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REVIEW: Dragony Aunts on Comedy Central UK Youtube and Facebook channels

Have you ever had a problem and thought “if only I could get two drag queens to give me some semi-useful advice, I could sort this out immediately?”

WELL then, you’re in luck! Dragony Aunts is Comedy Central UK’s new online short centred around Candy Warhol and Crystal Rasmussen. Each episode is a bite-size portion of advice and comedy with new guests each week.

The episodes will only be available online through Comedy Central UK’s Youtube and Facebook channels and are a part of their new wave of short-form content.

With the advent of Rupaul’s Drag Race and the upcoming Drag Race UK, Comedy Central has chosen to capitalise on the current mainstream popularity of drag with this new show. The queens and hosts of the show, Candy and Crystal, offer their guests’ either genuine or nonsensical advice with whatever problems they may have.

On the preview episode I was treated to, the comedian/musician Jordan Gray asked to be made just 10% more fabulous. Of course, drag queens are terrible at math so Jordan ended up looking more like Big Bird than anything else.

The length of each episode keeps each segment moving at a brisk pace, which is perfect for both this format and the idea of the show. There is a good mixture of punchlines and advice throughout each episode, which keeps it from becoming too soppy while also providing a warm message of self-love. The queens clearly have the mission of loving yourself at the core of their advice, but it wouldn’t be a drag queen show without some cutting remarks here and there, and the balance of this is done just right.

However, Dragony Aunts isn’t all about advice for their guests. At the end of the episode I saw, Crystal performed an original song about (literally) loving what’s inside of you while Candy provided what can only be described as breathtaking choreography with a glittery streamer. For me, this was the funniest part of the episode. I don’t know if each episode will end in a song similar to this one, but the show would definitely benefit from a bite-size comedy number to cap each one off.

While drag seems to only be gaining in mainstream popularity as each year passes, it’s still a huge mark of success when drag queens get their own show.

Dragony Aunts is a fun, new format for a drag show and the short form nature of it keeps it entertaining and fresh. If you want a little giggle at the end of your work week, or maybe even a sliver of helpful advice, Dragony Aunts will premiere online on Comedy Central UK’s Youtube and Facebook channels every Friday, premiering July 5.

REVIEW: Buzz from the Bush in London

Buzz from the Bush is an interactive digital art installation that blurs the lines between art and history.

SHEPHERD’S Bush is an area of London that is often looked over as a destination for anything other than shopping at Westfield, but Buzz from the Bush (a combined project being put on by the Bush Theatre and Elephant West gallery) aims to change that.

In the short time I spent at the introductory event, my entire perception of Shepherd’s Bush was changed.

Although it sounds complicated, the installation is in fact very simple.

♦ Step one: download a QR code scanning app.

♦ Step two: either head to the Bush Theatre and scan the QR codes that are on photographs on the walls, or head into the surrounding area to find the codes in the wild. They are printed on beautiful vinyl artworks and are in important locations – there are maps available at the Bush Theatre with the locations marked.

For me, the most interesting location was Frestonia. In the 70s, this small area in Shepherd’s Bush declared itself a separate nation-state and actually got away with it for a while. At the time it was an area brimming with creativity and bohemia, and Buzz from the Bush seems to have been inspired by the essence of Frestonia itself. If you want to learn more about it though you’ll have to find the corresponding QR code yourself!

Each code unlocks a bit of local history, but also a short poem written by Alissa Anne Jeun Yi. Alissa and Kristina Chan make up the creative team behind the installation, and together they have created a unique, interactive experience in London.

After talking to both of them, I learned that they hoped it would be an active, fun thing for families in particular to do. Something different to do on the weekend and a fresh way to explore a bit of London.

However, I think this would also be an excellent date idea. It’s a bit off the wall, but it’s something a bit more memorable than just going for a drink (although grabbing a drink after the installation would still be an excellent idea).

