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REVIEW: FILM: Coming Out

Coming Out

Dryades Films/Upside Films

Released to coincide with National Coming Out Day ( 11 October ) the film Coming Out follows a very simple but modern formula – video messages and conversations.

In its 64 minutes it allows people of all nationalities and sexual orientations to tell us their stories, but more poignantly, to tell their parents. Mostly the very short sessions are directed at mothers – some present and some on a video or phone link.

The reactions are varied – some immediate acceptance, some puzzled confusion, some outright disturbing hatred and in one case physical violence on camera .

These are reactions well known to our LGBTQ+ communities, but nonetheless still uplifting or frighteningly disturbing depending on the outcome.

What is clear in Denis Parrot’s touchingly intimate film is we have come a long way and we have also got nowhere.

There are some very familiar attitudes and viewpoints which the film doesn’t comment on – it just lets us see both sides, though obviously its meant to be both supportive and enlightening.

So we are exposed to the popular idea of “ it’s your choice “ as if being gay was as simple as how we decide what shoes to wear or what meal to eat. Sometimes the parental version of this is meant to be sympathetic but more often than not what the film shows is the deep chasm of misunderstanding that still exists for people wanting to be honest about their sexuality.

Not surprisingly we also often get the mother’s smiling reaction of “ I’ve  known all along “ and “ why didn’t you tell me before ? “ The answers are inevitably that the young people featured – some of them as young as 12- were frightened of rejection and hatred.

Sadly the film also shows the terrible reactions that coming out can produce . And we get it  full on in this piece. There’s the “God will punish you “ syndrome and even in one terrifying and awful scene physical violence from a clearly hate-filled mother. “ You disgusting piece of shit “ says the mother to the very brave and nervous Daniel. His mother’s analysis “ God didn’t create anyone that way… to give me such a horrible disgusting child “.

But that’s one of only a small number of rejections in the film. There are also worrying examples of self- loathing and thoughts of suicide for those of us who can’t or don’t want to accept our sexuality.

But the overwhelming mood of the film is of the acceptance which we all seek. As  one participant tell us – “coming out at 14 or 50 is an incredibly hard thing to do, but it shouldn’t be “ As another puts it “ we come out so people like us know they are not alone. “

So great praise all round for the gays, lesbians and trans people featured for taking that bold step – and would that everyone in every country felt able to do so .

Coming Out is made by Dryades Films and Upside Films and distributed by Peccadillo Pictures. It’s available via Amazon and on the BFI player.

REVIEW: Frankenstein @ Theatre Royal Brighton

A tall white skeletal house has mist rolling in through its huge missing windows. There’s thunder and lightning and the house walls are lined with blank white shelves holding blank covered books. Dead white trees come through the walls.

It’s a haunting opening image for a really clever upbeat and quirky version of Frankenstein ,  Mary Shelley’s classic gothic horror story.

What writer Rhonda Munro gives us is a whirlwind tour through the madly inventive mind of Shelley and her creations – Dr Victor Frankenstein and his monster made from the  parts of the dead bodies he has dug up to further his experiments on the creation of life.

Shelley is front and centre throughout, talking to us about her writer’s block and physically stopping or speeding up her actors to re-create the very process of writing.

We are in no doubt that Frankenstein’s process of mad creation is mirrored by Shelley’s writing of her masterpiece.

There are many references to madness and monstrosity and we are left pondering who is the real monster  of the piece – is it Frankenstein, his creation or Shelley herself ? We’re left to make up our own mind.

Eilidh Loan as the writer is frenetic, funny, feisty and very annoying. She constantly wise-cracks her way through the proceedings – sometimes with great glee announcing she’s going to kill off another character – then doing so with the stroke  of her pencil.

Ben Castle Gibb is a headstrong handsome Frankenstein who subsides during the play into a gibberish obsessed maniac hell-bent on his own destruction. Michael Moreland is a muscular long haired monster with no signs of being made up of many parts and with a wild-eyed shouty feel of Tarzan about him .

The monster tells the bad doctor F that if he only shows his monster love, all will be well – perhaps he could make the monster a partner and they could run away. It’s as fanciful as the overall tale and of course the minxy  Shelley is not far away ready to make everyone’s life unhappy for the sake of her novel’s success.

