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Strictly a star performer

Joe McFadden, winner of Strictly, star of TV’s Heartbeat and Holby City talks to Brian Butler about his forthcoming lead role in Priscilla, dancing with Katya, and learning the hard way.

JOE McFadden knew at 12 years old that he wanted to be an actor. His drama teacher got him an audition for the hit TV detective series Taggart, followed by a young starring role for 6 years in the popular Scots soap opera Take the High Road. “I thought to myself : this is great fun” he says with his infectious smile and warm Scottish accent.

He admits that he should have gone to drama school: “But I wasn’t brave enough. I learned the hard way – by doing it.”

And the high-profile jobs kept coming – 2 years in the period police series Heartbeat and 4 years in the medical drama Holby City. “The shows had very different style. Heartbeat was all about the look and the pop music sounds of the 1960’s, Holby is obviously a modern look at an NHS hospital. As such it has to be as authentic as possible – lots of doctors and nurses watch it,” Joe says.

“There’s tremendous attention to detail, with medical advisers on the set all the time.” Joe says he even went to watch open-heart surgery for real to get into his doctor role. “People in the know are waiting for you to make a mistake so it’s important not to.”

“What I realised is how powerful these people are. I was playing an arrogant character – but I realised that life and death was in my hands. It gave me more respect for medical staff and the pressure they are under. I couldn’t do it for real.”

He has starred in film, TV and on stage so what’s his favourite medium? “I’m fortunate I get to do all of the above. People see you in one light and that’s it , so varying the roles is great.”

Self-taught in his skills he did take some singing lessons in his native Glasgow, where he had friends studying musical theatre .

At the age of 22 he landed a role in the musical Rent. “I was amazed I got the part. I never saw myself really as a singer, and it helps that its was more an acting show.” But musicals were to form an important part of his career, including She Loves Me at Chichester.

So how did his participation in Strictly come about? He admits that someone on the Holby production team was keen for one of its actors to be in the dance competition. “I said absolutely not. But I was worn down. The first time the BBC approached me I said no. Then I had a good think about it. So I met the producers. They don’t tell you all the intricacies, that your life will change and about the press intrusion.”

For the run of the show in 2017 it took over Joe’s life. “It depends how good you want to be. I didn’t want to embarrass myself, and with Katya (his professional dance partner and teacher), it’s full throttle. So we rehearsed 9 or 10 hours a day. Some days I got to the point where things weren’t going in and Katya would send me home.“

When did he realise he had a chance of winning and lifting the famous glitter ball? “I didn’t, not even in the final week. I was concentrating on myself; the others were such good dancers. I thought; how lucky are we to get to the final.“

But win he did of course, and the TV series was followed by a month-long stage tour of the show and finally a cruise.

And after other stage appearances, Joe is now embarking on a UK tour of Priscilla Queen of the Desert, with a 3-week stint in Brighton over Christmas 2019.

“I met Jason Donovan on the tv show Loose Women and later on producer Mark Goucher. They offered me the role that Jason had played – Anthony – ‘Tick’ whose stage name is Mitzi. Jason who is co-producing this version, says it’s going to be more like the original movie – grittier than the stage show usually is.”

“Mitzi is a great character, and as the show develops we learn his great secret – he has a wife and son. There’s a lot to the character. He jumps about on the stage and then he also has scenes where he is forging new ground with his newly-found family.”

So with just 6 weeks rehearsal, how does he feel? “I’d never done drag before, though I know some drag queens  I was slightly worried. I take my hat off to full-time drag acts. Just standing in the high heels killed me, let alone dancing in them.”

What advice would he give to a young Joe just starting his acting career? “I’d tell him not to worry so much. I fretted about not going to drama school, but then I realised we are all just making it up as we go along. All this stuff is small stuff.”

What roles would he like to tackle in the future? “The MC in Cabaret. I did a samba to the music from it in Strictly. I think it was my best dance. And Bloom the nervous accountant in The Producers.”

