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Fostering keeps you young

Find out more about how you could help a child in need during National Foster Care Fortnight.

Martin and Liz
Martin and Liz

BRIGHTON & Hove City Council’s fostering team is holding an information event tomorrow, Tuesday May 22 from 7-9pm at Sussex County Cricket Club, Eaton Rd, Hove.

It’s a chance to find out what fostering involves, whether you are eligible to foster and how the assessment process works. You’ll also hear from and meet some of the council’s foster carers.

Liz and Martin became foster carers after Martin took early retirement. In the following video they talk about why they enjoy fostering teenagers and the support they’ve had from the council’s fostering team:

Liz said: “It keeps you young, having teenagers. You have to have a love for children and a good sense of humour, and you have to be a people person.

“We’ve really had some laughs. I think it’s about getting to know them as individuals and treating them as though they’re part of the family.

“The support we’ve had from the council has been brilliant. We’ve got the most wonderful social worker. She keeps in contact with us, we have regular meetings, and she really understands us as a couple.”

Martin added: “Teenagers are really interesting. They’ve got ideas that make you sit up and think ‘maybe they are right – and maybe I’m stuck in my ways’. And it’s refreshing.

“Fostering stops you vegetating. You’re physically and mentally active, and that is something that fits into my way of life. It fulfils my needs as much as the children’s needs.”

Liz continued: “It’s got its challenges but on the whole it’s really good fun to foster. And I’m not just saying that as a cliché. I have really, really enjoyed it.”

Refreshments and a free parking permit will be provided at the information event at the cricket ground.

If you’d like to go along, or if you can’t go, but still want to know more about fostering: 

Phone: 01273 295444 for a friendly chat
Email: fosteringrecruitment@brighton-hove.gov.uk
View: www.fosteringinbrightonandhove.org.uk

People from all sections of the community can be foster carers. You can be single or a couple, straight or LGBT+, old or young, with or without your own children. You don’t need to be married. You can own your own home or be renting.

The council’s fostering team offers you full support – there’s someone at the end of a phone line 24-7, so you’re never alone.

As a foster carer with the council you’ll also be part of a vibrant fostering community. There are support groups to help you meet other foster carers for friendship, advice and support and you will be offered regular training sessions.

The council’s fostering team also provides holiday activities for foster children as well as your own children providing the children with a treat – and you with a break.

Fostering attracts generous financial allowances and can offer you the chance to develop new and career-enhancing skills.

Dan Yates confirmed as Leader of the Council

Daniel Yates the Labour Councillor for Moulsecoomb and Bevendean ward was confirmed as Leader of Brighton & Hove City Council by fellow councillors at a meeting of the full council on May 17.

Cllr Dan Yates
Cllr Dan Yates

Cllr YATES replaces Cllr Warren Morgan who stood down as Leader of the Labour group after falling out with local activists from the pressure group Momentum, who among other things held him partly responsible for the local party’s suspension in 2016 and his threat to stop the national Labour conference returning to Brighton, over a row last September about anti-Semitism, which won him few friends.

Cllr Yates, said: “I’ll be leading our experienced team to improve services, support our community and see change delivered to make our city a better place to live and work. This is the time to build on the good work already underway and to move forward positively for the future.

“We’re all aware of the huge financial challenges the city faces due to cuts in funding from central government but we also have opportunities. We’ll be open about the decisions we need to make. We will involve people with change, work closely with partners and listen to residents.”

