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Christmas concert: REVIEW: Resound and Rebelles

Stefan Holmstrom, musical director for both the Resound and Rebelles choirs , challenges his singers and audiences with new, exciting and unusual offerings at every concert and their Christmas offering is no exception.

Moving from their home base in Hove to St George’s Church, Kemptown – being “ on tour “ as he called it, they range from traditional festive items to exotic gifts from Sweden, Hindustan, the land of the Zulus and Hawaii in an eclectic  mix they’ve subtitled “ Sugar and Spice “.

Opening and closing with the delightfully light Christmas Waltz by master songwriters Cahn and Styne, they soon take us into the unknown with a jolly Swedish number, arranged and sung by Holmstrom himself and echoed by the choir. It’s gleeful and sung with gusto leading to a deeply rich and harmonious Ave Generosa , by Norwegian composer Ola Gjeilo, bringing out the amazing depth of sound these singers possess.

The female chorus the Rebelles followed this with a short sharp tuneful Elins  Trall, and Jul Jul , a further Scandinavian offering full of sweet, high, clear notes.

More from Norway follows with The Rose , a haunting melody again by Gjeilo. But then comedy sets in and a parody of Roy Orbison’s Blue Bayou , transposes us to a windy street where 4 follicly-challenged men lament the loss of their wigs in Blew By You – declaring there’s “ no peace of mind without that piece of mine “

The  sonorous Limu Limu Lima has long sustained notes which seem to melt into each other – a truly delightful new discovery for me as was the very modern Ave  Maria of Frank Beibl. The traditional Lully Lully Lullay was topped at the end of the first half by the amusing Rum and Coca Cola , with new lyrics about Brighton pier, fish and chips and the dreaded seagulls.

Part 2 starts with the male choir high up behind us on the church’s balcony with the haunting Pure Imagination of Charlie and the Chocolate Factory fame.

And imagination is what Stefan always brings to his wonderfully varied offerings – from the girl’s lament about Clark Kent aka Superman, to the Zulu Mangisondele Nicosi Yam – a rich Christmas pudding of sounds, complete with dance sways and drum accompaniment. It was the highlight of the evening.

Not pausing in their global tour, we then get John Denver’s country and western classic Take Me Home, and soon after we are in Hawaii with Mele Kalikimaka. The strangest offering of the night was a Hindustani number Ramkali, full of odd vowels, rhythmic sounds made somewhere in the mouth and a pulsating repetition which becomes hypnotic. How adventurous can this group be ? 

If you miss their Christmas concert, repeated on 7 December, you can catch them next at St Nicholas Church on 10 December or put 8 and 9 May in your diary for their appearance at Brighton Fringe .

Christmas concert: REVIEW: BGMC comes of age

Tonight’s sold out Brighton Gay Mens Chorus concert was dedicated to James Ledward and his family in order to support the Ledward Fund, which is ring fenced within the Brighton Rainbow Fund and available for local homeless charities to draw on, acknowledging that 1/3rd of homeless people in Brighton and Hove identify as LGBTQ+,  a situation that James cared about greatly.
We have many fine choirs in Brighton and Hove and we should never compare them as they are all unique and important in their own way but it is safe to say that, for me,  BGMC are the Daddy of them all. Not just for their numbers but for their constant growth and innovation which, in turn, encourages the other choirs to experiment and move forward also.
This evening was a wonderfully non- Christmas ‘It’s Christmas’ show. A quite dark first half, full of thought provoking rich harmonies and constant unexpected dynamics with Act 2 pushing the boundaries up a notch and finishing it off with slick, camp, well loved moves  in the encore.
It seems unfair to praise anyone individually so, although each member of the audience will have their own list, I shall just name a few of my own personal ones from this evenings performance. Here they are:
  1. The Coventry Carol – sounded like glorious syrup it was so rich and smooth
  2. Hypnotised by Kristin Houlston with the exciting pop/rock falsetto voice. An alternative to musical theatre tone
  3. Gravity by Jonathon Clayton, demonstrating the art of stillness and voice control, so moving
  4. A beautiful simple World War One poem by, I believe , Steve Richards  although this was not clear in the programme.
  5.  Wrecking Ball – a personal favourite full of wonderful contrasts of tone, volume and emotion
  6. You havn’t seen the last of me yet – complex and dynamic
  7.  Thomas Aird and Stephen Tucker lifting our spirits , with their Eric and Ernie fun contribution
  8. Act 2 started with a staccato approach worthy of any opera chorus and then we were treated to 4 different episodes of “ The Grinch” brilliantly portrayed by Andrew Farr. A different kind of comedy from the Chorus but most effective
  9. Rod Edmunds Still, Still, Still was a master class in “acting through song”:
  10. The quality of the vocals in When you tell me that you love me was so immaculate, it sounded like one voice
  11.  The sincerity of Graeme Clark with Grown Up Christmas List
Using the pulpit for the speeches was fine although the sound monitors  attached to the column in front of it obstructing some sight lines however, we heard everything beautifully. For the first time ever in 10 years, I found the Track intrusive now the harmonies and tonal qualities are so high so consider working with keys or live band only!
To finish off, with the help of the sensitive accompaniment of music director Tim Niall, all praise should go to Joe Paxton a truly talented and humble young Chorus director.
Not one word was spoken, never did he take applause or stand in a spot light until the very end, truly dedicated to his chorus.
Reviewed by Carole Todd for Gscene