Having just finished a major tour of Brighton-based Peter James’ The House on Cold Hill, where he ‘died’ on stage very night, Priscilla is making a change. “Its’ a feel good show.“

Priscilla runs at the Theatre Royal, Brighton from December 17 to January 4 2020.

 

LETTER TO EDITOR: I had an amazing Pride this year….Affy Wajid

Ok. So everyone has a view on Brighton Pride. Here’s mine. I personally had an amazing one this year.

THE best it’s been for years and that is down to a small group of people who worked effortlessly all year round to deliver such an amazing event.

The parade is and always will be amazing and life affirming. This year it was ALL about the park.
Preston Park on the Saturday was gayer than it’s been for years.

The atmosphere was calm, welcoming and I felt safe (probably because it was gayer then previous years) and the BME stage was actually full of BME people!! So diverse ”

The park was spotless! No rubbish or litter as if it was it was picked up straight away.

The production values were second to none. I could have been at Hyde Park it was that good and security were fantastic, chatty and smiley. (That’s what you want)

The political message behind Pride was very loud and very clear. It was heartening that the politics behind Pride was at the forefront. And it was a message that resonated with me as a non white member of the LGBT+ communities.

When I went in to town it was the polar opposite. Very, very straight anything but welcoming, calm and safe (apart from the venue’s I played at who were very conscious of creating a LGBT+ positive safe space). It literally felt like a war zone. This had nothing to do with Pride the organisation.

Everyone has a different experience of Pride. This is mine.

Brighton and Hove Pride is not the issue, nor is it the LGBTQ+ communities but the fault of individuals outside of it.

If the straight community want some of the fun, respect and understand why it’s there in the first place. It’s not about sticking a rainbow on your forehead or glitter on your tits.

Whilst Pride actively encourages our allies to join us, this should not be at the expense of the communities for whom Pride is all about.

Yes Pride has got too big but that isn’t the fault of Pride the organisation but the fault of every other business who wants a slice of the action, many of whom do not give anything back to the LGBTQ+ communities.

We as members of the LGBT+ communities need to #standtogether. Stop squabbling with each other. It’s still our Pride. So get involved and support Pride the organisation to make it the inclusive event we collectively want and need to reflect our lived experience. The street party and the cash-in events say nothing about us.

We still need this Pride. If for nothing else but to generate money for lots of our community organisations that would go under if it wasn’t for the income Pride donates.

If you are the one of the many straight people on my Facebook Feed moaning about Pride, simple solution – DON’T COME. Allow the space for a person who wants to support our wide and varied :GBT+ communities. And if you do want to come, understand why we need a Pride in the first place and be thankful you don’t.

Thank you to Paul Kemp and all of the Pride team and the amazing HeSheThey team, absolutely loved it. 1BTN for all your hard work and efforts with the parade. The beautiful and glorious BitchPlease family, you all rocked. Same time next year please Xxxxxx

Affy Wajid

 

LETTER TO EDITOR: Legends and the cabaret tent at Pride

Prior to Brighton Pride 2019 there was activity on social media discussing Legends sponsorship of the Cabaret tent at Preston Park, which we have done for many years.

I was disappointed to read that some venues across the city felt they were not given an equal opportunity to contribute to Pride. Consequently, their venues were not marked as headline sponsors.

As I am sure you remember, Legends has not always sponsored the Cabaret tent. In the years that I was not fortunate enough to sponsor the Cabaret Tent, I continued to sponsor the toilets and contributed towards the Parade Route advertising. I know this isn’t the greatest accolade to have at Pride, but I felt that contributing was still important for the City’s greatest annual event.

Therefore, I would like to invite all of the local LGBT+ businesses who have just had one of their most bountiful periods of the year to dig deep and contribute to Pride. Inevitably, the winter months will bring a period of austerity so I’m sure Pride will be happy to accept these contributions in advance for: Pride 2020.

As ever, Legends will continue to contribute to Pride. We are also very grateful that our customers help to fundraise throughout the year and look forward to welcoming you all to these events. In addition, I would also like to thank our amazing City for yet another fantastic Pride and look forward to seeing what is in store for next year’s Pride 2020.