After the mini scavenger hunt, we headed over to the Elephant West gallery for a final poem performed by Alissa. The building used to be a petrol station but has now been repurposed for a gallery space. It’s a very cool space and listening to Alissa’s words about art, creativity and how it is a vital part of life really encapsulated what the whole event and installation is about.

London is brimming with creativity and unique perspectives. Buzz in the Bush does a wonderful job of highlighting and exploring this. So if you want to do something off the beaten path, impress a new date or just learn a bit more about London’s history, check out this unique installation that will be available in Shepherd’s Bush until September.

For more information, click here:

 

London THEATRE REVIEW: Fanny & Stella: The Shocking True Story @Above the Stag Theatre

Fanny & Stella: The Shocking True Story is irreverent, camp and hilarious!

NEVER a dull moment in this show, I was engaged from the moment I arrived to the moment I left the the theatre.

It’s not quite a musical, but more of a play with songs – Fanny & Stella is written by Glenn Chandler, with music by Charles Miller, directed by Steven Dexter and tastefully choreographed by Carole Todd.

The time is Victorian England, and Fanny & Stella kicks off with the cast explaining to the audience that Fanny (Tobias Charles) and Stella (Kieran Parrott) will be regaling us with the tale of their rise and fall – complete with ups, downs, twists, turns and medical examinations.

Although the format of the show meant the audience was sometimes included in the storytelling and at other times not, was slightly confusing to start, but the plot did not suffer for it in the slightest.

From the first moment the show begins, until the very end, the script and songs are over the top, lewd and full of camp. Double entendres abound in almost every scene, and the lead characters never miss an opportunity to make the owner of the working men’s club they are performing in feel worried he’ll be closed down for use of inappropriate language.

Each song manages to take the script another step further (my favourite song being Sodomy On The Strand). Each song was well placed and well paced. None particularly long, and whenever a song began you could feel the anticipation in the audience for whatever ridiculous lyric was about to come out.

Some songs were revisited twice or even three times which helped embed them into our memory, but they never felt forced or dull. The accompaniment, supplied by a lone piano, gave all of the music a very vaudevillian feel to it. For me, the songs were definitely the standout aspect of the production.

The cast of the show is rather small but very talented. Other than Fanny and Stella, the rest of the cast had multiple roles throughout (and even Fanny doubled up as Stella’s mother in a couple of scenes).

Mark Pearce, who is listed as playing Mr Grimes, in fact, played an insane amount of characters throughout the show and had everyone in the audience laughing loudly pretty much every time he came on stage. Christian Andrews, Tom Mann and Blair Robertson make up the rest of the cast, and each of them has plenty of moments where they shine. But Tobias and Kieran are the leading ladies of the show and for good reason. Their comedic timing was brilliant, and along with the entire cast, they had wonderful singing voices.

The story of Fanny & Stella is entirely rooted in truth. They really did exist in Victorian England, they performed in London and elsewhere in Britain, and they were put on trial for “inciting persons to commit an unnatural offence.”

They were drag performers, but both of them wore their female drag out and around the Strand in London, often accompanied by male escorts. The entire premise of the show may seem far removed from the believed prudishness of Victorian England, but clearly queer people were pushing boundaries even in the direst of times.

Fanny & Stella is outrageous, heartwarming and melancholy, but through it all, it is light and humorous and very, very gay. If you want to head down to the Above the Stag Theatre in Vauxhall (and I highly recommend that you do), Fanny & Stella: The Shocking True Story runs until June 2.

To book tickets online, click here:

Reviewed by James Cunningham-Curry.

FOOD & DRINK: Number 90’s 5th birthday celebrations

Number 90’s fifth birthday celebration was a jam-packed weekend of food, cocktails and music.

A GORGEOUS venue in Hackney Wick, Number 90 is a riverside warehouse-type of space. While not an exclusively LGBT+ venue, it does boast non-binary toilets and a very inclusive atmosphere. The crowd was diverse in age, race and style, and everyone was welcomed the same.

For the taster evening before the true celebrations begin, I was treated to samples of the new cocktail and food menu. The cocktails for the most part veered away from the classics but had interesting takes on some such as an Hibiscus Margarita and Elderflower Gin Sour.

