menu

New Queen on the block

Tom Redgrave aka Pat Clutcher is one of a new generation of drag performers working the Brighton circuit. He talks to Brian Butler about his Sunderland roots, not being a hit with pop star David Essex’s fans, and his hopes for his future act.

TOM Redgrave began very early to perform in his native Sunderland, doing musicals like Annie, Bugsy Malone and West Side Story at the tender age of 9.

“When I was 10 I bought the Stage newspaper and dreamed of going to somewhere like the Sylvia Young theatre school, but for a little Sunderland boy it wasn’t going to happen,” he says.

His secondary education was also packed with musicals and youth theatre shows, including at the magnificent Sunderland Empire. “School work took a backseat and I wanted to do a B Tech in performing arts but my parents insisted  I wait till I was 18.”

So it was that Tom found himself at the Guildford School of Acting. “Their reputation was in training actor/singers who could move. I was never much of a dancer. I aspired to be the next Michael Ball rather than a Wayne Sleep. I always looked older than I actually was so I always played dads or granddads, and older principal roles – like in the show The Fix.”

His roles included the narrator in Under Milk Wood and parts in 110 in the Shade and West Side Story again.

He admits to a string of what he calls “tatty tours and tatty pantos” before landing a role in the David Essex vehicle musical All The Fun Of The Fair, where he sometimes went on as Essex’s understudy, much to the annoyance of the many Essex fans in the audience. “They refused to applaud at my curtain call.”

That and 2 years of touring led him to lose interest in his stage career and led him into pub and hotel management, including the well-known Marsden Inn in South Shields, where the establishment clings precariously to the cliff side above a beach.

His first experience of drag was as Meg Mortimer named after the Noelle Gordon character in the soap opera Crossroads, but after 3 gigs in a few months he decided not to pursue it.

Moving to Brighton he worked at the Old Ship hotel and then changed careers yet again deciding to train as a nurse. “I did it for 9 months but couldn’t get into it,” he admits. So he went back to the food and beverage business at the Staley Hall Hotel in Northumberland, which he describes as “the middle of nowhere”.

“The staff were very unhappy, but I believe everything happens for a reason and Alastair, the owner of the Camelford Arms in Brighton offered me the job of assistant manager.” He had previously worked behind the bar there and coincidentally had previously signed his major stage contract with his agent in the pub .

Being on the mic for quiz nights and raffles helped him develop his patter with customers and the ability to pick tunes for punters. At the nearby Marine Tavern’s open mic nights he met the young drag performer Stephanie Von Clitz (Steven Banks). “We became good friends and he suggested I give drag a shot. So I took it very seriously, bought a wig and a frock off the internet and walked onto the stage as Angel de la North.”

When the 15 heats of the competition Drag Idol were announced Stephanie suggested Tom should enter at the White Swan in London. “I was awful; it was a baptism of fire but I enjoyed it. I realised I needed to do better and so in May 2018 he entered the heat at Brighton’s Charles Street Tap. “I remember someone saying I was someone they ought to hire.”

In London he took part in Drag Idol’s semi-final, didn’t win but was given a wild card to perform again the following week, where he admits “my Drag Idol story ended”. But work at the Queen’s Arms followed and a friend suggested he adopt a new persona in the style of comedian Les Dawson’s drag character Ada. And so Pat Clutcher was born as a tribute to the character Pat Butcher in Eastenders.

“The character is me in a frock saying things I wouldn’t dare say in real life – a court jester who can get away with stuff. It’s very different when I’m Tom doing karaoke. If you send yourself up, the audience know not to take you too seriously. I’ve rediscovered my mojo and my confidence and I’m not afraid to do stuff any more.”

Asked to advise his 16 year-old self he says “I’d tell me it’s all going to be all right.”

Tom admits the biggest influence on his act is Miss Jason (Jason Sutton). “I’d love to be thought of as the next Miss Jason.” He admits his style of performing harks back to the older days of drag with its camp humour and forthrightness. “I’m attracted by the character of strong independent women – like Pat Butcher, Meg Mortimer and Ena Sharples. I use snippets of their characteristics in my act.”

