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MUSIC REVIEW: Oblique – Argandiwal

Ever wondered what the inside of a computer sounds like?

Find out in Oblique’s latest album.

Oblique is a name I’m not familiar with, I must admit. The word brings up thoughts of maths and rigid design, with its literal definition. Robotics and animatronics spring to mind. And the music itself is no different.

The Berlin based DJ (or more aptly, sound designers) seem to favour a metallic rainforest for their musical backdrop. Although they explain their inspiration is Persian. Complex polyrhythms form the vast electric jungle of sound in their album Argandiwal, which can barely contain the rich collage of instruments it boasts. Even at their shortest, the songs themselves are way beyond the usual three-minute mark.

Drastically electronic – the entirety of the album sounds as though it was created on a computer exclusively. There’s not a single real acoustic instrument (or at least it sounds like there isn’t). Songs like Argandiwal – which there are three versions of – become a geeky tribal anthem of sorts; the sounds are both modern and primitive. It’s as though the sounds of the jungle have been translated by a robot. It’s a confusing concoction.

Holding up the album like scaffolding, the construction of the original version of Argandiwal is overly long and winding. In all it lasts ten minutes.

It begins with a dark tunnel, closing in all around you. Your only company is the sound of the builders in the distance, tapping into the ground, murdering the jungle. They’re far off, but you can still hear them. The sound stops. Emptiness reigns. Maybe they’ve stopped, maybe they ha- – – –

Obnoxiously loud chainsaws slice into the surface of your eardrums, masqueraded as the various drum patterns. It disorientates you greatly. Louder and louder they climb the ladder of volume until every other sound is lost in their shadow. The polyphony rises as a layer of white noise joins the chorus, crowding the enclosed space. The workers must have brought out a pneumatic drill because the sound is hammering into your skull.

Crawling through, you notice the opening is within reach. The bright white smile of the sky promises hope, and the wind embraces you.

All at once, the tunnel crumbles, leaving you in the jungle alone. It transforms into a landscape suddenly urban. Clouds mist over the mossy trees, and beneath the mist, a sinister metalic skyscraper looms. Shards fall down here and there whilst the layers of the track come closer to you. Rain mirrors the crumbling building, and a lightning storm becomes the next unwelcome guest.

All in all, It’s an animatronic forest inside a computer. Vines are cables, the wind is the whirling fan, and the drills are the sounds of the various devices that keep the machine running. In its giant ridgid box, the power supply takes the form of a skyscraper. Shards fall off from the failing power supply, to break down the motherboard, causing a lightning storm to spit from sparking cable. The workers are dust balls and viruses, pulling away at each part of the forest (motherboard). Taking out its insides, cutting it down. The track is the slow sound of deforestation, from the inside of a computer.

And just like the album, this review is a little convoluted!

LETTER TO EDITOR: Whose life is it anyway?

The following quotes by Professor Stephen Hawking are taken from Wikipedia:

“There is a fundamental difference between religion, which is based on authority, [and] science, which is based on observation and reason. Science will win because it works.”

In an interview published in The Guardian, Hawking regarded the concept of heaven as a myth, believing that there is “no heaven or afterlife” and that such a notion was a “fairy story for people afraid of the dark”.

In 2011, when narrating the first episode of the American television series Curiosity on the Discovery Channel, Hawking declared: “We are each free to believe what we want and it is my view that the simplest explanation is there is no God. No one created the universe and no one directs our fate. This leads me to a profound realization. There is probably no heaven, and no afterlife either. We have this one life to appreciate the grand design of the universe, and for that, I am extremely grateful.”

In September 2014 he joined the Starmus Festival as keynote speaker and declared himself an atheist.

In an interview with El Mundo, he commented: “Before we understand science, it is natural to believe that God created the universe. But now science offers a more convincing explanation. What I meant by ‘we would know the mind of God’ is, we would know everything that God would know, if there were a God, which there isn’t. I’m an atheist.”

Why then did he have a funeral in an Anglican church, why were his ashes interred at Westminster Abbey and why is the commemoration of his life to take the form of a “Service of Thanksgiving” at Westminster Abbey on June 15, 2018?”

George Broadhead
Coventry & Warwickshire Humanists
The Pink Triangle Trust

BOOK REVIEW: The House of Impossible Beauties by Joseph Cassara

The House of Impossible Beauties

Joseph Cassara

This rampantly beautiful and technicoloured book  follows a group of Queer friends all gay and transgender clubkids as they navigate the Harlem ballroom scene of the 1980s, inspired by ‘House of Xtravaganza’ of Paris Is Burning fame.

The plot follows 17yr old Angel first comes into her own on the New York ballroom scene, part drag, part performance, all creative fire and talent, scarred by her past and throbbing with energy, Angel is new to the drag world, and has a yearning to help create a new family She falls in love with Hector, a beauty who dreams of becoming a dancer, the two form the House of Xtravaganza, the first Latino house in the ballroom circuit.