New Mayor appointed

Mayor of Brighton & Hove
Cllr Dee Simson

Deputy Mayor of Brighton & Hove
Cllr Alex Phillips

Political leaders confirmed were:

Leader of the council and leader of the Labour & Co-operative Group
Cllr Dan Yates

Deputy leader of the council
Cllr Gill Mitchell

Deputy leaders of  Labour & Co-operative Group
Cllr Gill Mitchell and Cllr Les Hamilton

Leader of the official opposition and leader of the Conservative Group
Cllr Tony Janio

Deputy leaders of the Conservative Group
Cllr Steve Bell and Cllr Lee Wares

Convenor of the Green Group
Cllr Phelim Mac Cafferty

Deputy convenors of the Green Group
Cllr Louisa Greenbaum and (jobshare) Cllr Leo Littman and Cllr Amanda Knight

Chair and deputy chairs of committees for 2018/19:

Policy Resource & Growth
Chair: Cllr Daniel Yates
Deputy Chair: Cllr Les Hamilton

Children, Young People & Skills
Chair: Cllr Daniel Chapman
Deputy Chair: Cllr Caroline Penn

Tourism, Development & Culture
Chair: Cllr Alan Robins
Deputy Chair: Cllr Nancy Platts

Environment, Transport & Sustainability
Chair: Cllr Gill Mitchell
Deputy Chair: Cllr Saoirse Horan

Health & Wellbeing Board
Chair: Cllr Karen Barford
Deputy Chair: Cllr Clare Moonan

Housing & New Homes
Chair: Cllr Anne Meadows
Deputy Chair: Cllr Tracey Hill

Neighbourhoods, Inclusion, Communities & Equalities
Chair: Cllr Emma Daniel
Deputy Chair: Cllr Mo Marsh

Planning
Chair Cllr Julie Cattell
Deputy Chair Cllr Penny Gilbey

Licensing
Chair: Cllr Jackie O’Quinn
Deputy Chair: Cllr Adrian Morris

Lead members for 2018/19:

Lead Member for Tourism
Cllr Alan Robins

Lead Member for Mental Health
Cllr Caroline Penn

Lead Member for Economic Development and Social Value
Cllr Nancy Platts

Lead Member for Sustainability
Cllr Saoirse Horan

Lead Member for Adult Social Care
Cllr Clare Moonan

Lead Member for Rough Sleeping
Cllr Clare Moonan

Lead Member for Health and Wellbeing
Cllr Karen Barford

Lead Member for Private Rented Sector
Cllr Tracey Hill

Lead Member for Community Safety
Cllr Mo Marsh

Lead Member for Planning Policy
Cllr Julie Cattell

Kate Tempest debuts new album at secret ‘Your Place’ gig

Brighton Festival 2017’s Guest Director Kate Tempest made a surprise return to the city on May 19 for a secret gig as part of the Festival’s Your Place initiative, performing an exclusive rendition of her unreleased new album in full at Hangleton Community Centre.

Kate Temptest
Kate Temptest

BILLED only as a ‘special guest’ at 5pm, the sold-out show rounded off a glorious sunny day of free entertainment for residents of the Hangleton area, presented by Brighton Festival and Brighton People’s Theatre.

Tempest told the crowd that she was “thrilled to be back” and asked for no filming of the work from her upcoming third solo album. Tempest’s exclusive performance of the brand new work came after a barnstorming performance from Culture Clash, a training area for young writers and performers in the Brighton area, who performed a three way-battle of spoken art forms in Poets vs. Rappers vs. Comedians.

Tempest said: “This year I’ve come back to play a little unannounced gig at Hangleton Community Centre, which is one of my favourite places ever to play a gig, to be honest. I had this idea as part of my Guest Directorship that what would be the most exciting way to use that opportunity would be to bring some of what was happening in the Festival out to the communities around. And one of the most important things about that idea was that it had life after our year. It was such an exciting time for everyone, for the people who run the Festival to meet the community steering groups, and everyone was so blown away by how much enthusiasm and excitement there was. And now I’ve come back and it’s popping off basically, there’s a massive bandstand, everyone’s dancing, it feels really good here. I feel really chuffed and really happy to be back.”

The line-up at Hangleton included a popular dance-a-thon through the decades from the Charleston to the Macarena with The Ragroof Players’ Happy Feet, as well as an interactive game zone for all ages with The Actual Reality Arcade. Brighton & Hove Music and Arts (who united with Brighton Dome and Brighton Festival last year) presented performances by inclusive music group Orchestra 360 and the dustbin-utilising Percussion Ensemble at Morag Myerscough’s touring Belonging Bandstand, and the Brighton-based all-female group Qukulele and Brighthun Voices’ showcase of the rich musical heritage of Hungary were other highlights on the day.

