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REVIEW: Sounds and Sorcery’s Celebrating Fantasia @The Vaults, Waterloo

Sounds and Sorcery Celebrating Disney’s Fantasia

The Vaults at Waterloo Station

The Vaults, a maze of old tunnels under Waterloo station. You start off by wandering down the dystopian splendor of Leake Street’s graffiti tunnel, then into a darkened doorway where the carefully crafted experience unfolds.

While not of ‘Shunt’ levels of immersive spaces the vaults were decorated in a good range of colourful spectacles, light projections and musical soundscapes, all linked together, sometimes loosely, by Fantasia. With a couple of live shows which form the main body of the performances.  Although the Disney logo is part of the show, there’s not very much Disneyfication apparent throughout the event, ‘inspired by’ is perhaps a more honest title.

so…Inspired by Disney’s 1940 animated masterpiece ‘Fantasia’,  this immersive performance of Sounds and Sorcery is celebrating the cartoon rather than anything else Disney, so make sure you’ve at least seen it before going, it will really help your enjoyment, expectations and the film is a seriously odd piece of work in itself.

There are lights and projections, smoke machines and waterfalls, flashing lights, thumping music, wobbly floors, projections and plenty of quirky spaces to explore and indulge in.  Some of the rooms are worth exploring, with hidden parts, so try all the doors, and play with all the leavers.

My favourite rooms were the mermaid’s grotto, hidden up the stairs above the bubble waterfall room, simple, effective and hypnotic and the first room, a surreal meshing combination of Logan’s Run, Solent Green and Fantasia, with fractal images of instruments playing  Toccata and Fugue in D Minor by Johann Sebastian Bach,  superbly odd brainwashing and a very comfy way to start the evening off. It’s wandering-around-at-your-own-pace immersive, and sitting down occasionally to watch a staged performance piece, so nothing too taxing or alarming.

One of the shows is of silly and competitive dancers trying to out-do each other for the limelight in the Alice in Wonderland themed ballroom, another a recreation of the Sorcerers’ Apprentice with plenty of splashing and moody damp lighting in a dank Gothic space.

It’s certainly selfie heaven and we arrived a little late and very sober, two things not to be emulated. A few drinks would aid in enjoying the experience, that said there’s a bar with a superb range of ale and beers deep inside the vaults, with fluorescent gins and all sorts of grown up fun and it’s nice to sup a beer and wind huge illuminated clouds up and down over the audience.

Once you’re through the last themed room, a rather understated and lacking in mania ‘night on a bald mountain’ ,( with no scary monks parading thank heavens!) there’s another bar at the exit, which is filled with interactive art and comfortable seating.

There were some younger children at the event and I’m not sure if some of the darker themed spaces would suit, but that’s always a parental call, none of them seemed that bothered by the crepuscular gloom.  If you’re a grown up kid at heart, then this is certainly worth going along to and playing around in.

There were a few issues with our headphones on the night but the staff, all who are all very pleasant, patient and helpful, and plentiful, soon sorted us out and we were on our way.  They are also very keen to ensure we had as best an experience as possible, telling us when the next shows would be ready. A lovely crowd of friendly folk.

Like all these immersive events it a bit hit and miss. Like Fantasia itself, depends on your taste and expectation, but when the thought had been invested and the enchantment comes to life then there are moments which are magical and entertaining.  With a range of spaces to explore, some theatrical acts to watch, plenty of wandering to do and a few cool and well planned surprises, it’s all in all a pleasant enough event, engaging and fun, safe and entertaining.

Production runs until September 30 at The Vaults, Waterloo Station, London

For more info or to book tickets, click here:

Community Works HIV reps update

HIV hasn’t gone away, nor the complexity of issues that it can present. We’d be doing ourselves and our community a disservice to take the comfortable view that it has.

I WRITE this from varying perspectives, as a local Gay man diagnosed HIV-positive over 25 years ago, a person still involved in providing a support service along with and for others with HIV, and also as a Community Rep volunteer for Community Works, aiming to represent and support the local voluntary sector, focussing on HIV.

The advances of HIV treatment, improved life expectancy, and prevention, are all truly wonderful things to be celebrated. However, in contrast to this picture of success, hope and confidence for very many people, HIV continues to affect very many others – often profoundly.

As someone who is HIV-positive, feeling self-empowered and also wanting to empower others, this I have always found one of the most difficult messages to convey against a backdrop of encouragement to see HIV as something easily manageable.

That many people find living with HIV challenging, many are still greatly disadvantaged, despite all the good news stories. It’s always a joy to hear that people have accepted their HIV diagnosis well, are successfully on treatment, that health is good, and that everything feels fine in life.

But, it is no fault of anyone with HIV if these aren’t our circumstances. HIV stigma remains a very real experience, often from people with authority, power or influence and also within our own communities communities we might hope had become more knowledgeable and empathetic.

