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Arts

EDINBURGH FESTIVAL REVIEW: A Joke @The Assembly Rooms

Brian Butler August 14, 2018

An Englishman, an Irishman and a far from certain Scotsman meet in a kind of no-man’s land. They aren’t waiting for Godot, though it feels like it – but they are waiting for a punchline. You see, they may be in a joke – but they’re not sure.

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Arts

EDINBURGH FESTIVAL REVIEW: De Profundis @The Assembly Rooms

Brian Butler August 12, 2018

Simon Callow gives a stunning bravura performance in this Frank McGuiness adaptation of Oscar Wilde’s famous monologue. On a caste black-draped stage, a sturdy chair is lit from above by an uncompromising interrogator’s light. In the chair sits Oscar Wilde, coming towards the end of his prison sentence in Reading Gaol.

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Arts

EDINBURGH FESTIVAL REVIEW: After Today @PQA

Brian Butler August 12, 2018

Bill Grundy was an erudite, surprisingly intellectual news interviewer who regularly took top-flight British politicians apart on television in the 1960s and 70s – a sort of Paxman of his era who took no prisoners.

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Arts

EDINBURGH FESTIVAL REVIEW: Margo: Half Woman, Half Beast

Brian Butler August 12, 2018

Melinda Hughes is an internationally known lyric opera singer who has diverted from her main career to create the real-life role of Margo Lion – supposed lover of Marlene Dietrich, ballet dancer from Constantinople turned 1930s cabaret chanteuse in Berlin.

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Arts

EDINBURGH FESTIVAL REVIEW: Free and Proud @Assembly Studio 4

Brian Butler August 11, 2018

They seem fatally mismatched from the start – Hakeem, a high-flying Nigerian-born professor of theoretical physics, obsessed with the minutiae of the universe and self-absorbed by the admiration of his colleagues.

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Arts

EDINBURGH FESTIVAL REVIEW: The Half @The Pleasance

Brian Butler August 10, 2018

It’s 30 minutes to curtain up on a charity show at the London Palladium, and the long-separated female comedy duo Anderson and West meet for the first time in 10 years, we are led to believe.

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