Hosted by local community centres, and programmed in collaboration with local residents and artists, Your Place brings a diverse line-up of free performances, workshops and activities to the Hangleton and East Brighton communities. Reflecting Tempest’s belief that “the arts should be in our communities, not only on elevated platforms or behind red velvet ropes”, the inaugural project in 2017 was a resounding success. Over 2,000 people took part in Your Place across the two weekends, with participants describing the experience as ‘inspiring’ and ‘energising’.

Brighton Festival 2017 also heralded the Pay-It-Forward initiative (which continued this year), offering the chance to donate £5 on top of ticket prices which was match-funded to create a £10 Festival ticket voucher for someone unable to afford the opportunity. The response was phenomenal with over a thousand people choosing to pay tickets forward in the lead up to the Festival.

The East Brighton-based second Your Place weekend runs over Saturday May 26 and Sunday May 27 and will see The Ragroof Players and Culture Clash return, along with free football sessions from Albion in the Community, a singing workshop with Banyan Tree Theatre Group, comedian Jo Neary’s new children’s show Peg in the Gallery, and much more.

For more information about Your Place, click here:

HIV discrimination removed from new insurance policy guidance

The Association of British Insurers (ABI) Guide to Minimum Standards for Critical Illness Cover (CIC), published today, removes discriminatory content about people living with HIV.

PREVIOUSLY, the guidance stated that a claim for an HIV diagnosis could only be made where HIV had been acquired from a blood transfusion, a physical assault or at work in an eligible occupation. This was clearly a moralising and discriminatory attempt to frame some people as being ‘innocent victims’ of HIV and, by implication, others as not.

It was also the case that if a policyholder was diagnosed with HIV after purchasing a CIC policy, their policy would effectively be rendered void as HIV excluded them from claiming on any other illness listed in their policy.

NAT (National AIDS Trust) highlighted this discriminatory wording in their 2017 report HIV and Finance, then met the ABI to discuss how the guidance could be improved, and influenced both the ABI consultation document and the revised ABI guidance.

Deborah Gold
Deborah Gold

Deborah Gold, Chief Executive of NAT (National AIDS Trust), said: “We welcome the new guidance on critical illness cover published by the ABI today. The previous wording on HIV included in the guidance was judgemental, stigmatising and discriminatory. No other critical illness was treated in such a manner, and we are grateful that the ABI have listened to our feedback and made this vital and long-awaited change. It is now crucial that insurers review their CIC policies as soon as possible to ensure they do not contain discriminatory wording on HIV.

“The new guidance, which does not assume HIV always to be a critical illness, reflects the considerable progress that has been made in prognosis for those living with HIV over the last thirty years, whilst still allowing insurers the flexibility to provide cover for HIV if they wish.

“With the removal of HIV as an exclusion, policyholders who have acquired HIV after purchasing their CIC policy should be able to make a claim if they are diagnosed with any other illness listed in their policy.

“Despite these welcome steps forward, CIC remains unavailable to those already living with HIV because insurers deem them too risky for cover. We hope the publication of this new guidance will encourage insurers to review their terms and make their CIC policies available to people living with HIV.”  

New LGBT+ supporters’ group for Seagull fans

Proud Seagulls, a new Brighton & Hove Albion LGBT+ supporters’ group is being launched today.

FOUNDER member of Proud Seagulls, Stuart Matthews originally had the idea for this LGBT+ fan group some years ago then following promotion to the Premier League last season felt it was the right time to set up the group.

“Most Premier League and Championship sides have a recognised LGBT+ supporters’ group, and we should be no different,” says Stuart.

“In fact over the years we, as a club and fans, have suffered more with homophobic/transphobic chants from opposing fans than any other supporters. This is something as a group we intend to tackle in order to reduce and ultimately eradicate homophobia, transphobia, racism and sexism not just from football, but from society as a whole.

