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Fringe THEATRE REVIEW: Whatever happened to Baby Jane McDonald? @Caroline of Brunswick

Grant McLachlan is a very funny man. Ex-Met police officer turned schoolteacher in Walthamstow, he has lived a 20-year dream to meet his idol – TV personality and ex cruise-ship singer Jane McDonald.

IN a cramped upper room in a Brighton pub, he takes us through the eight steps to celebrating our joint obsession about the Yorkshire singing star.

But there’s a problem here, not of the delightful Craig’s making. You rightly assume that a tribute to a star will have a knowledgeable audience. But oops, half of those watching his first night had never heard of her.

He seems somewhat taken aback by this news. But it doesn’t put him off. He embarks anyway on his voyage – maybe more of education than the confession he had planned. In real life Grant has written regularly to Jane and got no replies.

Imagine his surprise when the singer turns up at his school with a TV crew to film an episode of Jane and Friends, her hit tv show.

So in the end, Grant achieves his lifelong ambition, and it’s not clear where he goes from here.

But his hour of stand-up comedy combined with a really poignant description of his current fight with a virulent form of cancer, is a show that over time will get honed into something sharp and witty.

At the moment it has rough edges, which need polishing, but his apparent haphazard progress through the show is perfectly acceptable.

He deserves to get a wider audience and hopefully one who knows who Jane MacDonald is!

Whatever happened to Baby Jane McDonald? runs at the Caroline of Brunswick, as part of the Brighton Fringe until June 1.

To book tickets online, click here:

Review by Brian Butler

PREVIEW: Kiss My Genders @Hayward Gallery

This summer the Hayward Gallery presents from June 12 – September 8, Kiss My Genders, a new and extensive, group exhibition of over thirty international artists whose work explores and engages with gender identity.

SPANNING the past 50 years, Kiss My Genders will bring together over 100 artworks by different generations of artists from around the world.

Employing a wide range of approaches, the participating artists share an interest in articulating and engaging with gender fluidity, as well as with non-binary, trans and intersex identities.

While the artists in Kiss My Genders work across a wide variety of media – including installation, video, painting, sculpture and wall drawings – the exhibition will place a particular emphasis on works that revisit the tradition of photographic portraiture.

A number of artists in the exhibition also treat the body itself as sculpture, and in doing so open up new possibilities for gender, beauty and representations of the human form, while others explore gender expression through performance, drag and masquerade.

These include:

  • Ajamu, a London-based visual activist whose work challenges conventional understanding of sexuality, desire, pleasure and cultural production within contemporary Britain.
  • Brooklyn-based performance artist Martine Gutierrez, who characterises identity as something ‘alien or unfamiliar’ in her ambitious photographic series Masking and Demons (both 2018)
  • Amrou Al-Kadhi, a British-Iraqi writer, drag performer and filmmaker, who in collaboration with British photographer Holly Falconer, created the photographic portrait Glamrou (2016) using triple exposure to communicate the experience of being in drag as a person of Muslim heritage.

A number of the artworks in the exhibition will address the broader social and political questions and contexts that intersect with gender identity.

  • Concerned with the way that marginalised groups are ‘forced to be their own saints’, Juliana Huxtable portrays herself as a mythological character or superhero in a series of powerful self-portraits or ‘self-imaginings’.
  • In The Memorial Dress (1993) – a black ball gown printed with the names of 25,000 individuals known to have died of AIDS-related illnesses – artist and AIDS activist Hunter Reynolds uses art as a tool to process trauma as well as transform it.
  • London-based artist duo Hannah Quinlan and Rosie Hastings explore the politics, histories and aesthetics of queer space in their video installation Something for the Boys (2018)
  • In an unsettling series of photographs entitled Crime Scene (2012), Zanele Muholi draws attention to the violence suffered by South Africa’s lesbian and transgender communities.

Kiss My Genders will feature a number of new works and site-specific commissions. In the upper galleries, Jenkin van Zyl, the youngest artist in the exhibition, will present a new, expanded video work, Looners (2019), while Brooklyn-based visual artist Chitra Ganesh – whose work deals with representations of femininity, sexuality and power – will create a site-specific wall drawing.

Kiss My Genders will also extend beyond the gallery walls, with two new commissions that will transform elements of the Southbank Centre site.

Ad Minoliti, an Argentinian artist who uses brightly coloured geometric designs to represent a trans-human utopia, will design Southbank Centre’s Riverside Stage and will also create a series of flags to adorn the roof of Royal Festival Hall.