It’s a bold re-imagining and like the monster , it has its flaws but it’s a novel creation.

Frankenstein , staged by Perth Theatre and the Belgrade Coventry is at the Theatre Royal, Brighton until 19 October .

 

Two Mary-Ann’s in the Evening

Armistead Maupin in conversation with Peter Tatchell. Brighton Dome Concert Hall, October 14th.

There are giants of our community who live amongst us, the like of whom we may never see again. An appreciation of such was indeed apparent on Monday evening as a thousand strong audience ignored the persistent dank weather to head to the Brighton Dome for an evening with Armistead Maupin, in conversation with Peter Tatchell. Tatchell cuts a slightly awkward host and yet a highlight of the evening was the sensitive occasional nod of respect to one another from these two community giants and living legends. Legend is a term which is too oft banded about but there is a reachable humanity in Maupin, in response to an audience question how does it feel to have influenced so many people? “I can’t deny it, it feels great” came the reply.

The setting for the evening could not have been more drab it was as though the Dome was doing its best to ignore its own interior grandeur and reflect in its black curtains and faded grey arm-chairs the damp October night sky. Maupin’s life experiences reflected upon in these two hours are, of course, captivatingly colourful enough to hold our attention. In an audience composed of largely, although not exclusively, gay men the age demographic suggested a lifetime of Maupin’s literature shared amongst us. One questioner pointedly asking why the shared horrors of the late 1980s were not yet reflected in his most notable series Tales of the City. “When I finished Tales in the 80’s, Michael Tolliver had HIV and in those days if you had HIV you were going to die. I didn’t want to write a story in which the gay man dies”  ‘Sure of You’ was published in 1989’. Of course Maupin doesn’t allow the evening to lean into maudlin territory and promptly lightens the mood by sharing a story of a lesbian film character killed by a falling tree as ‘she had no right to be there’: I don’t know why you’re all laughing” he jests.

Much of this evening is a reflection on his whole life which since 2017 has been shared in his autobiography Logical Family. He talks with shared surprise at his conservative youth, living and working in the heart of the republican movement with Jesse Helms and indeed a seemingly awkward encounter with former president Richard Nixon: Nixon was talking pussy with the only homosexual in the room”. Maupin reads affectionately from Logical Family and in many ways this segment is the highlight of the evening. It is an extension of the hour we have already shared but now reflected in that familiar warm wit so many in the room have shared their lives with.

There are political jabs at the narcissist leaders of both his country of birth and now this, his adopted home and a kind bewilderment at the toxic debate within our own broadening communities: You’re not going to ask the man who created Anna Madrigal whether he supports trans rights are you”? and when asked a question from the floor about fears for a disappearing community, whilst acknowledging change he is optimistic about the future: “people will find their own community”.

Modestly Maupin defers to Tatchell as the greater LGBTQ rights campaigner and what follows is a discussion of the need for both a political and cultural capital in our continuing campaigning and progress. In both fields, tonight we are in the company of giants. Long may they reign.

Logical Family is available from all physical and digital outlets, published by Harper Collins

@craigscontinuum

Schools out for Northern Pride

SCHOOLS OUT FOR NORTHERN PRIDE

A LEADING North East charity is hosting a free event for parents and teachers, to demystify the new LGBT+ inclusive relationships and sex education (RSE) curriculum.

Northern Pride will launch its Pride in Schools campaign, sponsored by Your Homes Newcastle, with a panel discussion on 24 October at Benfield School, Newcastle from 5pm to 7:30pm.

The event, which is the first of four, will provide information about the new guidelines coming into place in September 2020, to include teaching pupils about sexual orientation, gender identity and different types of families.

Parents and teachers will hear from Jo Dixon of the Rainbow Flag Award, which has an LGBT+ framework for schools and colleges, Debs Hickling-Walker, who works with trans young people at the Trinity Youth Association and Sarah Carr, PSHE lead at Benfield School – which already includes LGBT+ education in its curriculum.