The group has gained momentum over the past six months and has been working with Brighton & Hove Albion to become an official supporters’ club. “We are also excited by the club’s partnership with Brighton Pride 2018 and are looking forward to supporting the club for the city’s biggest annual event,” he said.

Proud Seagulls is a member of Pride in Football – an alliance of the Nation’s LGBT+ supporters’ groups engaging with their own clubs with the aim of combatting prejudice together.

They will be holding a launch event on Thursday May 31, from 7-9pm at The Latest Bar, Manchester Street Brighton BN2 1TF.

Anyone who identifies as LGBT+, and is a fan of Brighton & Hove Albion is welcome to go along, sign up and join the new supporters’ group.


Event: Proud Seagulls launch event

Where: The Latest Bar. Manchester Street, Brighton

When: Thursday, May 31

Time: 7-9pm

PREVIEW: Smashby – Wild one

Gay Singer songwriter Smashby has released his new E.P.

OPENLY GAY musician Smashby has released his newest E.P. Wild one, on May 18 via YouTube and ITunes.

The album’s title track and accompanying video tackle the topic of homophobia, and aim to celebrate the LGBT+ communities.

The 20 year old musician describes title track, Wild One, as:The anthem my 13 year old self needed.

He explains: “I really hope it helps people, anyone who’s going through something hard in their life. I want them to turn this record on and feel empowered.

Produced by London’s Mosely, Luke Jackson and Monkey Harper, the E.P. follows Smashby’s first single Birthday Suit, which was released last year.

REVIEW: The Prophetic Visions of Bethany Lewis @BOSCO

The Prophetic Visions of Bethany Lewis

Bosco Tent

Brighton Fringe

May 18

After a bang on the head from a tin of beans an ordinary puppet-woman becomes a world-renowned psychic after having some pretty crude and dark visions, she goes viral, becomes a huge TV and internet sensation then realising she’s trapped in a empty world of ego maniacs and drug fulled vanity projects fakes her way out of the mess.

A tale of deranged fans and A-list rivalries. Debauched parties, and an affair that shocked the nation. In this no-holds-barred exclusive, Purple Puppet Beth guides her audience through the secret world of fame, and the events that would change her life forever.

This is a fun, filthy, borderline manic show, full of silly soft multi coloured puppets who are foul mouthed but surprisingly caring for each other, like South Park and the Muppet’s had Moomin themed babies. The story is nuts, and goes off into all sorts of tangents, but follows the (self?) narrated story of Bethany as her fame grows and the impact of it does also.

It’s fast paced and  a cast of three actors manipulating 15 puppets dash up, down in and out to make the show work, with the odd very funny deconstructed bit of puppetry.  I laughed a lot, as did the very appreciative audience and filthy puppets seem to be very popular, and with this show it’s easy to see why.

The plush character are brassy, loud, feel real, and the clash of fantasy and reality work well, There’s plenty of social commentary in it, plus some searing critique on fame and seeking love in the world and some pretty funny jokes on current affairs.

All in all a good, funny and filthy night out with some characters that will stay with you. The Prophetic Visions of Bethany Lewis is a thoroughly squarky suidly show with a huge heart which allows these three cool puppeteers to tell a modern morality tale with a bouncy, punchy but essentially light touch.

Catch ’em if you can.

For full details of the show, click here:

Hove Carnival marks start of Summer

Hove Carnival takes place this year over Spring Bank Holiday on Monday, May 28, from 11.30am to 5pm.

ORGANISERS are hoping for sunshine and clear skies at the popular family event which raises money for the Martlets Hospice.

As usual there will be a variety of entertainment in the main arena including performances from The Black Eagles Acrobatic Show and The Mighty Smith.

Coastway Vets will be running their ever-popular dog show throughout the day including categories as Cutest Puppy, Most Talented Dog, the Waggiest Tail and the Dog the Judge Would Like to Take Home!