Tony Chapman
Owner of Legends

FILM REVIEW: Consequences

Produced by Temporama and distributed by Pecadillo Pictures, Brian Butler reviews Darko Stante’s Consequences.

FORGET the fairy-tale castle on the hill and the beautiful Slovenian countryside surrounding picturesque Ljubljana. This modern morality tale is set in an uncompromising young offenders institution and centres round the sad, angry wretched life of teenager Andrej.

He is so rebellious that his weak father and feisty mother plead with the authorities to lock him up and so they do, pitching him headlong into a training college for minor thugs with expensive tastes in drugs and booze, as well as wayward girls.

Matej Zemljic is a sweet-featured youth who just can’t find a compass point in his chaotic self-induced tragic situation. The problem with the film is that writer/director Darko Stante offers no path to rehabilitation or redemption.

When it looks like Andrej may have made a friend of a much weaker inmate, he turns against the boy, threatening him with violence to extort protection money for two other tearaways whom he seems fatally drawn to.

The staff of the offender centre are one-dimensional and ineffectual in their leadership and stewarding of the boys, and one scene of violence, drug-induced stupor and pointlessness just leads to another.

The story, though potentially interesting, isn’t developed sufficiently to keep us guessing what will happen next. We know exactly where the downward loop is leading all the main characters and though we care for Andrej, beautifully played with subtlety and angst by Zemljic, we ultimately start not to sympathise with him .

The ending when it comes is more a whimper than a bang and we are left in mid-air, hoping for the best for the boy but fearing the worst.

At the centre of the film are a couple of quasi-queer scenes, where the two leading characters seem to have a fatal physical and sexual attraction that turns out in the end to be more drug-induced than anything serious.

This strain of the story could have been better developed and it would certainly widen the audience appeal, but in the end the writer plays with the idea and moves on.

Review by Brian Butler

Edinburgh Festival Fringe draws record crowds in 2019

The 2019 Edinburgh Festival Fringe drew to a close over the bank holiday weekend having brought together artists, arts industry, media and audiences from over 150 countries, including over 750 shows from Edinburgh.

MORE residents than ever before attended Fringe shows, with a record 856,541 tickets issued to audience members from the city.

This year’s Fringe saw venues across Edinburgh play host to a diverse selection of work from across Scotland, the UK, mainland Europe and the rest of the world, with showcases from over 15 countries. They were joined by 1,000 of the world’s finest street performers, who brought the Royal Mile and Mound to life as part of the Virgin Money Street Events.

The 2019 programme tackled critical issues such as the climate crisis, Black, Asian and Minority Ethnic identity, mental health and wellbeing, disability and working-class representation, with the best upcoming talent showcased alongside well-known names and the very best of international work.

The Fringe is the largest arts market and platform for professional development in the world. Over 100 professional development events for Fringe participants were delivered in partnership with 57 external organisations in Fringe Central, the dedicated centre for artists at the heart of the Fringe.

The Arts Industry office accredited 1,661 producers, programmers, bookers, talent agencies, festivals and others from 54 countries looking to find work, tour it and support artists beyond the festival itself.

They were joined by over 1,000 of the world’s media, who came to cover the greatest celebration of arts and culture on the planet. Included in their number were Lonely Planet, who named the Fringe the UK’s number one unmissable destination as part of its Ultimate UK Travelist.

To help audiences discover work amongst the over 3,800 shows featured in this year’s programme, the Fringe Society created a new Inspiration Machine, an interactive, arcade-style machine that randomly displayed videos from Fringe artists at the push of a button. Located on the Mound and also available online, the machine was spun more than 100,000 times during August, encouraging audiences to try one more show and potentially discover a new festival favourite.

The Fringe Society has made a long-term commitment to community engagement and access, and this year received the Euan’s Guide Hello Award in recognition of ‘the warm welcome for all visitors’ to the Fringe Shop and Box Office.

Key initiatives this year included loaning out 80 sensory backpacks for autistic children and adults, BSL interpretation on the Royal Mile every Saturday of the festival, and a dedicated Changing Places toilet located right outside Fringe Central.