With regular spots at the Affinity Bar, Queen’s Arms , Legends and Charles Street Tap, he’s particularly proud to have been nominated for best drag act in the 2019 Golden Handbags, after just a year in the business.

He’s certainly a talent to watch out for.

 

REVIEW: Fame The Musical @Congress Theatre, Eastbourne

Fame The Musical

Congress Theatre, Eastbourne

September 3, 2019

There was a palatable buzz in the brand new and very comfortable seating of the Congress Theatre for this touring production of Fame the Musical. But then, the opening number thundered in with very loud amplification making some of the singers fuzzy and quite a few lighting cues missed failed to light up the sky like a flame!

There was some problematic messaging going on too, a very vulgar early song to ‘set in context’ the sexism of the times, but it failed to be anything but a smutty hard-on wink, wink song. Some token racism and exploration of privilege was a welcome return to the Original Fame premise of challenging intersectional story-lines and serious emotional commitment, but then failed to go any further. Later, the same character after calling a woman a ‘bitch’ and not challenged on his behaviour, goes on to sing a song of triumph and is not called out on his misogyny or toxic masculinity.

Then there’s the running joke of the ‘is he, is he not gay’ character who turns out, in the final cloying love duet, to be not gay which means all the previous stuff about his gayness were jokes. Seriously, I mean, seriously………. I’d bailed long before this and had started playing cliché bingo with it.

Would one dancer do a back flip, tick, would a person of colour die, tick, would two empowered women square off, tick, token problematic food issues, tick and done for laughs, double tick and wince, dick jokes, tick, dick jokes, tick, dick jokes tick…..etc.

The costume was all over the place; only one pair of very thin leg warmers was apparent, ruck sacks from H&M, etc.  Even the static set, clever on first sight to suggest an American year book was distracting by the first act and the images seemed to be a decade or more out in dress and hair, I checked later; they were. The characters psychological drive and development is dismal, one line for most of them. One line.

Mica Paris as Miss Sherman gives us the stand out moment of the night, with a perfect rendition of These Are My Children which pulled all the right musical levers, giving us all the emotional range of that superb voice of hers, but she alone was not enough to raise this mechanical musical mehh up off the ground. Her brilliance threw a hell of lot of shade on the mediocre material this superb cast were forced to work with. Fittingly enough the final encore song gave the audience what they had come for, and showed that when given strong enough material and lyrics this cast could shine.

The cast, are excellent – they sing wonderfully and dance well. Jamal Kane Crawford when allowed to gleam, gives us a superbly athletic performance and they all generally fizz with energy and excitement.

It’s the pro’s behind this who let them down, the two dimensional choreography, the lack lustre song choice, banal lyrics, the bizarre lack of any real narrative arc and some dodgy dated inclusions which don’t work.  Characters quoting Gone with the Wind rather than Indiana Jones and the Temple of Doom, the dance hinted at Katy Perry rather than Jackson’s Thriller. One wondered if the creative director and producer had even watched any of the original series, the audience certainly had.

I moved in the interval up to the circle, as the sound was too loud in the stalls, and although the acoustic experience was slightly better and the second half promised much, it again didn’t ‘ride your heart ’til it breaks’.  I overheard some comments from other audience members during the interval echoing my thoughts about the unbalanced amplification.

Fame holds a special place in the hearts of many people, both TV series and film excelled in exploring the complex emotional lives of young people working hard against all the odds to follow their dreams. This show, although technically good and blessed with an obvious talented cast, failed  to engage on any emotional level, only scored once or twice and was much, much less than the sum of its parts.

My companion, a big Fame fan, left unsatisfied, commenting there were not enough dancers on stage to fill the loo,  although she was pleased that Mica Paris and Stephanie Rojas (as Carmen) had followed through on the promise of high energy gripping entertainment and enthralled us with their stand out songs.