Elsewhere in the park there will be plenty of stalls to choose from, along with children’s entertainment, amusements, fun fair rides, cake stalls and rides on Hove Park’s miniature steam railway.

Antonia Shepherd
Antonia Shepherd

Antonia Shepherd from the Hospice’s Events Team, said: “Hove Carnival is our chance to celebrate our very supportive community.  It’s always a calendar highlight that marks the start of summer. 

“There will be something there for everyone; it promises to be a wonderful afternoon of fun for all the family.

“We’re hoping to raise lots of money again this year to support the care of our patients and their loved ones during some of the toughest times in their lives.”

 

REVIEW: Post @Marlborough Theatre

Post

at Marlborough Theatre

Brighton Fringe

It’s odd that a show so rooted in the Portuguese national identity doesn’t have a Portuguese title or that an event which presents itself as both a debate and interactive show is really, on closer examination, neither.

Xavier de Sousa, or Xá, as he prefers us to call him, and elicits from the audience as if it was our choice is a curious phenomena. An international queer migrant who’s show is about the nature of national identity,  each and almost every audience member is gently cross-examined with the same questions about where they live, why they live where they do and where they came from. It’s an easy way to demonstrate that we are all migrants of one sort or another, but we all journey to a place we can call home from a place that is called Home.

It feels like a profound moment, but I digress. We are invited in, to a Portugal kitchen, Xá is cooking away and doing so in a most engaging and absorbing way, he greets us and we sit in the audience then he starts to tell us about Portuguese Imperial history, deconstructing it, as one must these days, skipping over slavery and colonial exploitation, as he’ll be getting back to these later and giving us the idea of Portuguese Exceptionalism.

Xá then invites four carefully chosen people up to join him on stage, settled them to sit at his table and feeds them, literally with traditional food and figuratively with envelopes with questions about identity, nationality, Brexit, visibility, representation, and other themes. The people at the table then talk among themselves, and we had an amiable four this evening, none of them English, curiously enough, or perhaps through clever choosing by our host.

Xá sinks further back, asking the odd question, but never actually seeming to listen to the answer or to seem interested in it, just moving things along as it were, in this simple Portuguese lunch on stage. Eventually he sits back in the corner, with envelopes given to each person to ask questions and, we hope, stimulate conversation.

Lovely idea, but like all lovely ideas the best ones need careful execution and this one fails, not only on the host, who prides himself on being a careful and indulgent host, but also on the guests, who are not primed, not performers and find themselves having their own opinions and ideas of identity explored for our entertainment and edification. Then with abrupt suddenness, that’s it, we appear to run out of time, the lights dim, end.

Perhaps with a cool crowd of people, well versed in diversity and the language of inclusion this would work well, and well may have worked well in the past, this afternoon we had a very shy person, a person who was delightful and confident, a person perhaps with too little idea of their own privileged identity and a gent who was charming. They didn’t gel, nothing profound came of it, when there was a very interesting moment – a person saying they’d had more hassle for same-sex partnerships than over their identity or perceived racial identity – that wasn’t taken up or taken further, just left, like the cooked chouriço to linger on the table.

Post felt undelivered and underdeveloped to me, it’s not a new show, it’s been performed in one way or another for a while. Xá seemed very keen on sharing facts and also airing his own, perhaps unexplored prejudices. At one point he mentioned Brighton’s diversity is 25%, indeed Brighton  Councils’ own monitoring shows Black and minority ethnic populations to be just that, Xá seemed to think that this was a measurement of race and questioned the accuracy and also how little black representation there is in the city. I’d agree we have small black population and even less representation of it, but the minority ethnic population of Brighton & Hove is huge, just not black, but Jewish, Polish, Iberian, Turkish, Syrian, Irish I could go on…and our minority ethic populations have guided our history and show up in our street names, leading citizens, commerce, buildings and history, this subtle misunderstanding of monitoring of ethnic and racial statistics was fake news and undermined this show.