Some people who have been HIV-positive for a long time have diminished health and sometimes other health conditions that are difficult to manage. Ageing with HIV can present additional challenges, and those later diagnosed or starting treatments late may experience other difficulties.

Regarding stigma and self-esteem, you’ll still hear people talk about their own HIV diagnosis feeling ‘clean’ or not, and the examples of social rejection or other discrimination we sometimes still experience include blame for being infected, and avoidance of forming supportive relationships. These are far from all of the challenges for many of us with HIV, but hopefully a good starter for wider conversation.

Over the last two years you’ll hopefully have seen news about the ground breaking Towards Zero HIV strategy here in Brighton & Hove. The Martin Fisher Foundation worked with partners to develop the strategy and has led, with Brighton & Hove City Council, the successful application for the city to become the first United Nations (UNAIDS) Fast Track City in the UK in 2017.

As a Fast Track City, the aim is to build upon, strengthen, and leverage existing HIV programs and resources to accelerate locally coordinated, city-wide responses to end AIDS as a public health threat by 2030 and achieve the 90-90-90 targets by 2020.

What do those numbers mean!

Locally – 90% of people living with HIV knowing their HIV status, 90% of people who know their HIV-positive status on HIV treatment, 90% of PLHIV on HIV treatment with suppressed viral loads, and zero HIV stigma and discrimination.

The Brighton & Hove Towards Zero HIV Taskforce brings together a group of core stakeholders to consult, plan and direct the city’s approach to achieving and exceeding these targets, and towards zero HIV-related stigma, zero new infections and zero HIV-related deaths.

So, as news of this emerges, please don’t let this pass you by as something that doesn’t affect you or your community. It fundamentally needs your interest and engagement. As this work progresses, we’ll hear good news, learn of innovations, and see lots of calls to get involved.

There’ll be plenty of use of the words community, stakeholder, champion, advocate, supporter, and more… Please let’s recognise those descriptions mean us, whoever we are and whatever our HIV status, as individuals and as communities to care and respond, and to make an impact that changes and saves lives!

Gary Pargeter is the HIV rep at Community Works who connect charities, volunteers and businesses in Brighton, Hove, Adur and Worthing, so they can make our society and local areas better.

Greens secure delay on plans by Brighton Council to sell ‘Same Sky’ building

The sale of a Council building rented by arts groups including Same Sky is to be postponed following a Green proposal.

PLANS for the sale of Belmont Street, home to a creative community including local charity Same Sky, the organisation behind the Children’s Parade and Burning the Clocks Festival, would see the groups offered relocation into New England House.

However, questions were raised by the Greens after it emerged that rents at New England House could be up to double current levels. Green Councillors called on the Council to provide more information on the impact of displacing the arts groups, and further pressed for guarantees that the price of future rent would not affect the sustainability of artist organisations.

David O’Connor, graphic designer and tenant at Belmont Street, said: “Same Sky and a small group of occupiers have put in a competitive bid for the building and we would like this to be successful. Our group, which has occupied the building for 35 years, would inevitably be dispersed due to the increased rents and service charge should we be pushed to New England House. Same Sky are clear that remaining at the Belmont St site is by far their preferred option to secure their ongoing work practice and their future in the area.

“We believe that our continued occupation of the building adds to the social value and mix of this area and is in keeping with the social and creative identity of Brighton.”

Following the Green proposals, a report on the social value of the artists groups and the impact of moving them, as well as options for maintaining affordable rents in their new premises, will now be put before Councillors prior to any sale being finalised.

Cllr David Gibson
Cllr David Gibson

c said: “It is important that we protect the future of our local arts and culture organisations including the important Same Sky, who contribute so much to the city, from the popular Burning of the Clocks festival to workshops for children and community groups. We want to see better guarantees that any decision by the Council to sell this property will not jeopardise the future of organisations such as Same Sky, who may be driven out of the city if faced with the high rents on offer.

“While we do not disagree in principle with the sale of the site, Greens are asking for a report into the social impact of the proposal, so that more informed decisions – including on who to sell to – can be made. The current tenants had put in an offer to buy the building. This should not be ruled out because the value of their offer is slightly lower, given the social value and added benefits to the city of keeping this creative community together and able to operate in the city.”

Cllr Phélim Mac Cafferty
Cllr Phélim Mac Cafferty

Green Convenor and Policy, Resources and Growth spokesperson, Councillor Phélim Mac Cafferty, added: “Artists and creatives have felt for a while that escalating rents and the rapid disappearance of studio spaces mean that our city is becoming less welcoming. It is really hard for artists to find cheaper studios with many having to travel outside the city. This is despite the huge role that the arts play in our city and the very vivid offer the sector provides – whether that is the value to our local economy or the 10% of jobs the sector provides. It has become increasingly important to raise our voices to protect this vital part of the fabric of our city.”

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