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Artists Open Houses Festival 2019 – registration now open

Artists and makers wishing to take part in the 2019 Artists Open Houses May festival can register online from now until February 4, 2019.

ARTISTS Open Houses Festival will run over four weekends throughout May 2019. The 2018 festival saw over 1,500 artists taking part and exhibiting in 200 venues across the city and beyond. Anyone living in the 01273 telephone area can take part in the Artists Open Houses (AOH) festival as an Open House venue.

Festival dates in 2019 are:

May 4 & 5
May 11 & 12
May 18 & 19
May 25 & 26

Houses may open for all or a selection of these dates. Registration costs can be shared by all the artists exhibiting in one venue, meaning that taking part in the festival as a venue can be affordable for everyone.

During the festival artists from all over Brighton & Hove and the surrounding region will be opening their homes and studios to the public, showcasing a diverse selection of artworks and craft in all mediums, from paintings, sculptures, jewellery, homewares, ceramics, textiles and much more. It’s a unique opportunity for the public to meet and buy artworks direct from the artists themselves.

Judy Stevens
Judy Stevens

Judy Stevens, Artists Open Houses Festival Director said: “Artists Open Houses are a great and affordable way for artists to exhibit their work, whether established artists or those just setting out on their careers. Artists Open Houses connect artists and makers with an audience of art-lovers, buyers and industry professionals – and is also fun to take part in, exhibiting with your friends in your own home.”

For more details on how to register a venue, click here:

OPINION: The Ramblings of a Not-So-Trendy Teen 

You must be white, cis, straight-acting and ripped or you’re not gay says Lee Henriques.

THOSE are the expectations set upon men in the LGBT+ communities, aren’t they? Our standards of beauty consist solely of whiteness, cisness and stereotypical (AKA toxic and heteronormative) masculinity.

Let’s take the new Queer Eye – a wonderfully campy show starring five fabulous gay men; who does everybody look to as the ‘hunk’? Antoni. Jonathan’s too femme, Karamo and Tan aren’t white, and Bobby’s not ripped. Now, this isn’t to fault men who are white, cis, thin and not particularly feminine (I know I’ve immediately hurt a few fragile egos here, and this isn’t a personal attack on Antoni) but they certainly shouldn’t be held to the extremely high calibre that they are.

The term ‘straight thin, but gay fat’ feeds into the vicious standardised beauty cycle that perpetuates the horrid body dysmorphia and eating disorders among LGBT+ men.

Matthew Todd touches upon this in his book Straight Jacket, explaining that since society doesn’t really accept us, we don’t accept ourselves. This can manifest into unhealthy eating patterns and fixations on our appearance. Research from nationaleatingdisorders.org shows that 42% of reported males with eating disorders identify as gay, an alarming statistic considering the amount of people with disorders that are never reported or seek professional help.

These overly glorified body types with six-packs and obnoxious muscles are tied to the systemic heteronormative ideals imposed on queer men (I’m using queer as an umbrella term to encompass all LGBT+ men). I personally believe this view originates from the outdated idea that if we aren’t feminine, if we’re straight-passing and adhere to the same ridiculously toxic ideals of masculinity that straight men do, then we’ll be safe. Our masculinity won’t be questioned, it’ll be a physical display that even if someone does realise we are gay we are no less of a man.

Continuing on from Todd’s premise, we have doubly the pressure to be accepted by ourselves and by a heteronormative society that pokes fun at men who show any kind of emotion that isn’t anger (queue the disgusting Daily Mail article, written by Tammy Hughes, titled Sniff sniff! Why are so many grown men blubbing like babies on Celebrity Jungle?) In other words, bodybuilding and other kinds of grooming can be a symbol many queer men use to prove their worth and reclaim the masculinity that is dismissed upon coming out of the closet.

But we shouldn’t have to prove anything to anyone, especially obsolete gendered tropes and especially not to each other. All bodies are beautiful. Masculinity is just as attractive as femininity. In fact I’d take the sensitive guy over the repressed, self-hating jock, any day. The whole masc4masc thing needs to stop hiding behind the ‘it’s just my preference’ argument and face the reality that feminine guys making you uncomfortable warrants some self-reflection. Society tells you to value hegemonic masculinity, it’s not a preference if it’s been instilled since birth. And the same goes for whiteness and cisness.

Racism and transphobia within the LGBT+ communities deserve their own respective columns (neé, books), but they boil down to the same issue of beauty standards – we’ve been indoctrinated to believe whiteness and cisnormativity are the end-all be-all of desirability, and their counterparts are seen as less than. Obviously that’s nonsense, but it seems as if you’re not a skinny, white, cisgender manly man you don’t get the same level of recognition or respect as someone who is.

The irony of being part of a marginalised group that marginalises certain members of their community has been an ongoing issue within the LGBT+ communities that often gets swept under the metaphorical rainbow rug. I urge everyone to check out Grindr’s new Kindr campaign, where they address really important issues like sexual racism, body shaming, transphobia, HIV stigma and femme shaming on the app. They’ve changed their community guidelines and are actively starting conversations about these topics that need to be talked about and recognised.