The food menu was concise but varied with plenty of vegan and vegetarian options, and the open plan kitchen setup was particularly cool to see. While the food wasn’t the highlight of the night for me, I do think that going for drinks and nibbles instead of a full-blown dinner is the best way to approach Number 90. However, if a burger is what you’re in the mood for then you will be in luck!

Throughout the evening, a live DJ by the name of Stranger Than Paradise Records was in control of the music. His set flowed well from subtle, downplayed tunes earlier in the evening, to more upbeat and dance-y songs as the night progressed.

I’m sure that as the weekend celebrations progressed, the music continued to be an outstanding feature. And seeing as Number 90 is now connected to 2 fully operational performance studios (known as Studio 9294), it’s no wonder that the music is a highlight. All three venues will also be hosting an array of events, festivals and nights throughout the summer.

All in all, if you want something a little bit different from your usual night out in Soho or Dalston any weekend, definitely swing by Number 90.

It’s inclusive, artsy, a little bit off the beaten path and you may as well capture a little bit of that summer feeling by the river.

For more information about Number 90, click here:

Directions from Brighton, click here:

Photo: Khris Cowley
Photo: Khris Cowley

MUSICAL THEATRE REVIEW: Queereteria TV @Above The Stag Theatre

Queereteria TV is the queer utopia none of us knew we wanted – taking place in a post-apocalyptic, nuclear dystopia, Queereteria TV is a half-musical half-panto hybrid of a show.

IT’S very difficult to describe exactly what type of show this is, as it doesn’t ever really let you figure it out. Written by (and featuring) Barney Ashton-Bullock with music by Christopher Frost, this is by far one of the oddest shows I have ever seen. And it was brilliant for it.

Walking into the Above The Stag Theatre, you will see a set reminiscent of a nuclear bomb shelter, but as the story progresses you learn that it was once the renowned centre of queer debauchery, Club Queereteria.

In the present day, however, Lady Domina Bizarre (played by Matthew Baldwin) has taken over the premises in order to air her new TV show starring her, Torsten (played by Andy Bell of Erasure) and Rupert (played by Peter Straker).

The show begins with Lady Domina keeping Torsten, a semi-immortal legend of the British music industry, captive against his will. Throughout the first half of the show, we learn more about how the apocalypse came to pass – now known as the “enfrazzlement” for a better public image.

We are also introduced to Daniel (played by show writer, Barney Ashton-Bullock) who plays Torsten’s love interest, and the backstories of each of the zany characters are revealed to us. The second half of the show plays out as a more straightforward commentary on consumer culture.

Now, this show is not for everyone. The dialogue of the show is baroque and confusing, but if you can tune your mind into how it works early on, you shouldn’t miss a thing.

The plot is rather thin throughout as its more of a funhouse mirror being held up to society, than a narrative story. The dancing/choreography is awkward in places due to the set clearly not being designed for movement, and it felt as if the cast needed just a bit more time to prepare for their debut. However, the acting of Matthew Baldwin is exceptional, the outfits and costumes are distinct and memorable, and the filthy wit of the show is entertaining throughout.

Andy Bell performs most of the songs in the show and aside from a couple that were more distracting than entertaining, the songs are a standout part of the show. The lyrical content of the songs ranges from heartfelt reminisces over past loves, to an entire song dedicated to the post-apocalyptic Prince of England’s preference for lady parts over men’s. No matter the subject matter, the songs remained engaging and hilarious through the entire show.

Queereteria TV is an incredibly strange take on our obsessions with reality television and political misery, and while it is a little rough around the edges at times, it has so much personality that it can be easily forgiven.

The small cast oozes with talent, delivering some of the most intelligent and impressive writing I’ve ever experienced, even when it gets in its own way.

All in all, if you want something completely out of the ordinary that’s going to push you as a viewer, Queereteria TV is a five-star must-see.

Queereteria TV runs at the Above The Stag Theatre in Vauxhall until April 28.

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