Also joining the panel is Nicola Johnson, PSHE lead for Central Walker Church of England Primary and Nimerta Virdee, a regional officer at Diversity Role Models, which provides inclusive training for educators and parents.

The discussion will be led by Lou Liddle-McGhee, family and youth engagement manager at Northern Pride and a history teacher at Benfield School, who also runs a weekly LGBT+ group for students.

“We are thrilled that the government voted in favour of introducing LGBT+ inclusive education to the RSE guidelines but we also recognise that there will be people who are confused as to what this involves,” said Lou.

“The curriculum hasn’t been updated since 2000 so the updates are long overdue and all of the material will be age appropriate, starting with looking at different types of families at primary school level.

“We’re inviting parents and teachers to attend our event and learn a bit more about what the new guidelines cover and how best to support students when it comes into place next year.”

The event is open to all North East parents and teachers but places must be reserved in advance at www.northern-pride.com/box-office.

 

There are three more sessions planned over the next year, with the second to take place in January and cover LGBT+ history, ahead of the national LGBT+ History Month campaign in February.

 

For more information about Northern Pride, visit www.northern-pride.com or search Northern Pride on Facebook, Twitter or Instagram.

 

PREVIEW: Cinderella @Pavilion Theatre Worthing

Brian Butler previews what is claimed to be Sussex’s biggest panto – Cinderella at the Pavilion Theatre, Worthing.

Worthing Theatres have assembled a starry cast for their latest pantomime, which opens for a season in late November.

Cinderella will star ex-Strictly professional dancer Ian Waite  as Dandini, Children’s TV presenter Naomi Wilkinson as Cinderella,  comedian Mark Jones as Buttons , singer/songwriter and boy band member Mark Read as Prince Charming,  and Bad Girls actress Nicole Faraday as the evil Step-mother. Oliver Broad and Jake Snowdon make up the cast as the Ugly Sisters .

The cast will also be joined on stage by two teams of talented local children , chooses by open audition . Produced by Paul Holman Associates, the show continues the record-breaking partnership with the theatre.

Paul Holman said : Cinderella is known as the bst-loved pantomime of them all. Audiences can expect jaw-dropping special effects, sensational costumes and scenery , mischief and mayhem”.

Audiences will get the chance to meet cast members and pose for pictures during the theatre’s Golden Week from 30 November to 6 December.

The full panto run is from 29 November to 5 January.

Full details at worthingtheatres.co.uk.  Box office 01903206206

REVIEW: Opera: Orpheus in the Underworld @ ENO

Orpheus in the Underworld

Jacques Offenbach

ENO

Director Emma Rice makes her ENO (and opera) debut in a rather gritty and glitzy production that gives room for her head turning theatrical spectacle and trademark humour. This Orpheus in the Underworld transports us to a hedonistic, party-filled Underworld. In the notes Rice writes of struggling with the story so goes back to basics and produces a new story with new lyrics by Tom Morris.

The story rejigged a touch to make slightly more sense follows Eurydice who is fooled into taking Pluto, ruler of the Underworld, as her lover after her new marriage to Orpheus falls apart through a still-born tragedy. Orpheus must try to win his wife back, but to achieve the impossible he needs the help of the glamorous, conceited but rather bored gods…

Read the full synopsis here:

The tag line for Rice’s first flirtation with the ENO is – “Heaven is overrated. Hell is where the party’s at.” It’s an infernal cynical party of indulgent squabbling gods desperate for sensation and quivering under the tyranny of Jupiter, sung here by Sir Willard White as the scheming Daddyo and his wonderful counterpoint Anne-Marie Owens as Juno who gives us carry-on matriarchal realness.  Idunnu Münch, as Diana is intoxicating her voice rising way above the fray, hunting and transporting us into the ether and delicately bringing us back to earth again. ENO Harewood Artist Alex Otterburn hangs it all together as Pluto and his mesmerising wink-wink charm is seductive. Mary Bevan’s Eurydice and Ed Lyon’s Orpheus are both superb, voices clear and rising to the serious emotional intent inherent in their complex love story.