Venus, a whip-smart trans girl who dreams of finding a rich man; Juanito, a quiet boy who loves design; and Daniel, a butch queen who accidentally saves Venus’ life all join the house and The Xtravaganzas must  navigate sex work, addiction and abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient and determined to control their own fates, as they hurtle toward devastating consequences. This story brims with wit, rage, tenderness, and fierce yearning; The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

Delicious, divine and full of dark delights and an utterly stunning book which will leave its mark on you.  If you’re a RuPaul or Drag Race fan you need to read this book now.

Out Now

For more information or to buy the book, click here:

Council announce second amnesty tackling council tenancy fraud

People committing tenancy fraud in council housing and temporary accommodation have another chance to avoid legal action by handing their property back during a second amnesty being run by Brighton & Hove City Council.

The tenancy fraud amnesty begins on April 3 and tenants illegally subletting their homes or keeping a social housing tenancy while living elsewhere, have until May 31 to return their properties to the council without fear of further action.

Tenants will need to leave the property unoccupied and empty of all belongings, and sign a surrender notice.

Keys can be handed in at:

Bartholomew House, Bartholomew Square, Brighton, BN1 1JE
Portslade Town Hall, Victoria Road, Portslade, BN41 1YF
Whitehawk Community Hub, 179a Whitehawk Road, Brighton, BN2 5FL
Lavender Street Housing Office, Lavender Street, Brighton BN2 1JU

National figures suggest that tenancy fraud costs the public purse £18,000 a year for each property. With the high costs of housing people in temporary accommodation in the city, the savings for Brighton & Hove are likely to be significantly more.

Six families were rehomed following the first tenancy fraud amnesty run between December 2016 and January 2017. The six homes returned through the amnesty were two three-bedroom, two two-bedroom and two one-bedroom properties.

Cllr Anne Meadows
Cllr Anne Meadows

Councillor Anne Meadows, Chair of the Housing & New Homes Committee, said: “We have a huge demand for housing in the city. Tenancy fraud deprives residents in genuine need at a huge cost to the city and we are focussed on tackling the problem. The amnesties offer us the chance to get properties back quickly and cheaply.”

Tenants looking for more information on the amnesty can call Housing Customer Services on 01273 293030 or email housing.customerservices@brighton-hove.gov.uk.

If anyone suspects someone isn’t living in their council house or is subletting it, they can report it in confidence by calling the council on 01273 291847 or emailing anti-fraud@brighton-hove.gov.uk.

PREVIEW: Book launch – Queer Sex by Juno Roche

Juno Roche, a former student of the University of Brighton, launches her latest book, Queer Sex on the evening of Wednesday, April 25 2018 at the Edward Street building lecture theatre from 6pm.

The event is part of a series of special occasions to mark the 25th anniversary of university status of the University of Brighton – organised by University of Brighton Alumni Association.

Juno Roche is an internationally recognised trans writer and campaigner, and founder of Trans Workers UK and the Trans Teachers Network. Juno is a patron of cliniQ has written for the Guardian, the Independent VICE, DIVA and was included in the Independent’s Rainbow List 2015 and 2016.

The evening will be opened by the Universities Vice-Chancellor, Professor Debra Humphris who will introduce Juno and invite her to talk about her book.

A member of the university’s Centre for Transforming Sexuality and Gender will then discuss briefly some of the university’s current work in this area, before Juno and Kate O’Donnell (artistic director of Transcreative, http://www.transcreative.uk/) chat about the book and take questions from the audience.

Guests will be invited to enjoy a glass of wine after the event.

University students, staff, alumni and members of the public are all welcome!

June says: “Ever since my surgery I have felt that I fail at sex, that I fail at being found attractive, at being ‘sex-ready’ and at feeling sexy.”

This intimate and eye-opening exploration of trans sexualities is narrated by Juno Roche – an internationally recognised transgender activist, but self-confessed sex-phobe.

On a mission to liberate herself and her new ‘neo-vagina,’ Juno interviewed well-known figures in the trans and non-binary community. Fox Fisher and Owl, Kuchenga, Kate O’Donnell and others speak honestly and boldly about their experiences of sex, desire, intimacy and love.

When trans bodies are so often fetishised, it’s important we hear these first-hand accounts of genuine trans sexual expression and fulfilment. Exploring a diverse range of sexual practices, gender identities and relationship set-ups, they challenge prejudices and inspire readers to reconsider their own concepts of sexuality.

Queer Sex is frank, funny and poignant, but above all, an empowering call to anyone at the start of their sexual journey.


Event: Queer Sex by Juno Roche – book launch at the University of Brighton

Where: University of Brighton, Edward Street, 154-155 Edward Street, Brighton, BN2 0JG

When: Wednesday, April 25, 2018

Time: 6pm-9pm

Cost: Free event. To register to attend, click here:

Bristol Pride announce plans for 2018

This year Bristol Pride sees the festival expand to a full two weeks of events across the city celebrating Pride.