“Baby, look at me

And tell me what you see

You ain’t seen the best of me yet

Give me time

I’ll make you forget the rest. “

Sigh, we wish…..

The Congress Theatre itself was a joy to explore, fully refurbished, comfortable seating, reasonable prices, friendly informed staff, probably the most accessible theatre in the South East and with a real commitment to inclusive ideas around accessing space. It’s a triumph of what can be done when vision, passion, and some substantial investment is made in ageing infrastructure. The Congress is now set for the next phase of its life; let’s hope some of the entertainments offered can live up to the high bar this superb venue sets.

For more info or to book tickets see the Congress Website here 

Michael Wall R.I.P: 21.4.1975 – 8.8.2019 – Farewell my darling

Back in the early part of 2004, in the bad old days of Gaydar, I was innocently surfing around when a young Irishman popped his head over the parapet and said Hi.

Mike Wall: 21.4.1975 - 8.8.2019
Mike Wall: 21.4.1975 – 8.8.2019

HE turned out to be one of life’s exceptional men, although I didn’t know that at the time. Some weeks later we met, in Dublin, he lived in Galway and he cheekily bought himself a ticket to come to Brighton, not knowing how well we would get on. If it hadn’t gone well he would have simply thrown the ticket away. He liked Brighton and so after a few months moved over to live with me.

Michael Wall was quite simply one of life’s brightest, charming, intelligent and wonderful people anyone could wish for. We fell hopelessly in love, eventually, and settled into domestic bliss. We got Civil Partnered in 2006 and upgraded to marriage in 2014, happiness forever.

Some years later he was diagnosed with clinical depression and anxiety, as a result of childhood abuse and professional homophobia.  Over the next few years he became very anxious and depressed but we continued with our very happy and almost idyllic life and were managing his condition – changing jobs a few times while developing some skills that were very much in demand. But during the past few years his illness did not improve and he started drinking, this is the classic self medication a lot of depressed people take.

In June 2019, he felt the need for a rest and decided to take a few months off from the most perfect job he had ever had. Everything seemed to be fine but over the course of one weekend he drank a lot, this resulted in many visits to hospital but usually coming home with a reasonable clean bill of health.

On Thursday August  8, 2019 he felt quite ill and collapsed in my arms suffering from a cardiac arrest, his heart had simply stopped and he died. He was just 44 and in the standard clichés of these things still had the best part of his and our life ahead.

Living with a lover with depression is very challenging but loving him as much as I do this really didn’t matter and we coped quite well.  His sudden death has turned the light out in my life, he will always be with me in our home and moreover in my heart.

To say that I will miss him is the most ridiculous understatement possible, my world has been destroyed and that is not too dramatic. Of course my life will go on, quite how and why is difficult to say. We are not religious at all but I like to think that one day, who knows, I maybe with him again. So this is farewell my darling but I will never say goodbye.

Michael has been a regular Gscene columnist for the last eleven years.

Obituary by Roger Wheeler

FEATURE: Stammering is not a stigma

Dave Bradley talks about his life long stammer and how singing with Actually Gay Men’s chorus has helped develop his confidence.

Dave Bradley
Dave Bradley

I was born with a stammer. My parents tried to help me with various treatments such as speech therapy (breathing exercises) and hypnosis. The doctors even gave me Valium when I was 4 years old to try to cure me! I am now 46 years old and still have a stammer. I have now accepted that I will never speak as fluently as most people, or hold a conversation with people who I don’t know very well.

A lot of people are not sure how to react when a stammerer attempts a conversation with them. Bizarrely I have had people think I am deaf, I have been refused entry to bars because door staff think I am drunk, I have been mocked, laughed at and even ignored because of the way I talk.

When I was at school most social activities scared the hell out of me. In my late teens I took part in marathons and numerous other long distance events, because it gave me a sense of belonging to a group without having the need to talk.

This sense of participation has remained with me throughout my life. I joined Actually Gay Mens Chorus and I sing regularly at karaoke (for the record I don’t stammer when I sing – people are always surprised by that). I entered the X Factor auditions twice (once even making it to the second round).

