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BBC plan to be “even more” inclusive in the workplace

New plans have been unveiled to make the BBC an even more inclusive workplace for LGBT+ staff to help everyone reach their full potential at work.

A REVIEW of career progression and culture for LGBT+ employees at the BBC – one of five reviews set up to promote inclusion – found that while LGBT+ staff generally see the BBC as a good place to work, however, a number of small changes to working culture could improve their experience.

Currently 11% of the BBC’s workforce and 12% of its leaders identify as LGBT+, the highest representation of any UK broadcaster. The review undertook in-depth research on what working at the BBC feels like for LGBT+ staff.

Informed by 300 staff with input from Stonewall, the review made ten recommendations which have already been accepted by the BBC’s Executive Committee.

They are designed to:

♦          educate leaders and staff about what’s important to LGBT+;

♦          increase the prominence of LGBT+ staff, role models and the BBC Pride network; and

♦          empower LGBT+ staff to be comfortable about being open at work.

The review’s findings include a perception that younger staff feel freer to share more of their life at work in comparison to older staff and that, while important parts of the BBC’s output such as many of the programmes in last year’s Gay Britannia season, present balanced and supportive debates on LGBT+ issues, more could be done to make the BBC’s corporate support for the LGBT+ communities clear.

Specific recommendations include building a network of straight allies who actively promote the LGBT+ communities in the BBC – an initiative which has been successful at several other major employers – organising more internal campaigns supporting the LGBT+ communities and providing guidance for managers supporting transgender staff, particularly when they are transitioning.

James Purnell
James Purnell

As well as supporting current LGBT+ staff to reach their potential, the changes are designed to make sure the BBC continues to attract the best talent from across the world and remains relevant with younger audiences who, according to a 2015 YouGov survey, are far less likely to identify as completely heterosexual.

Project sponsor James Purnell, BBC Director of Radio & Education said: “We’re aiming to create the most open, inclusive culture we can. These recommendations reflect what our staff have said and we will now implement them to give all LGBT+ staff the chance to flourish”.

Co-Chairs of the BBC Pride Network, Karen Millington and Matt Weaver added: “We think each of the ten recommendations have the potential to make the BBC a more inclusive workplace, giving everyone the opportunity to do their best work. Although we hope the recommendations will positively impact everyone across the LGBT+ spectrum, we are particularly excited about the proposal for providing better support for our transgender colleagues and improving visibility with role models throughout the business”. 

This review is one of a number of culture and career progression projects which have also looked at gender, ethnicity, disability and socio-economic diversity.

Action to be taken to support women and staff from BAME backgrounds has already been published, with the result of the socio-economic diversity and disability reports due soon.

Recommendations from these workstreams overlap and will be brought together in one delivery plan to support the career progression of staff across the BBC.

To read the report in full, click here:

Work to start in March 2019 on new health centre for Oxford Street area

St Peters Medical Centre
St Peters Medical Centre

A new health centre for residents of St Peter’s and North Laine Medical Centres will be finished and operational in 2020.

RESIDENTS who use St Peter’s and North Laine Medical Centres are set to benefit from a brand new purpose-built surgery under plans to merge the practices, which has come a step closer with a council proposal to lease land to enable the development.

Brighton & Hove City Council has approved a proposal by the owner of St Peter’s Medical Centre to purchase a long lease of the Oxford Street car park to re-develop and expand the existing health centre that adjoins the site.

The development will provide modern, fit for purpose and integrated primary care premises, serving more than 16,000 local patients. The plan is for both St Peter’s Medical Centre and North Laine Medical Centre practices to merge into the new premises which will continue to operate throughout the redevelopment.

The Council has been working closely with partners, including NHS Brighton and Hove Clinical Commissioning Group (CCG), Sussex Partnership NHS trust and Sussex Community NHS Foundation Trust to deliver estates developments for modern premises.

Building on recent proposals at Preston Barracks and 62/63 Old Steine the centre will include the integration of on site community mental health services.

Cllr Daniel Yates
Cllr Daniel Yates

Councillor Daniel Yates, Leader of the Council and chair of the Policy, Resources & Growth Committee, which approved the proposal on October 11, said: “This is a great example of how we can provide much-needed local services by working together as partners. This proposal will provide high quality health services to 16,000 residents with modern, improved facilities for patients and staff.”

Brighton and Hove CCG has secured capital of £1.24m from the Estate and Technology Transformation Fund to help towards financing the project.

Dr David Supple
Dr David Supple

Dr David Supple, Clinical Chair of the CCG, added: “We have been notified by the partners at St Peter’s Medical Centre and North Laine Medical Centre of their plans to come together to form a single larger practice with operating out of brand-new, purpose-built premises, offering the surgery greater stability and sustainability for the future.

“Both practices are currently sited in premises that are considered unfit for purpose, and the new single larger practice will be co-located with a local  NHS trust, which will offer opportunities for more integrated health services to be provided closer to people’s homes.

“There is no need for patients registered at either surgery to do anything to get a new GP; they will be automatically taken care of as part of the joining together process.

“The development will be undertaken over several phases to ensure patients can still access GP services easily, and any disruption to patients experience will be kept to a minimum.”

Oxford Street is a small pay and display car park with 36 spaces.  There will be some parking spaces, including disabled bays, for users of the new centre, and capacity in the nearby London Road car park. Twenty six bus routes stop within 100 metres of the existing surgery.