Organisers worked with over 30 Edinburgh charities and community groups to distribute £60,000 of Fringe vouchers and Lothian bus tickets, enabling residents from across the city to experience the festival, many for the very first time. In addition, over 1,000 schoolchildren and 188 teachers came to the Fringe as part of their schools’ outreach work.

Shona McCarthy
Shona McCarthy

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “The Fringe is the perfect combination of local and global – a magnificent medieval city and its residents welcoming performing artists from all over the world. At a time of political division and uncertainty around the world, the role of the Fringe as a platform for radical conversations to happen – from the future of our environment to gender politics, racism and disability – has never been more important.

“We are delighted to welcome audiences from Edinburgh, Scotland, the rest of the UK and across the world to this year’s Fringe, alongside 1,661 producers, programmers and bookers who will help ensure the work presented at this year’s festival is seen by audiences in venues and festivals both here in the UK and internationally.”

Sir Tim O’Shea
Sir Tim O’Shea

Sir Tim O’Shea, Fringe Society Chair, added: “We want everybody in Edinburgh to have the opportunity to attend and enjoy the Fringe, which is why we have been developing and enhancing our work to engage with people in the city who might not have had the chance to attend before. The positive impact of the Fringe is felt long after August comes to a close – from the artists who use the Fringe as a career springboard to the local communities who come to the festival, many for the first time, and are inspired to take up something completely new.”

By Bank Holiday Monday afternoon (August 26), with hundreds of performances still to take place, the Fringe Society confirmed that more people than ever attended shows at the Fringe, with just under 250,000 attendees at shows across Scotland’s capital and three million tickets issued. 56% of attendees came from Scotland, highlighting the continued appeal of the Fringe for locals and visitors alike.

Next year’s Edinburgh Festival Fringe will run from August 7 – 31, 2020.

 

INTERVIEW: Beverley Knight – A Welcome Prodigal Sister

Beverley Knight MBE recently celebrated twenty five years in music with a sold out show at London’s Royal Festival Hall.

THE event was recorded for a live album due to be released later this year ahead of a UK tour with a Brighton Centre stop on October 1. Super fan Dean Pender caught up with Bev and asked if in the mid 90’s she envisaged having such success 25 years on:

“I knew I would still be making music. What I could not have predicted was how, and in what capacity. I knew I was going to make music throughout my life but I had no idea how big it would be but I always knew that somehow, someway I would have a career, a lifetime of singing and making music. I didn’t know if I would need another job to supplement that. But as it turns out…. I never did!”

In the 90s you were vocal about your support for the LGBT communities and called out artists who included homophobic lyrics in their work. What was the reaction at the time?
“It caused immense problems. I was literally on my own. Absolutely no other black, British artist in the urban field and I make that distinction importantly – the urban field, spoke out. I was an island but I believed, as I do today, that your silence means you are complicit with homophobes and racists. I’m not here for that. There was a backlash although luckily there was no social media back then but it was terrifying. People wrote to magazines saying they were going to make sure my career was going to be over, and I received [messages] that could be construed as death threats “I know where you live” and things like that. But these were a minority, the overwhelming majority supported me. It was a minority of individuals from within my own communities who were absolutely furious with me”.

Did your career suffer?
“As a result, a lot of people who were decision makers in the music industry would distance themselves from me. It was very hard for a time as those people stood away from me but I didn’t care. I was raised to believe in standing up for what is right, even if it costs you and I still believe that now. I am proud that I had the strength to do that. Would I do it again in the age of social media? I’d like to think I would but it is difficult when you are the only one”.

Is it true that your band at the time didn’t want you to perform for gay audiences?
“Yes. It was awful. It was the band I had at the time in the beginning, in the mid 90s. I was asked to do Pride and I was so excited. My manager put it to the band then three days before the event was due to happen my manager told me that they felt they were unable to be my band in this circumstance due to their religious beliefs. Are you serious? For their religious beliefs? Well I was going to play Pride, even if they weren’t. So the band had to go it was that simple. It was stressful and I had to get a band together in lightning time but that’s how it was. Sod ‘em! (laughs).