Elsewhere, South African artist Athi-Patra Ruga will transform the windows of Queen Elizabeth Hall and the Hayward Gallery foyer into a striking display of ‘stained glass’ featuring avatars designed by the artist. A poem by Tarek Lakhrissi – ‘Glory’ – will also greet visitors as they approach the stairs leading to Southbank Centre’s Mandela Walk.

The exhibition is accompanied by an illustrated catalogue featuring original essays by Amrou Al-Kadhi, Paul Clinton, Charlie Fox, Jack Halberstam, Manuel Segade and Susan Stryker, as well as an excerpt from Renate Lorenz’s influential Queer Art: A Freak Theory, and poetry by Travis Alabanza, Jay Bernard, Nat Raha and Tarek Lakhrissi.

The exhibition’s title is taken from the song ‘Transome’ by Bolton-born, Berlin-based singer-songwriter, Planningtorock, who will also perform as part of the exhibition’s public programme.

Vincent Honoré, Guest Curator says: “Kiss My Genders brings together a leading group of international artists who explore and engage with gender identities. Conveyed through a wide range of mediums, this exhibition intends to be a wonderful celebration welcoming the brilliant differences and the rich spectra of genders within our society.”


Event: Kiss My Genders

Where: Hayward Gallery, Southbank Centre, Belvedere Road, London SE1 8XX

When: June 12 – September 8

Time: 11am – 7pm every day except Tuesdays. Late night opening on Thursdays until 9pm.

Cost:  Tickets: £15.50 / £12.50. Members go free.

To book tickets online, click here:

Brighton Bear Weekend is coming to town!

Brighton prepares to be invaded by large hairy Bears for the ninth annual Brighton Bear Weekend (BBW) from June 13-16 to raise money for the Rainbow Fund.

NOW is the time, if you haven’t done it already, to pop to their website and purchase a wristband giving you a range of discounts and deals at venues during the weekend and tickets for the BBW/BeefMince Club night at The Rialto which comes to Brighton for the first time on Saturday, June 15.


Brighton Bear Weekend 2019 run from Thursday June 13 to Sunday June 16.

Programme of events:

Thursday, June 13 
♦ Brighton Bear Quiz: Camelford Arms at 7pm

Friday, June 14
♦ Welcome Night and Cabaret: Amsterdam Bar & Kitchen at 7pm
♦ Mr Brighton Bear Competition: Subline at 11pm

Saturday, June 15
♦ Bear Breakfast and Bearspace focus group: Camelford Arms at 11am
♦ Royal Pavilion Tour: Royal Pavilion 11:30 am
♦ Brighton Bear Weekend’s Garden Party, Dorset Gardens at noon
♦ Bear-a-oke, Bar Broadway at 5:30 pm
♦ BeefMince Club Night, The Rialto at 10pm

Sunday, June 16 
♦ LGBT Piers & Queers Walking Tour of Brighton at 11:30 am
♦ Sunday Roast Lunch, Amsterdam Bar & Kitchen and Camelford Arms at noon
♦ Cabaret with Dave the Bear, Amsterdam Bar & Kitchen at 3pm
♦ Bear Cabaret, Affinity Bar at 7:30 pm
♦ Sally Vate’s Bear Bingo, Charles Street Tap at 8:30 pm
♦ Underbears, Subline at 10pm

Many of your favourite entertainers will be appearing at these venues over the weekend, not to mention the lovely Dave Wilkes (appearing on this month’s cover) who will be joining the fun at various times over the weekend!

Print of Mario Diabolico
Print of Mario Diabolico

Don’t forget to buy tickets for the main raffle, with a first prize of a framed print of Mario Diabolico donated by The Strange Case Company which will be drawn in The Amsterdam Nar & Kitchen around 6.30pm on the Sunday, June 16.

Most events will be free to enter, but some will require a modest entry fee, or a ticket bought in advance. You can buy a wristband to receive great discounts on club entry, drinks and more.

For more information about tickets and wristbands, click here:

Graham Munday
Graham Munday

Graham Munday of the BBW 2019 organising committee said: “The entire team welcome you all to 9th Brighton Bear Weekend.  We continue to expand and this year we are very excited to team up with London’s finest Club night BeefMince. We also welcome the contestants of our inaugural Mister Brighton Bear competition, introduce our fantastic city via walking tours and watch Brighton’s finest cabaret talent at our Garden Party. Please support the Rainbow Fund, the Brighton and Hove Community Safety Forum and Lunch Positive. Eat and drink at the venues. Cheer the talent. Shop with those that support us. Have a fantastic time. Look after each other and have the best Brighton Bear Weekend ever.” 