Work is set to commence in March 2019 with completion in 2020.

To read the committees report (agenda item no 63), click here:

REVIEW: More Sex Please, We’re Desperate @The Marlborough Theatre

Image: @alrightdarling_zine
Image: @alrightdarling_zine

More Sex Please, We’re Desperate – Harry Clayton-Wright’s Sex Education at The Marlborough Theatre.

THERE is a moment in this performance where its creator directly asks the audience “who here believes they had a good sex education”? The silence does not suggest an unwillingness to participate but in a brief moment for sixty people upstairs at The Marlborough, we collectively make a damning observation of both our education system and ancient social mantra “no sex please we’re British”. It is quite a statement.

There is sex a plenty in Harry Clayton-Wright’s self penned ‘Sex Education’ but to highlight any explicit sexual content, namely in the accompanying filmed sequences, would be to do this theatrical auteur and his allegory to life a terrible injustice. In a piece that at times affectionately and refreshingly feels unpolished, Clayton-Wright himself suggests the work is still in development, we are reminded of the importance of theatre to challenge, question, move and gloriously entertain.

In ‘Sex Education’ we are treated to a soft symphony of part narration, dance, lip-sync, pornography, drag and cucumber sandwich it is at times moving but largely joyous. The explicit content is shared in such a way that it is both wryly amusing and at times hilarious, but what drives this piece is a central narrative of Clayton-Wright interviewing his mother. It is warm, kind, normal.

We learn deeply personal and painful details of Momma Harry’s teenage challenges and dysfunctional marriage, but shared and punctuated in such a way with Clayton-Wright’s lightness of touch, that we the third member of his family are never sad. Even his tale of an unwanted sexual experience although clearly important, is framed as a moment to brake (not break) rather than a darkness that drives.

Guessing at Harry’s age I would imagine he was a school boy throughout the constricting Thatcherite Section 28. That he inhabits a lustful yet kind sexual freedom openly shared with both his mother and the world is not a scathing attack on such inhibitive legislation but a wafting away of oppression as if to say “you didn’t matter anyway”. It’s genius and uplifting.

Whatever this inspired theatre maker does next will be a must see. There is a revolutionary in our midst and his name is Harry.

Review by Craig Hanlon-Smith  @Craigscontinuum

MUSIC REVIEW: ‘Plus size men are beautiful’ says Tom Goss in his latest song

Well loved Bears singer Tom Goss flips beauty standards with his newest song, Round in all the right places.

FIVE YEARS AGO, a groundbreaking songwriter shone the spotlight on some unsung beauties. With a wonderful song all about his sweet, sweet love for a specific kind of guy, a Bear, the singer offered us a look at a different side of beauty. Needless to say, it was a hit with Gay men across the UK, and found its way into countless clubs. And with his new track, soulful singer-songwriter Tom Goss has taken down society’s narrow view on beauty once again.

Released today, the honest singer’s gentle ode to all things big and burly settles into our ears with a delicate twirl of jazzy vocals and stripped back guitar. Tom’s soft, darkly rich, voice waltzes through light trickles of laid back melodies, and airy drums that seem to oh so casually carry the relaxed rhythms with ease.

Accompanied by a powerful video (co-produced by Nathaniël Siri and Tom himself) depicting the brawny men in all their glory, Round in all the right places becomes more than just an easy listen; it’s an empowering anthem of body positivity and love.

The world is telling plus sized people that their butts are sagging and their bellies are too flabby. ‘Change who you are, lose it at all costs,’ we’re told. Then we wonder why people often view themselves in a negative light. I want to send some messaging out into the world that says the opposite,” the singer who once trained to be a Catholic priest says.

This heartfelt piece is a wonderful addition to Tom’s growing catalogue of liberating tracks, (next to the equally powerful Bears, and 2012’s more serious Pills and Chalk), truly showcasing that everyone is beautiful. As Tom says: “Everyone should see the beauty in themselves and love every inch of their bodies.”

Tom himself finds beauty in the form of bigger men, especially. But even after the success of 2013’s hit Bears – a candid track that completely outlines the artist’s enchantment with the community, audiences just weren’t getting Tom’s love for beefy blokes. “People would constantly ask me if I really had a thing for large men. I used to get annoyed by the question, but then I started to reflect on it and I came to the conclusion that I hadn’t done an adequate job of describing what is so intoxicating to me about men of size,” the artist explains.

In this song particularly, the chirpy singer wanted to express his insatiable lust for stockier fellas unequivocally.
For this one, I wanted to write something that was more specific and mature. I didn’t want to hold back. I wanted to be direct, honest and graphic; to really convey the shape, the allure, the seduction of big men. Too often in media, large men are painted as villains or buffoons; the butt of a joke. The goal here was to uplift and empower men of size and embrace their beauty.” And with the inspiring images of strong, plus size, men exposed standing confident and free, alongside the charming song, Tom seems to have surpassed his hopes.

Thankfully, the singer’s progressively sweet dedication to big blokes, is not just wonderfully erudite, but a breezy and soft gem for the ears too. And with his mastery of the quaint stripped back use of calming voice and guitar, the singer tempts audiences to edge nearer to the loop button.

Overall, the track is beautifully tranquil, and somehow evokes feelings of peace alongside a burning sense of pride.

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