“I won’t name those people because since then those people have seen the error of their ways and come round to being full rounded people. But if they hadn’t, I’d have shamed them! With time people grow up”.

You were awarded an MBE for your services to music and charity in 2007. Did this come as a surprise?
“I was so stunned it took me a long time to say yes. In 2007 I still thought I was very young, in my thirties and “I haven’t done anything!”. My management had a word with me and said this isn’t just about you, it’s about the people coming up behind you and those who laid the path for you. My mum and dad came to Britain not knowing what life was going to be like for them and they certainly didn’t think their daughter would go on to have the career that I’ve had. The award was as much for them and so I agreed to take the MBE.

“That day at Buckingham Palace, I had my mum, dad and my manager there. When they called my name all I could think was ‘don’t fall over, why did you wear platform heels!’ Can you imagine if I’d fallen over – the shame. When you meet The Queen, she pins the award on you and then gives you a shove as if to say – ok, go now – and you have to walk away backwards! The shoes looked good but what a mistake!”

In 2013 your career took a different turn and you moved into acting. How did that come about?
“I had acted my entire life. My first role, I was five! All the way through school I did drama and joined local amateur dramatics, but I stopped acting when the music career took off. So I feel this is a return to acting but on a professional level and I’m so proud that I was able to go back to it. I loved it being on stage and being someone else for a minute. I was the first black Grizabella in Cats in the UK. Next year there’s lots of theatre happening for me and all original roles too so keep an eye out for that.”

Dean and Beverley
Dean and Beverley

Your new tour is a tribute to Stevie Wonder and involves you and an orchestra performing some of his songs. What can we expect at your Brighton show on October 1?
“It’s going to be beautiful. I am Stevie Wonder’s ambassador for the night and I’m going to share his music. I’ll be singing all the songs that I love of his that mean something to and resonate with me. I’m tackling some of the greatest songs known to man, it will be beautiful. Two hours of his music and I’m really looking forward to it.”

And the new album?
“I have the live album coming in November which is of the anniversary show from May at the Royal Festival Hall with some new studio tracks on there. I’ve never done a live album show before and with that and the new tracks I’m really excited.”

Beverley Knight tours in October with shows including Brighton Center (1), London Palladium (8) and Bournemouth (13).

To book tickets for Brighton Centre show online, click here:

PREVIEW: KDC band reunion @The Brunswick Pub in Hove

The KDC band are reforming for one night only at the Brunswick Pub in Hove on October 13.

The KDC band in the 1980's, drummer Crissy Lee, bass player, Karen Gibbs, guitar Jerry Dearden, saxophone Jennie Fraser with guest appearance from Terry Stevens and Krissie Ducann
The KDC band in the 1980’s, drummer Crissy Lee, bass player, Karen Gibbs, guitar Jerry Dearden, saxophone Jennie Fraser with guest appearance from Terry Stevens and Krissie Ducann

POPULAR in the 70’s and 80’s on the gay scene in London the band performing at the Brunswick on October 13 will feature the legendary drummer Crissy Lee (ex Ivy Benson all female band, The Skinerettes and Poverty Street), in the 60’s her band toured as support act with the Beatles.

Crissy has been named top female drummer in this country for many years while at 76 she is still playing and teaching.

Jerry McCormick on saxophone, Sam Edwards, keyboard player with the Real Thing and on bass Jerry Dearden from the Hove based Jerry Dearden Big Band.

A spokesperson for the band said: “As a band we decided to rekindle the fun and energy we always had before we all get too old to do it, because no matter what we have done since the band days we all believe that we had something special between us that created some kind of magic which made us all gel together so well…We do a wide range of music and try to cover a wide audience.

“We also want to share how music has helped us all through difficult times in our lives for one reason or another over the years .

“We all believe in the good affects music has to us for very many reasons and keeps one positive.”


Event: KDC Band Reunion Show

Where: The Brunswick Pub, 1 Holland Rd, Hove BN3 1JF

When: Sunday, October 13

Time: 8pm

Cost: £6/£7

To book online, click here:

 

New podcast aims to uncover Manchester’s hidden LGBT+ history

A brand new podcast – When We Were Out – aims to uncover Manchester’s rich and largely forgotten LGBT+ history and its queer pioneers.

