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PREVIEW: Singers United Flashmob

SINGERS UNITED FLASHMOB – Community engagement in our home town!

Aneesa Chaudhry
Aneesa Chaudhry

“We areĀ farĀ moreĀ united andĀ haveĀ farĀ more in common withĀ each other than things that divide us.”

Jo Cox’sĀ inspirational maiden speech to Parliament was widely shared and sparked the #MoreInCommon movementĀ after she was tragically murdered.

Aneesa Chaudhry, a British Asian woman isĀ passionate about the voice and how we can use it to make aĀ positive difference in the world.

She trained as a Barrister, professionalĀ singer and vocal coach and is on a mission to do what she loves doingĀ  – that is empowering and encouraging people to use their voices to make a positive difference to the world.

Aneesa often tells her clients andĀ students to think aboutĀ the experience people have of them and asks how they want to be remembered?

She says: “I believe that together we are strong and building vocal confidence and community cohesion with our voices is a brilliant way to make a beautifulĀ contribution to society.”

The aim ofĀ the Singers United Flashmob is to invite people to use theirĀ voices to do something fun, whilst wearing a t-shirt that raises the profile of a charity or cause they feel strongly about.

Everyone taking part is invited to attend in a two-hour workshop on Saturday, May 19 from 10am-12pm at the Brighthelm Centre, North Rd, after which there will be three flashmobs.

Two will take place in secret locations to be sharedĀ with those who register and one soon after the workshop at JubileeĀ LibraryĀ where there is a Bird La Bird event taking place shortly after lunch as part of the IDAHOBIT celebrations. They will all be in close proximity to one another.

Participants will sing Keene’s Somewhere Only We Know and Only You and Aneesa will teach you the voice partsĀ to the song with a few fun bits of choreography for surprised members ofĀ the public who will see the scene unfold.

The cost to take part is Ā£20 per person for those able to pay OR Free to 5 members of every LGBT+Ā organisation that wishes to take part. You are welcome to make a donation of Ā£50 from your group if you are able to do so but this is not a preĀ requisite.

Further information, click here:

REVIEW: Woodland @Brighton Festival

Woodland

Brighton Festival,Ā May 12

So we arrive, in the splendid Stanmer Park, wander up though a spring meadow, heavy with buttercup and downland flowers just poking their blooms out and get to a tent. The views are lovely, did I mention the rain, the relentless thick raindrops of a May weekend, but this was touted as an all-weather event so we persevered.

We are handed headphones and a smartphone, a plastic sheet is offered, as is tea, my hands are full, with an umbrella as well, itā€™s fiddly as hell and you canā€™t put the phone round your neck or in your pocket.

With simple instructions we set off, using GPS to navigate our way through the thick green damp forest to the ā€˜listening spaceā€™ marked by two throbbing yellow discs north northwest from us, on the phoneā€™s satellite view map. So far, so fiddly.

The views and traffic noise fall away, we are enclosed by the trees of Stamner Great Wood, in full resplendent gushing spring growth, you can almost hear it growing around you, the green is vibrant, we wander on, muddy tracks wander off into the trees. To our May Memento Mori.

We arrive, itā€™s raining too hard to do as requested – which is to lie on the ground, close your eyes and start the appā€™s soundtrack. I tried, but the rain was too heavy, even with the umbrella and every time I moved the sound cut out, not sure if I had a dodgy connection or the rain was affecting the tech, but it spoiled the effect.

Eventually I found a comfortable relatively dry place and turned on the annoying sound track, within moments I had forgotten my petty annoyances as a soothing melodious woman’s voice gave me some simple fair weather instructions and then began to recant what happens to the body once death has happened.

It turns out rather a lot happens, its non-stop, nature reclaiming you and decomposition has never sounded so sensual, with gracious pauses and breathy moments of interaction with the wildlife, the voice continues on, relentless like the wheel of life itself. There are moment of dark humour and others of clinical brilliance, some deeply curious explanations of the dissolution of the matter of the body with a constant, lullaby texture to how your bits are being reused around you, by the insects and animals, by the trees and bluebells.

