrictive nature of their position in society and lack of social mobility.

He says: “An artist may produce a piece with a distinct message, but someone may interpret that message completely differently. This for me is successful art. I don’t force the viewer towards a predetermined conclusion. I hope and encourage them to find their own meaning in my art.”

'I've got you under my skin'
‘I’ve got you under my skin’ Situated on the wall between Clinic M and the Lawson Unit on Edward Street

His recent works include a Morse Code piece, which was created for World Aids Day and is located on the outside wall between Clinic M and the Lawson Unit on Western Road. Its called I’ve got you under my skin, after the Neneh Cherry song. eel used Morse Code as an allegory of how HIV is hidden in plain sight and to focus on the lack of awareness of the virus. The bright colours also work highlighting the discrimination faced by HIV positive individuals; someone might like the piece but once they know it says HIV they may change their mind. eel specifically chose the spot at The Royal Sussex as it is equidistant between the Lawson Unit and Claude Nicole clinics, making a statement that HIV is not just a gay disease but affects everyone regardless of race, creed or sexuality.

'Sacrifice'
‘Sacrifice’

His ‘Poppy Wreaths’, which are called Sacrifice were left at this years Remembrance Day services at the Brighton War Memorial on Old Steine and The Cenotaph in London. Each had a little ‘dog tag’ explaining the artists wishes that the pieces be donated to Blind Veterans and the Royal British Legion after the events. The small detailed framed, unglazed ‘Sacrifice’ pieces have been produced in a limited edition of 11 with all profits from sales going to Help For Heroes. They cost £125 each plus postage and package.

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'Pull My Pin'
‘Pull My Pin’ is located in the tunnel under Brighton Station

You can see eels latest piece Pull My Pin hanging in the tunnel under Brighton Station on Traflagar Street. He has produced 30 exclusive framed sculptures of Pull My Pin for Valentine day, costings £125 plus postage and package.

eel says he is inspired by Christo & Jeanne-Claude, Jasper Johns, Marcel Duchamp, Lawrence Weiner and Street/Urban Art.

For more information and to purchase online, view:

PREVIEW: Aneesa Chaudhry sings love songs

During LGBT History Month, Aneesa Chaudhry will be bringing some amour to the Metro Deco Cafe in Kemptown on Sunday, February 15, with a little soiree entitled With Love From Me To You.

Aneesa Chaudhry
Aneesa Chaudhry

ANEESA will be singing songs of Love, from her wide repertoire of songs. For as Aneesa says: “There is always more to Love than meets the eye!”

The show starts at 6.30pm and tickets cost just £10.

To book tickets, click here:


Event: With Love From Me To You with Aneesa Chaudhry

Where: Metro Deco Cafe, 38 Upper St James’s Street Brighton: Tel. 01273 677243

When: Sunday, February 15

Time: 6.30pm

Cost: £10

 

 

 

National conference on needs of Older LGBT People

With LGBT History Month starting on February 1 and the BBC’s recent ‘Living Longer’ week still fresh in the memory, a major conference is taking place in London on Wednesday, January 28 called ‘Older LGBT People: Minding the Knowledge Gaps’.

Peter Tatchell will be addressing the conference
Peter Tatchell will be addressing the conference

THE CONFERENCE is the culmination of a series of six events that have been addressing gaps in understanding about older LGBT lives, especially:

• Older bisexual and trans people’s lives

• The significance of intergenerational issues, such as younger and older LGBT people supporting one another

• The effects of financial resources and austerity on older LGBT people

• How older LGBT people experience intersections of ethnicity, culture and religion in their lives

• And what older LGBT people want in relation to health, housing and social care

Dr Andrew King, from the University of Surrey and a co-organiser of the event, said: “This is a really good opportunity to hear how we’ve been exploring gaps in knowledge about older LGBT people, to debate these issues and push the agenda forward. Despite increasing legislation and what some people see as progressive steps towards LGBT equality, we know that some older LGBT people are still vulnerable to living out their later life in fear and isolation. We also know that research has tended to focus on particular groups of older LGBT people, often to the detriment of others.”

Research shows that older LGBT people are at increased risk of social exclusion in later life due to a combination of inequalities and prejudice concerning their age, gender identity and sexualities, in addition to any other forms of discrimination they may face due to their ethnicity, cultural background, religion and health status.

They are less likely to have intergenerational support networks: although many have ‘families of friends’ they are often all of a similar age and may need help and support at the same time. As a result they are more likely to need formal social care provision sooner and in greater proportion than their heterosexual peers. Yet, at the same time such provision is ill-equipped to meet their needs, and is perceived by older LGBT people to be sites of ‘ignorance at best and prejudice at worst’ (Stonewall 2011).

Many older LGBT people avoid such provision even if they really need it. When in receipt of formal care and support some feel they have to conceal their identities from providers. Although there are a growing number of formal support groups across the UK, run by older LGBT themselves and charities such as Age UK, not all can assess these services, especially if they live in more rural areas.

The conference taking place on Monday, January 28 will provide an opportunity to address these issues, to hear from experts in the field of LGBT ageing and writers, performers and activists.

Keynote speakers include Peter Tatchell and Baroness Liz Barker, who will be looking back and looking forward in relation to older LGBT people’s rights.

Representatives from Age UK, Stonewall, Stonewall Housing together with academic researchers and Vernal Scott, prize-winning author of ‘God’s Other Children – A London Memoir’ and the writer and performer Clare Summerskill will also be taking part.


 

Event: Conference, Older LGBT People: Minding the Knowledge Gaps

Where: The Abbey Centre, Westmininster, London SW1

When: Wednesday 28, 2015

Time: 10.30am-17.30pm

Cost: Open to: Public, Staff, Students, Alumni, Teachers & Careers Advisors. Admission price: All professionals (inc charities) – £25.00 Older LGBT community members – Free. Students (limited availability) – Free.

For more information, click here:

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