 

THE first episode, available from Friday, August 23, features Jackie Crozier, former Festival Director of Manchester Pride (2005-2011), who talks about her time at the helm of one of the countries biggest Pride celebrations.

Future guests include television writer and creator of Queer As Folk, Russell T Davies; Poptastic club promoter John Hamilton; and founder of Healthy Gay Manchester Paul Martin OBE. 

The podcast will also celebrate lesser-known names and faces from Manchester’s LGBT+ history – the people who made a huge difference, but who’s contribution may not be known, and who’s stories haven’t been told.

The weekly podcast – which is available from Apple Podcasts, Spotify and Podbean – is presented by Grahame Robertson and Annie Emery.

Grahame is the former editor of outnorthwest magazine which marks its 20th anniversary next year.

He said: “The idea for When We Were Out came from my increasing frustration that nobody seemed to be marking or celebrating the amazing LGBT+ history of Manchester, and if felt like there was a real risk that people’s stories and experiences were going to be forgotten.”

He continued: “I’m from a generation of gay men who lost too many friends to HIV and AIDS. These are people that we have lost within living memory. I was inspired to keep their memories alive and to start documenting the amazing contribution Manchester has made to the LGBT landscape in this country.  There are no shortage of inspiring LGBT people and allies to speak to in this city. I want to make sure When We Were Out talks to all of them.”

Annie Emery
Annie Emery

Annie Emery, former Production Manager at outnortwest, and current CEO of MASH Manchester, said: “We forget our history at our peril. We are living in a time when LGBT equality seems to be complete. Big name businesses rainbow-up their logos and it can feel like as a community we are now fully able to be ourselves. But the reality is different. Homophobic and transphobic hate crime is on the rise in the UK, and globally previously hard-won equality continues to be stripped away. It is vital that we hear and learn from the stories of the past to understand how to maintain and grow our rights in the future. It’s such a pleasure to be involved in liberating and sharing these incredible stories.”

New episodes of When We Were Out will be available every Friday from: 

Apple Podcasts: https://tinyurl.com/y5lzag9m
Podbean: https://tinyurl.com/y35se829

When We Were Out can also be followed on Twitter @WhenWeWereOut1 and Instagram whenwewereout

Brighton and Hove Triathlon sells out in record time

Organisers for the Brighton and Hove Triathlon have had to close entries early due to unprecedented demand.

THE fourth Triathlon is due to take place on Hove Lawns on September 14 – 15 and is a weekend of multi-sport for all the family. Children as young as three can race in the Scootathlon on Saturday, September 14 whilst the Children’s and Adult Triathlon will take place on Sunday 15.

 

John Lunt
John Lunt

Race Director John Lunt said: “This year we have had a fantastic response. People are so keen to come and compete in Brighton. It’s an honour to stage triathlon in such an iconic location, in a world renowned city. We are delighted to welcome athletes from over 15 countries, from as far and wide as Australia, Hong Kong, USA and Croatia. 

Over the course of the weekend spectators will see a highly competitive field of athletes who will be racing for places to represent their age group for GB at the ITU World Championships and European championships next year. They will be at the peak of their fitness and spectators will see some amazing performances from athletes up to the age of 85.”

 

One of the competitors Daniel Marusic from Croatia is coming with 3 other members of the Dubrovnik Triathlon Club to compete in the Olympic distance.

Daniel said: “We are really looking forward to coming to Brighton and racing at your triathlon. The sport in Croatia is still very young. Next year we hope to have a whole team travelling over. On our return to Croatia we will be competing at our own Dubrovnik Triathlon in October where we hope we will see some of the Brighton competitors too.”

John added: “Triathlon is an extremely complicated sport to organise whether it is the Olympic Games or here in Brighton. There is a lot to do behind the scenes from sponsors to safety pins, loos to logistics.  I have been doing this for 30 years and it is still my passion as it is an inclusive sport; We have LGBT athletes who feel very comfortable racing here, children who are getting their first taste of an Olympic sport, a high percentage of female competitors and age groups that range from 3 – 85.”