Alan Oke is seedy as hell as John Styx and gives us a wonderful performance of gum-sucking perviness. Baritone Lucia Lucas, the first trans singer on the ENO or any main opera stage in London is charming as Public Opinion, ‘aving the knowledge as a London cab driver but given too much serious heft to allow the humour to penetrate, unlike her lyrical rich voice which was joyful.

This is the fun part of the ENO’s four-opera Orpheus season, although Rice’s adjustments and highlighting of tragedy in the narrative gives it a surreal soap opera feel, not wholly a bad thing as the morality is murky and unpleasant most of the time.  This is dark comedy, underworld laughs, crepuscular in its grim reaper throw-away lines but once you’ve accommodated yourself to the cruel jokes of fake and the directors equally harsh, and subtle, command of the dark humour it begins to take shape. This is an operetta and should be light and fluffy but it lands with such serious intent that it’s wheezing.

Sian Edwards returns to the ENO pit and brings mostly good work out of the orchestra although there was some lack lustre moments which failed to convince, perhaps this will find it’s groove, I’d like to think so, Edwards is assertive and her striking holding of the more delicate parts of Offenbach’s teasing is confident and convinces. Tom Morris lyrics are clever, simple modern and fun and gives some of the rather grim wordyness a darkly comical underlining.

Lez Brotherston’s costume designs squirm with delight across Lizzie Clachan’s set, it’s all great fun, starting off worryingly school play like before exploding into a daft Arcadian swimming pool party on a Tarantino Cruise ship and then plunging into a seedy Soho peepshow world of London in the 1950’s. It’s a charming contrast and with some delightful details, the puppet bees and seductive fly being notable entrancing theatrical moments.  The ENO chorus have a superb time tonight and gave me the biggest laughs and smiles of the night, I left wanting to be dressed as them.

Offenbach’s riotous operetta features the popular ‘Can-can’ and this Infernal Galop here is more of a menacing Macarena.  There’s a lot of anger on show here, and although it helps to dilute the cynical ruthlessness of some of the protagonists it leaves us uncomfortable.

None of this ends well; the gods continue to treat humans as playthings with Eurydice having no agency and ending up in a wretched state of being passed around the crass and vulgar males.   It’s an unsatisfying ending to an unsatisfying story and although glorious to watch and the narrative tensions keeping up it leaves us grasping for closure.  But then perhaps that’s the point of this reworking, that in the end, the jokes are on us mortals.

Worth a trip up to catch this just for the glorious campness of the ENO Chorus in those white balloon body suit tutus, swoon….

Until  28 Nov 2019

For more info or to buy tickets see the ENO website:

 

James Ledward’s funeral and celebration of his life

James Ledward’s funeral and celebration of his life will take place on Saturday, 19th October at 12:00 midday in St. Mary’s Church, Kemp Town (61 St James’s St, Brighton BN2 1PR)

It will be followed by a private cremation for family members only.

We request that the dress code is colourful.

At James’ request no flowers please.
A Justgiving page has been set up in James’ memory, and all donations will go to the The Brighton Rainbow Fund which James established ten years ago to support local LGBTQ organisations and support groups.

To make a donation, please click here.

James’ funeral cortege will make its way up St.James’ Street, from 11:40am if community members wish to see his procession.

We hope as many people as possible be in attendance to give James the community send-off he deserves.

 

BRIGHTON & HOVE COMMUNITY SOLIDARITY VIGIL AGAINST HATE CRIME

BRIGHTON & HOVE COMMUNITY SOLIDARITY VIGIL AGAINST HATE CRIME

Wednesday October 16th

6pm

Outside Rainbow Hub, St James St. Brighton

Over the past decade the second week of October has been established as a week when people around the globe organise solidarity vigils and events to show support to those who have been affected by Hate Crime.

The 8th Brighton & Hove Solidarity Vigil, organised by the Brighton & Hove LGBT Community Safety Forum (LGBT CSF), will be held on Wednesday October 16th 2019 outside the Rainbow Hub in St James St at 6pm.  There will be speakers from community organisations across the city including the Racial Harassment Forum, Possibility People, Network of International  Women, and representatives from the cites LGBTQ+ communities and the Rainbow Hub who are all involved in supporting victims of hate crime and passionate about challenging harmful narratives.