For most of my life my speech impediment has dictated what careers I would follow. I settled for a career as a baker because I knew it wouldn’t involve a lot of speech. When I moved to Brighton eight years ago and joined ActuallyGMC, this gave me the confidence to be more sociable and accept that a stammer was not a stigma. Since then I have worked in recruitment, performing job interviews and making phone calls, which is something stammerers would normally avoid. I now work as a Brighton and Hove bus driver.

Socially, it can be a nightmare meeting new people and, for a lot of people who do stammer, the thought of forming a relationship with somebody they like can be very daunting.

Will this somebody accept the stammer? Will this somebody find it difficult getting to know the person who stammers? These factors make it very difficult for the person who stammers.

Luckily in all of my relationships, partners have been very supportive in all of this. Not sure whether ‘luckily’ is the right word. Are stammerers just over-anxious when it comes to forming lasting relationships? Maybe there is actually nothing for that person to worry about. That’s the question many people who stammer ask themselves.

With this in mind, special mention has to go to my husband Terry Bryan (when this is published we will be married) He has never let the stammer get in the way of our relationship, even in the early getting-to-know each other days. This gave me massive confidence to pursue any career, that before I would have thought impossible.

There is a misconception that stammerers need curing with therapy to lead a normal life. That is not true. There are various websites such as www.stammering.org that are aimed at stammering awareness.

BOOK PREVIEW: ‘Where’s Yer Willy Now?’ by Jeff Kristian

Have you noticed that drag queens are conquering the world?

BRITISH drag legend and author Jeff Kristian’s new book, Where’s Yer Willy Now? is the sequel to his popular debut novel, Where D’Ya Put Yer Willy?

Though fiction, it is a fascinating insight into the life of London drag queens, a world he knows very well and wants to expose.

His one-woman show was the longest running of its kind in Soho’s glittering history.

Twenty-five years of experiences performing on stage, in film and on television culminated to create Where D’Ya Put Yer Willy? It’s long awaited follow up Where’s Yer Willy Now?, is published by Mr Bink Media and is a story of friendship and family.

Michael is a closeted Essex barman whose life is hideously turned upside-down when he is inexplicably bequeathed a small fortune and shares in a legendary Soho cabaret club.

To inherit, he must become a drag queen for six weeks under the dubious guidance of the venue’s stars Chastity and Connie.

But his life unravels as his violent past comes back to haunt him, and the club’s eccentric diva owner is horrified to discover his true identity.

Where’s Yer Willy Now? continues the story through the following six weeks of Michael’s rollercoaster ride.

He fights to save his family as they flee to Berlin in search of riches beyond his wildest dreams.

Where D’Ya Put Yer Willy? has a growing cult following across the UK, the US, Europe and Australia and has received plenty of five star reviews.

“An Armistead Maupin‐like rollercoaster ride through a dark, mysterious and very funny world.”….Colin Savage BBC

New Rubber Group Social planned for Brighton and Hove

A new group is being created in Brighton to offer support, create events and arrange meet-ups for the LGBT+ Rubber community and they want you to join in.

THE group has been born out of the belief that Brighton is missing a rubber group and they want to do something different to help bring all the city’s wide and varied LGBT+ communities together.

A founding meeting is planned for September. To find out more email the group for an invitation to the closed Facebook group at brightonrubbersocial@gmail.com

Membership to this group on Facebook will not show up on your timeline.

The group plans to adopt a formal constitution, set out some goals for the group and agree on a founding event.  The group is very keen to work with other existing groups, charities and brands in Brighton to help bring more visibility to the rubber community and help change some of the negative perceptions that exist. One of the biggest drives to create the group was the idea that something positive, kind and exciting could really bring the community together.

The group will also be fundraising for the group by selling Rubber Pride silicon wristbands to help build visibility.

If you have any thoughts or better still would like to get involved organisers would love to hear from you. email: brightonrubbersocial@gmail.com

X