I left unimpressed. I had a glass of Cachaça, and it was nice to watch Xá lay the table and swirl around in his Vira skirt, he’s very softly spoken and engaging, but this is a hefty subject and we were promised much, I left uniformed and none the wiser. I don’t think I’ve ever left a Portuguese table feeling so hungry.

Uma oportunidade perdida. Não há coisa menos portuguesa que comer à frente de outros e não partilhar. É indelicado e em Portugal nunca se faz. Talvez seja uma meta-narrativa em que no palco se montou um simples almoço tradicional português, expressaram-se opiniões, enquanto que nós os outros tivemos de assistir, sem ter comida nem possibilidade de contribuir para a discussão. Em que formando uma mesa portuguesa, escolhendo os quatro e definindo a narrativa e as perguntas, Xá exclui o resto do público, e inteligentemente através dessa exclusão força-nos a sofrer o silêncio dos migrantes à mesa da “identidade nacional”?

Não se pescam trutas a bragas enxutas.

Plays May 30 & June 1

For full details of the show, click here:

Fringe REVIEW: The Sparks Factory @Sweet Werks 1

Sparks Fly in How Disabled Are You?

I WAS lucky enough to catch the final night of The Spark Factory – a festival of bold and risky new work taking place within the Brighton Fringe and curated by Spun Glass Theatre. The week-long festival included a range of artistic disciplines, from puppetry to spoken word to musical cabaret, and concluded with a brand-new piece of verbatim theatre by Brighton-based writer/performer The Queer Historian: How Disabled Are You?

Caveat: The aim of The Spark Factory is to share work in all stages of development, from polished perfection to promisingly pubescent, so what I’m writing now is less of a theatre review and more of my first impression of a very exciting new project.

How Disabled Are You? uses text written by anonymous contributors to explore various attitudes toward the benefits system in the UK and those that rely on it.

These contributions – or confessions – come from people currently living on benefits as well as people who find great joy in reporting individuals they suspect are committing benefit fraud. We’re never told any information about the contributors (i.e. age, gender, location) and only hear their written words spoken by the three performers onstage: Helen, Jade and Nicola.

What’s quite special about this show is that the performers are not given the text beforehand and essentially present a ‘cold reading’ to the audience, which made it a treat to see each performer react genuinely to what they were reading.

There were points in the show when the performers were visibly shocked but had to maintain their composure in order to finish the reading. As an audience, we witnessed some incredibly human moments onstage. And I extend that to the very powerful spoken-word poem (pre-recorded by Tommy) that concluded the show.

I’ve heard Tommy’s poetry several times now and it’s truly exciting to watch his creative focus shift and change, and hone in on very raw and exposed emotion.

There were two aspects of the show that felt a bit clunky to me, that I feel need revisiting in its next iteration:

1) The introduction at the beginning was a tad heavy-handed and spelt everything out to the audience before the show even started. For instance, explaining that the brown envelopes containing the performers’ text resemble the brown envelopes that arrive in the post and contain the details of one’s benefits. That’s a great idea, but let us as an audience make that link somewhere throughout the show.

2) As a fan of verbatim theatre, I have admired the work of Moises Kaufman and Anna Deavere Smith for many years; I even performed in a production of Smith’s Twilight: 1992 many moons ago.

The element of verbatim theatre that I missed most during this performance was characterisation. The beauty of verbatim theatre is working with imperfect and unedited speech from real life people, and with that comes a spectrum of characters with their own unique speech patterns and mannerisms. What we lose by having the performers simply read a piece of text onstage is much-needed variation, theatricality and three-dimensional characterisation.

Beyond the discussion of benefits, How Disabled Are You? tackles a number of difficult topics rarely explored in mainstream theatre – mental health, chronic illness, class, ableism and systematic stigmatisation in Britain – which is why a full-length production needs to be made. There is so much potential for this show to connect with the public, to educate and to initiate conversations that too many people are too afraid to have.

I hope to see a fully realised version of How Disabled Are You? in next year’s Fringe.

Reviewed by: Spencer Charles Smith

Date: Thursday, May 10, 2018

Venue: Sweet Werks 1

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