Billie Lewes, Chair of the LGBT CSF Said

We would invite you to join us, outside the Rainbow Hub to show some community SOLIDARITY and to support each other in challenging extremism & Hate speech of all kinds!

Bring a torch, candle, drum or a whistle & SHARE SOME LOVE & LIGHT during our 2 minutes noise to remember those affected by Hate Crime.

No matter what community you are from, or feel you are part of, come and share a community moment together,  ALL are WELCOME and there will be hot drinks to keep us all warm.

National Hate Crime Awareness Week 2019 will take place from 12th – 19th October.

Started by 17 -24 30, The purpose of the Hate Crime Awareness Week is to tackle Hate Crime issues by raising awareness of what Hate Crime is and how to respond to it, encourage reporting, and promote local support services and resources.

The hashtags for social media postings; please use.  #SpreadLoveNotHate   #WeStandTogether  #NoPlaceForPlace  #NationalHCAW

REVIEW: Film The Shiny Shrimps

The Shiny Shrimps

Film

Matthias le Goff is a highly  motivated French Olympic swimmer who is struggling to be quick enough to qualify for  his most important race ever. An inopportune homophobic remark in a tv interview gets him suspended, with a delicious twist of a punishment.

He must help train the worst gay sports team in the world, the wonderfully rainbow-coloured Crevettes – the French water polo contenders who hope to get to the Gay Games in Croatia.

Initially it doesn’t  go well – Matthias regards the men plus one trans woman as “ retards “. What writers and  directors Cedric le Gallo and Maxime Govare manage to achieve is a clever balance of camp humour, serious LGBTQ+ issues and  a heart-warming if tragic  story.

Nicolas Gob is a mean and moody Matthias – uncannily a look-alike for Man City manager Pep Guardiola – who like all good anti-heroes comes good in the end.

The filming of the various training sessions and water polo games is a blend of action above and below water and Carry On physical antics and it’s a blend that works remarkably well.

Described on Wiki as “ a French sports comedy film “ it owes a great deal to Priscilla Queen of the Desert – there’s even a road trip- on a hijacked open-top tourist bus from Paris to Croatia – complete with songs and happiness  much like the drag queen cinema and stage hit.

Romain Brau is the main source of humour as Fred – the former male team member who returns having transitioned and he plays the part with obvious enjoyment.

The film has a series of sub-plots that add to its depth with the usual themes of deceit, guilt, homophobia and true love , and though it has a tragic denouement, the finale is an uplifting dance routine around a coffin believe it or not.

It’s terrific that mainstream Universal has made this film for general cinema release and it’s another hit for the brilliant LGBTQ+ film distributors Peccadillo Pictures – now based on our doorstep in Hastings .

The Shiny Shrimps is in cinemas now  – it’s a wonderful film : see it if you can.

Gscene. An announcement

James Ledward editor of our community magazine died on Thursday October 3rd 2019 after a short illness. Following his diagnosis in early September, James spent his final few weeks with those closest to him particularly his sister Rosalyn and his beloved husband Besi.

​Although James’ illness and passing was untimely James did spend time with his partners and core team, making contingency plans for the continuation Gscene as a physical published magazine. James believed in the value of Gscene as a community lifeline to thousands across Brighton & Hove, the South East, the South Coast and the magazine will continue to be published in his name and honour.

There will be a short tribute to James in the November edition but the remainder of the magazine will in accordance with James’ wishes be published as was planned; the HIV/AIDS edition.

The Gscene editorial and publication team will be producing a special commemorative edition of the magazine in the coming months. This will be entirely dedicated to James Ledward his life in Brighton and Hove, and to his work as a true and tireless champion of the broadening range of LGBTQ communities in which we live. We invite you to share your memories, photographs, stories – community and personal, with us at Gscene so that as an entire set of communities we can remember a true legend who lived amongst us.

​At Gscene we all feel the loss of James incredibly personally, whatever our role in the magazine’s publication and we know that so many of you who feature in and have for years read the magazine, will too. In James Ledward’s name and as he expressly wished in his final weeks, we will continue.

If you would like to contribute to the commemorative edition, please share your stories with info@gscene.com

Gscene team

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