Dave Pop! art exhibition at Theatre Royal Brighton

After last year’s successful collaboration on a Rocky Horror theme, the Theatre Royal Brighton have once again asked local LGBTQ+ artist Dave Pop! to produce an exhibition from Tuesday, December 17, 2019 to Saturday, January 4, 2020 to coincide with the production of Priscilla, Queen of the Desert.

This year, Dave, a Brighton-based artist specialising in bright, bold pop art, with a generous topping of seaside sauce, has chosen five artists from the contemporary queer cabaret scene  who play with the idea of drag, gender, burlesque and sexuality to be the subjects of his exhibition – Dolly Rocket, Boogaloo Stu, Stephanie Starlet, David Hoyle and Dave the Bear.

Dave Pop! says: ‘It was important to me that I chose local performers rather than international stars such as RuPaul (even though I am a massive fan), I wanted artists that are actually working in Brighton now, many of whom I know from the club/ cabaret scene, and have even shared a stage with.’

The process of creating the portraits starts off with drawing, which is fundamental to Dave’s work, then different techniques and materials are used to create a piece that is individual and suits the subject best. For Boogaloo Stu’s portrait a clean sharp line drawing was scanned into the computer, then finished using bright flat colours, whereas for David Hoyle, a much more expressionistic style was adopted to reflect his anarchic look.

To see the artwork, visit the Theatre Royal Brighton’s foyer, which is open to the public from Monday to Saturday, 10am to 8pm

For more info on Dave Pop!

Five Rivers Child Care calls for more LGBTQ+ foster carers

Five Rivers Child Care, which operates across England, is calling on members of the LGBTQ+ community to consider a career in foster care, to help tackle a shortage of carers in the region.

With a shortfall of 1,020 foster carers in the South East, Five Rivers Child Care is looking to welcome foster carers from the LGBTQ+ community across the county to support long term and short-term placements, as well as offer themselves for respite care.

Though there are lots of misconceptions on who can become a foster carer, people from all walks of life can become foster carers as long as they are over 21 years of age. This includes same-sex couples and people living in rented accommodation. The only requirement is a spare room for each foster child.

Throughout 2020, Five Rivers Child Care will be holding a series of information events across East Sussex to inform and educate prospective LGBTQ+ foster carers or those interested in learning more about the profession.

Jem Orman, fostering services manager for Five Rivers Child Care in the South and South East, said: “Our foster children come from all walks of life and so, we want our foster carers reflect this diversity, as well as being able to relate to what our children might be going through as they grow up. 

“Making the move into fostering is not an easy choice, but it’s incredibly rewarding. Over the next 12 months, we’re hoping to tackle the misconceptions the LGBTQ+ community might have around becoming a foster carer in East Sussex, and to help them understand the difference they could make to the life of a young person.”

Five Rivers Child Care will be posting further details about their upcoming events in the New Year across their social channels on Facebook or Twitter.

For more information on fostering with Five Rivers Child Care, visit www.five-rivers.org, call 0345 266 0272 or email

Fitter, Confident, You, You and You. With Matt Boyles.

Fitter, Confident, You, You and You. With Matt Boyles: Getting out of that exercise slump.

How to pull yourself out of a fitness slump

You can be going along with your workouts, feeling great and going places and then bang! Seemingly from nowhere, you have no motivation, no energy and the last thing you want to do is pick up a dumbbell. I hear you. It may surprise you (but hopefully not) that I go through slumps too but thankfully with the awareness I have now and various tools in place, I can fairly quickly overcome them – and I wanted to share them here to help you too.

  1. Have a think about why the slump happened in the first place. Were you particularly stressed at work? Did you simply miss a gym workout and then lost the motivation to go regularly? Are you getting the results you want or think you deserve? Be honest with your and review why things aren’t happening like they used to. If there’s something bigger at play, then of course please get help, if you’re suffering from depression or anxiety for example, but if you’re just out of your routine and struggling to get back into it again, review the last 30 days and see if you can pick out what happened and how you can overcome it now and hopefully stop it happening again
  2. Acknowledge the slump. Acknowledge that there are ups and down and that it’s fine to not fancy exercising or think very closely about food. No one likes or cares about health and fitness all the time, not even me. In fact, especially not me. If you just want to veg out and binge Netflix, do it…
  3. … But also acknowledge that as adults, when we can, we have a responsibility to look after ourselves so we can support ourselves and who we are, and for those we love too. If you’re struggling to get moving again, make a list of the people who rely on you in some way and consider how you enrich their lives when you’re fitter, stronger and more confident.
  4. Start small. This goes for when you’re just starting out as well, but so often when we’re in a slump, we focus on the enormity of the task ahead, which understandably, can be off-putting. Instead of thinking about exercising four times a week and tracking all your food in order to lose 10kg, focus on doing something – anything – to break your slump (a lunchtime walk, talking the stairs not the lift, some morning press-ups and sit-ups) because otherwise, it stands a chance of becoming a new habit, and gets harder to break.