Itā€™s a guided mediation into the very still heart of death, but within death it’s all life! Endless changing life! the crepuscular, muscular sweet stenching oozing splendour of each and every bit of your body being reused, transformed and recycled. Itā€™s a smart phone app version of Job 19:26

In the rain, in the woods, with some hardy folk laying stock still around me I thought of the Body Farm in Knoxville, TennesseeĀ and how they leave out corpses to decipher the riddles of forensic decomposition, and still the ducet, euphonious, voice lulled me on, beyond death, beyond decomposition, beyond breakdown into a verdant outbursting of recycled reincarnation where my hair was the wings of moths, my organs transformed into the newest greenest leaves high on the huge oak and elms above me, and the blue bells stronger from my nutrients.

French & Mottershead are the UK artist duo behind ‘Woodland’ RebeccaĀ French and AndrewĀ Mottershead known for creating multi-artform experiences that are as playful and poetic as they are subversive, French & Mottershead are inviting participants to think again about who they are, and their ties to place and oneĀ another.

A beautiful and reflective experience which avoids the mawkish and through superb narration takes us on a journey beyond ourselves, but is all about the stuff we live in and then all, finally leave behind.

For more information or to book tickets, click here:

On a clear day, you could see forever as dear old Barbra Streisand sang and on a clear day, on this Woodland trip you could see forever, and ever more.

On a clear day Rise and look around you

And you’ll see who you are

On a clear day How it will astound you

That the glow of your being outshines every star

You’ll feel part of every mountain, sea, and shore

You can hear from far and near

World’s oldest working drag queen joins Maisie on stage at Legends

Darcelle XV, official holder of the Guinness World record for the oldest working drag queen, joined legendary drag queen, Maisie Trollette on stage at Legends this evening (May 14) as part of a series of events to celebrate Maisie’s 85th birthday.

Darcelle XV, aka Walter W. ColeĀ has been performing in drag for 51 years and is the owner and operator of Darcelle XV Showplace in Portland Orgeon, which hosts the West Coast’s longest running drag show.

Walter presents David with a pair of diamond earrings
Walter presents David with a pair of diamond earrings

Walter, officially recognised by the Guinness Book of Records as the worlds oldest working drag queen, came to Brighton especially to have afternoon tea with David Raven at the Brighton Hotel on Brighton seafront this afternoon, where he presented David with a pair of diamond earrings to celebrate his coming 85th birthday.

The historic meeting was filmed for a documentary about the life of Maisie Trollette/David Raven which has been in production for the last two years.

Later in the evening at Legends, Miss Jason introduced Darcelle XV and Maisie Trollette on stage to an audience of VIP guests. Darcelle XV joined Maisie in a couple of numbers, and bared his 87-year-old bottom in a Country and Western number while wearing a pair of revealing cowboy chaps.

MUSIC REVIEW: Michael Jablonka – Flump

Flumps are soft right? Gooey and sweet. Not this one.


Thin.
Bare, calm then
Crash.

Thrashing driving, with gritty guitars, and fast bars. Driving hammering, drum beats come flooding in, all with the force of a muddy grunge band, in sticky dive bar, ready to demolish the sunken stage in front of them. A synergy of sonic hums and fuses brashly buzzes about the avid crowd. Shrieking feedback and muddy distortion squirms into the calamity, whining its rough riff.

The latest track from Michael Jablonka is nothing like its sweet namesake. With scratchy guitar whaling and gravelly chords, the song pays homage to the rock and punk aesthetic of The White Stripes, and doesn’t hesitate to blast eardrums and spit crunching harmonies.

Light, Sultry- a voice laced with buzzing electronics turns the thrashy rhythms and crunchy guitar riffs into a skeletal pit of drums and tumble weed. All of a sudden the driving intro of chaotic sharp guitars and distortion funnels out into a calm verse. Some respite. But the combative slicing sounds return once more to burst your ears as soon as the chorus kicks in.

Overall, the track is a fast paced meddle of strings and drums, lightly topped off with fresh vocals that seem to channel Royal Blood or Muse in the electricity and tickling falsetto. Jablonka has created a psychedelic mash of rock and grunge, that isn’t quite as nerve tickling as Nirvana, but still has some tear away moments of oddly pretty sounds.

To listen to Flump, click here:

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