There will be a free event village accompanying the Triathlon Races with a variety of different food and drink vendors, buskers and a climbing wall for all ages.

For more information about the Brighton & Hove Triathlon, click here:

RSPCA Cymru to march at Pride Cymru in Cardiff

RSPCA Cymru will march at this weekend’s Pride Cymru in a show of strength against intolerance – while highlighting the prejudice four types of dogs still face under discriminatory UK law.

THE animal welfare charity will be marching in the eagerly-anticipated Parade, and discussing animal welfare with attendees at a dedicated RSPCA stand at the Big Weekend event in Cardiff.

RSPCA inspectors will join countless other organisations in the Parade, with the charity highlighting the importance of striving to be an inclusive, understanding organisation. However, the discrimination faced by some of human’s four-legged friends will also come under the spotlight on the weekend, as breed-specific legislation (BSL) marks 28 years of judging so-called ‘dangerous’ types of dog based solely on their looks.

BSL has been in force in England and Wales since August 1991, and bans the ownership of four different types of dogs traditionally bred for fighting, namely the pit bull terrier, Japanese Tosa, Dogo Argentino and Fila Braziliero.

There is no robust research or evidence to demonstrate that these breeds or types are any more aggressive than other dogs. Despite this, many dogs found to be of a banned ‘type’ are euthanised, solely because of the way they look.

At Cymru Pride – a celebration of diversity, respect and inclusion – RSPCA Cymru is urging the public to support an end to the suffering and unjust destruction of dogs simply because of their appearance – and to join them in calling on decision-makers to #EndBSL.

Shelley Phillips, RSPCA Cymru campaigns manager, said: “As RSPCA Cymru gears up for another Pride Cymru event, we look forward to marching in the Parade and chatting to everyone at Big Weekend in a united display of support against intolerance and discrimination in Wales.

“However, we’ll also be highlighting to attendees another form of discrimination alive and well in our society.

“For 28 years, BSL has seen dogs pay the ultimate price solely because of the way they look, despite a significant lack of evidence to prove these types of dogs pose greater risk, or are threatening to public safety.

“For us Pride Cymru is not only a great opportunity to celebrate diversity, and highlight the importance of the RSPCA being an inclusive, understanding organisation – but also to discuss how we can all work together to tackle another form of ugly discrimination. BSL continues to take innocent lives, letting down dogs simply because of the way they look.

“Whether or not a dog is aggressive can be influenced by factors such as how they are bred and reared and experiences throughout their life – but breed is not a good predictor of risk of aggression. That’s why we want to see these discriminatory laws binned once and for all, and Pride Cymru is a poignant forum to discuss this.”

To find out more about the RSPCA’s campaign to #EndBSL online, click here:

RSPCA Cymru will also be selling limited-edition t-shirts at Pride Cymru over the weekend (August 24 – 25), to raise funds for their animal welfare work. These t-shirts – £10 each – are themed with animals which have positive connotations within the lesbian, gay, bisexual and transgender community – including cockerels, pussy cats, blue tits and bears.

‘Bear’ – for example – is used as one of the many identities within the LGBT+ communities – and is one of a series of t-shirts giving people the chance to celebrate their identity, and passion for the welfare of animals. Iconic rainbow ears are also on sale at the RSPCA stall at Big Weekend – priced at £2 each, while RSPCA Cymru’s social media pages have also been given a rainbow makeover in anticipation of the event.

Pride Cymru takes place tomorrow, August 24. The parade starts sets off from the Cardiff City Hall Lawns at 11am and will finishing at around 12:30. The entertainment takes place on Cardiff City Hall lawns and artists appearing on Saturday include Texas, Liberty X and Gok Wan. On Sunday 25, comedian Joel Dommett and Robert White will perform on the Glee Stage, while Honeyz and Atomic Kitten will play sets on the main stage.

For up to date information about Pride Cymru, click here:

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