  1. Some people are motivated by the thought of priorities, so this may help you: in the same way you can’t have an apartment in London with a sea view, you can’t move forward to your goals and have your excuses, they’re just not compatible. And yes, that does sometimes mean stepping out of your comfort zone, but nothing fun or beneficial actually happens there anyway. Good stuff comes when we grow, and humans crave growth and development, even if you don’t think you do right now.

 

  1. Do visual cues and incentives inspire you? Make a simple monthly planner with boxes to tick based on how many times you exercise/eat better/meditate etc. Have a row for each week of the month and at the end of each week have a reward box – something small for the end of each week, should you hit your targets. You can add in a larger reward for the end of the month should you hit all four smaller rewards.

 

  1. Are you more motivated through accountability? I can’t condone this, but that’s more because it doesn’t resonate with me but I have heard of people committing to donate some money to a cause that they don’t support, if they DON’T hit their targets. To make this even more real, they transfer the money to a friend who holds the cash and – for the reverse incentive to work – has to really intend to donate the money to the cause if their friend doesn’t stick to what they said they would. It’s a bit icky, but I can imagine it working in some scenarios.

 

  1. A change is as good as a rest – it’s a cliché, but humans do need new stimulus and if your current gym/gym buddy/workout clothes/meal prep isn’t filling you with joy, then it’s ok to change them! I changed gyms recently and just being in a new venue with different people and a different energy has completely reinvigorated me and how I feel and approach my fitness.

 

Matt created and runs Fitter Confident You – online personal training tailored for gay, bi and trans guys (he’s now working on the L too! – watch this space.)

Royal Pavilion Garden wins National Lottery support

Royal Pavilion Garden wins National Lottery support: Plans to restore and enhance Brighton’s Royal Pavilion Garden have received a welcome boost.

The National Heritage Lottery Fund has awarded initial support* and development funding of £214,400 to progress plans to improve and enhance the historic garden and apply for a major National Lottery grant bid for £3.4 million. The plan is part of a wider project to re-affirm Brighton’s Royal Pavilion Estate as a key cultural destination by equipping it for a sustainable future.

“This is fantastic news for the city and an important step in securing the future of this important and well-loved public space,” said councillor Alan Robins, chair of the tourism, equalities, communities & culture committee.

“The project presents a landmark opportunity to change people’s understanding and valuing of the garden, building civic pride and community ownership, and using engagement and activities as a positive and constructive way to help reduce antisocial behaviour

“Thanks to National Lottery players, we can now move forward, working with our city partners, residents and visitors, to develop a scheme which will enhance this important Regency landscape while preserving this precious open space in the heart of our city.”

A previous application was unsuccessful in October 2018 but the heritage importance and need to improve the garden was noted by The National Lottery Heritage Fund which also praised the community involvement which backed the bid.

This included the results of a public consultation which attracted more than 1,300 responses. The Grade II listed Royal Pavilion Garden is one of the few remaining Regency gardens in the country. The Garden was opened to the public, for the first time, in 1849 and its community use since then is also an important part of its history and significance.

Designed by the architect John Nash, the Garden was completed for George IV in the 1820s to complement and unify the exotic and magnificent buildings of the Royal Pavilion Estate. In October 2017 the garden was added to the Historic England at Risk Register following concerns about high levels of visitor use, erosion of character and a general deterioration in the sense of history.

The council commissioned a conservation plan in 2018 which assessed risks to the garden’s heritage and this has helped shape a plan of action to improve future management and operation, interpretation, community engagement, learning and access.

The plans include:

  • Improving access to the garden for people with disabilities including an accessible outdoor learning space
  • New lighting and a secure boundary to address vandalism and anti-social behaviour
  • Conserving and restoring listed lamp posts and balustrade, flowerbeds, paths, lawns and improving recycling, lighting and seating
  • Overhauling the entrances, installing new gates and signs
  • Improving interpretation with maps and information boards, audio tours and an archival research project
  • Creating apprenticeships and volunteering opportunities particularly focussed around horticultural therapy
  • Building on the success of the Royal Pavilion & Museums’ existing interpretation, learning and creative offer by providing new opportunities in the garden, its most popular and publically accessible site.

Improving and protecting the Royal Pavilion Garden is a key part of the Royal Pavilion Estate project where the council and Brighton Dome & Brighton Festival are working together to reunify the estate and conserve its heritage to  create a world-class cultural and heritage destination. Phase 1, which is already underway, includes a major refurbishment and conservation of the Grade I listed Corn Exchange and Grade II listed Studio Theatre. The garden restoration is part of Phase 2. The council will aim to submit the full bid in March 2021 with work starting in January 2022.

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