Finally don ‘t forget you can also make yourself look even more gorgeous with a colourful range of vests and T-shirts, available from their website or the Prowler Store in Saint James’s Street.

All Brighton Bear Weekend events raise money for the Rainbow Fund, who give grants to LGBT+/HIV organisations who provide effective front line services to LGBT+ people in Brighton and Hove.

For more information about tickets and wristbands, click here:

£200 prize up for grabs at inaugural Mr Brighton Bear competition

Could you be crowned the first Mr Brighton Bear at Brighton Bear Weekend?

Friday June 14 sees the first ever Mr Brighton Bear competition during Brighton Weekend at Subline in St James Street. The winner will walk away with £200 in cash and the lovely hand-made sash with a cash prize for the runner up.

Don’t be shy – the competition is designed to be fun and entries are welcome from Bears, Cubs, Otters and wannabees – judging will be based on a number of factors – not just physique!

The rounds will include day wear, night (club) wear, and a freeform ‘wear what you dare’ round. You, the people, will vote anonymously to crown the winner and runner-up!

After the winners are announced, Subline will stay open until 4:00 am, giving you plenty of time to explore this men-only cruise bar with two dark rooms and plenty of intimate corners. DJ Screwpulous will be on the decks to get you moving on the dancefloor.

All Brighton Bear Weekend events raise money for the Rainbow Fund, who give grants to LGBT+/HIV organisations who provide effective front line services to LGBT+ people in Brighton and Hove.

For more details and entry form, click here: 


Event: Mr Brighton Bear Competition during Brighton Bear Weekend

Where: Subline, 129 St James’s St, Brighton BN2 1TH

When: Friday, June 14

Time: 11pm

Cost: £5 with a wristband – £7 without

To purchase Brighton Bear Weekend wristband online, click here:

Fringe THEATRE REVIEW: The Pride @Brighton Little Theatre

SYLVIA, an ex-actress turned book illustrator is married to Philip, who has inherited the uninspiring estate agents business that was his father’s. They are living in an icy marriage, where Sylvia reveals she is afraid to be alone with him. Desperately wanting a child and unable to have one, theirs is a semi-loveless relationship.

When Sylvia engineers a meeting between the lonely, introverted writer Oliver and her husband, she sows the seeds for disaster and emotional chaos.

We are in 1959 London, but only for the opening scene. In Scene 2 of the play’s 10, we are with an Oliver, a Philip and a Sylvia but it is now 2019, and these three characters are very different. Sylvia is a feisty and highly successful actress, Philip a photographer and Oliver a journalist trying to start a gay magazine.

And as Alexi Haye Campbell’s play develops back and forth between the two time periods, we see that the sexual problems of their three main characters are not that different.

It becomes clear that the 50’s couple of men have had a 4-month affair, which ends with a brutal rape on Oliver by Philip. Sylvia confronts Oliver and though she says she is not blaming him, she clearly is. And she’s also highly insulted.

Phillip takes the drastic step of going for aversion therapy, the true horrors of which are soullessly and clinically described to him by an uncaring doctor, who says his perversion will be “cured”.

In the contemporary set of scenes, Oliver is a serial addict of stranger oral sex, and believes himself to be a lost cause. Having broken up with boyfriend Philip, he desperately yearns to get him back, which Sylvia engineers at Pride.

But the Pride of the title is really the pride of a man being who he truly believes himself to be.

This is a story of loneliness, of dishonesty and a portrait of the kind of man who is deeply ashamed of what he has become and feels nothing but self – loathing.  At the other end of the scale, it is a triumphant celebration of what might be.

Joseph Bentley as the two Olivers, is witty, shy, loveable and infuriating. Nick Cousins is less convincing as the 50’s Philip, buttoned up, dry and a little stilted in his delivery of what is to be honest quite poorly written dialogue. Charlotte Anne-Atkinson is haughty and proud but emotionally damaged as Sylvia 1 and marvellously open and fresh as Sylvia 2.

There are 3 cameo performances by Scott Roberts as an outrageously camp Nazi lookalike escort, as a right-on idiot editor who has a wonderfully tender heart, and as the uncaring doctor.

The Pride is at the Brighton Little Theatre as part of the Fringe until June 1.

To book tickets online, click here:

Review by Brian Butler

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