Growing up, my gay role models were far and few between. I looked up to the drag queens on RuPaul’s Drag Race, Troye Sivan on YouTube, TV shows like Faking It and Glee, singers like Olly Alexander from Years & Years. There’s so much more diversity for the gay youth of today to look up to, as more and more role models come out and step up. It baffles me that this rigid thought of ‘traditionally’ attractive queer men somehow still exists.

Lee Henriques
Lee Henriques

If the person reading this isn’t white, cis, straight-acting or ripped, I just want you to know that you’re valid. Our communities can often discriminate against people who don’t fit the norm of all these inter-labels we love to place on each other. So instead, let’s celebrate what makes us different, what makes us more interesting than the carbon copy #Instagays. What makes you so much more than your appearance? We often tie our self-worth to our appearance when there’s so much more substance to us than our physicality.

Jameela Jamil created an Instagram-based movement (@i_weigh) for women to look beyond their weight and focus instead on what makes them uniquely them and measure their lives outside of weighing scales. I think we should do the same and love our physicality (in spite of all the possible ‘flaws’ we may have) but not fixate our entire worth on it. I’ll leave you with this: who are you outside of who you appear to be?

PREVIEW: Tom Stoppard’s ‘Rough Crossing’

John Partridge and Charlie Stemp will star in Tom Stoppard’s Rough Crossing with songs and music by André Previn, at Chichester Festival Theatre, on February 11 – 16.

John Partridge, winner of this year’s Celebrity Masterchef, is best known to TV audiences as Christian Clarke in EastEnders. He is one of musical theatre’s most prolific leading men, having played in major West End musical hits such as Cats, A Chorus Line, Chicago and La Cage Aux Folles.

Olivier Award nominee Charlie Stemp, who shot to stardom in Chichester Festival Theatre’s Half A Sixpence in 2016, joins the company fresh from Snow White at the London Palladium. On Broadway he starred opposite Bette Midler in Hello, Dolly! and will play Bert in the 2019 West End revival of Mary Poppins.

They will be joined on stage by Issy van Randwyck (Fascinating Aïda), comedy TV favourite Matthew Cottle (recently seen in The Chalk Garden at CFT), Holby City’s Rob Ostlere, and Simon Dutton who portrayed Simon Templar in The Saint.

Two famous but desperate playwrights (John Partridge and Matthew Cottle) are stuck in an ocean liner headed for New York, feverishly trying to rehearse their latest show before reaching land, and opening night. But they are constantly distracted by their delicate composer’s attempts to end it all, having overheard his lover confess her feelings to the leading man.

Add an absurdly unorthodox waiter (Charlie Stemp), a mistimed lifeboat drill and a vanishing glass of brandy and these colourful characters become tangled up in a typically Stoppardian string of absurd events.


Event: Tom Stoppard’s Rough Crossing

Where: Chichester Festival Theatre, 11 – 16 February

When: February 11 – 16

Time: 7.30pm matinees 2.30pm

Cost: Tickets from £10 – £39

To book tickets online, click here:

Or telephone: 01243 781 312

Mayor’s charity ball celebrates musical theatre

The Mayor of Brighton & Hove, Cllr Dee Simson will be raising money for her chosen charities at a Charity Ball on February 22 at The Hove Club.

A Night at the Musicals with Jason Lee will feature classics and show stoppers from musical theatre while the event will raise money for the Mayor’s charities this year,  Martlets, Rockinghorse, the homeless charity Off the fence and Grace Eyre a charity supporting people with learning disabilities.

Tickets for the black tie event are just £45pp, which gets you a two course dinner and welcome drink.


Event: A Night at the Musicals with Jason Lee

Where: The Hove Club, 28 Forth Avenue, Hove BN3 2PJ

When: Friday, February 22

Time: 7pm for 7.30 start

Cost: £45

To book tickets call 01273 730 872

New drop-in project for trans and non-binary people

Clare Project and Switchboard launch new trans and non-binary drop-in service to take place the third Thursday of the month from February at Café Domenica on Preston Road in Brighton.

INITIATED by social group the Clare Project and Switchboard, TNB is a new drop-in and social support service for those identifying as trans, non-binary, and/or questioning their gender identity or variance.

Facilitated by trans/non-binary people, the group will run from 6pm–8pm and there will different themes or topics every month that attendees can voluntarily engage with in whichever way they feel comfortable. Topics may include health and wellbeing, substance misuse, housing, or even artistic expression or sports.

The drop-in is free to attend, and light refreshments will be provided, however you will also be able to purchase snacks or other drinks from the café itself, which is all on the ground floor and is wheelchair accessible with an accessible toilet on site. You are welcome to pop along at any point, however if you would prefer to discuss your attendance prior you are encouraged to get in touch.

A spokesperson said: “We realise there is a desperate need for more support and resources to be made available for trans and non-binary people within the area, and we see this as just the beginning of many great projects to come. The drop-in will be person-centred towards the needs of the community, and we hope it will empower members of the community to get involved and even host their own in the near future.”

If you would like to get involved, make an enquiry, or volunteer, email: tnbbrighton@gmail.com


Event: TNB

Where: Café Domenica,  5-7 Preston Rd, Brighton BN1 4QE

When: Launch event Thursday, January 17, then third Thursday of the month thereafter.

Time: 6–8pm.

To reserve place at launch event online, click here:

Facebook and Twitter: @tnbbrighton

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