Republica
Republica

Running from July 2-15, the main Pride Day festival will take place on Saturday, July 14 on the Bristol Harbourside, with the festival taking place across the Amphitheatre, Waterfront Square, and We The Curious’ Millennium Square.

First wave acts include Indie Britpop punk band Republica fronted by the iconic and fiery Saffron, electro-pop duo Avec Sans, dance sensation and N-Trance front singer Kelly Llorenna, Lloyd Daniels, Laurent John along with tributes to Pink and Madonna all performing on the main stage which is sponsored by headline sponsor Unite Students.

Other stages at the festival include a jam-packed cabaret stage with some of the UK’s top performers flocking to Bristol to perform and the Dance Performance stage featuring local and national dancers and workshops with styles ranging from hip hop, salsa to street dance.

Pride Day starts with the Parade departing from Castle Park at 11am, snaking its way around the city with a giant 50 metre rainbow flag. Last year over 7000 people took part in the parade with even more lining the streets to cheer everyone on.

Favourites returning during the Pride festival include the Pride Dog Show on Saturday, July 7, Theatre at the Wardrobe on Tuesday, July 10 featuring a drag version of Murder, She Didn’t write and Comedy on Thursday, July 12 hosted by TV’s funny woman award winner Jayde Adams.

New events for 2018 include poetry, a talk on the science of gender and sexuality in the natural world, and a 24-hour LGBT+ game jam ahead of the popular gaming event at Kongs Bar.

The award-winning Pride Film Festival, Queer Vision, returns with screenings taking place in the Watershed including a special evening partnered with IRIS Prize, where Bristol Pride (and the audience) make selections for the Best of British competition and the winner on the night will have the chance to win £20,000 in post-production support from Elstree Studios. Submissions for shorts are still open.

One of the highlights is sure to be a specially curated circus evening in partnership with Circomedia where LGBT+ circus and acrobatic performers will dazzle with amazing skills while exploring themes that affect and celebrate the community.

Pride night will again see Pride takeover the O2 academy and feature LGBT+ clubnights and DJs come together for one night only with rooms curated by Don’t Tell Your Mother, LGBT+ PoC night KIKI and London club behemoths Savage Disco, a creation of party makers Sink the Pink, headlining the main arena.

Now adopted into the Bristol Cultural Investment Programme as a Key Arts Provider for the city Pride will be expanding their investment in accessibility at the festival and will have British Sign Language interpreters across all stages at the festival this year, with support from UWE Bristol.

Lloyd Daniels
Lloyd Daniels

The team will also be developing wider channels to celebrate the intersectionality and diversity of the LGBT+ Communities in partnership with KIKI Bristol, St Paul’s Carnival and local disability charities.

Named in the top 3 reason people visited Bristol in 2016, nominated for a 2018 National Diversity Award and shortlisted for Best Pride in 2017 by the Boyz Award, Bristol Pride remains free entry and one of the UK’s largest Pride events and one of the largest festivals in Bristol.

Without core funding to put Pride on the event relies purely on sponsorship and donations to the event happen.

Entry to Pride Day is by a suggested donation of £3 and Pride offers a £5 supporter wristband to keep the festival going and offer great rewards, including all day free travel with First Bus, money off the onsite bars, and £1 journeys with Bristol Ferrys as well as other fantastic offers.

For up to date information on artists appearing, events and supporter wristbands including a very limited number of VIP tickets, click here:

Busted at Bristol Pride in 2017
Busted at Bristol Pride in 2017

BOOK REVIEW: Gender Diversity and Non-Binary Inclusion in the Workplace by Sarah Gibson and J. Fernandez

Gender Diversity and Non-Binary Inclusion in the Workplace

The Essential Guide for Employers

Sarah Gibson and J. Fernandez

Companies are becoming more aware of the need to include non-binary people in the workplace, to attract a diverse workforce and create an inclusive environment and brand. The authors comprehensive understanding of how working with and including non-binary people in the workplace is beneficial for both employer and employee.

They explain how it attracts and retains younger and non-binary workers by helping promote an inclusive brand, as well as meeting equality obligations. Their insight provides an ideal introduction to including non-binary workers in your business, and presents easy, inexpensive and practical solutions to basic workplace issues that Non-Binary employees face.

A useful book that approach this subject with sensitivity and offers practical everyday solutions, from the physical to far-reaching systemic change via policy to make the working environment as inclusive as possible. From dress code, to the barriers to job seeking, from office based hate crime to staff retention and best practice, this is one of the few books around at the moment that combines quality research with insight and understanding.

Out now

For more information or to buy the book, click here: 

PREVIEW: MARILLION @Brighton Dome on April 16

British Progressive Rock pioneers MARILLION set off on a major UK tour in April 2018.

After nearly 40 years performing together, Marillion have evolved into a vibrant and international musical force, flourishing seemingly outside of fashion and mainstream media exposure.

They remain as popular as ever – their most recent album, F E A R , peaked at No. 4 in the UK album charts and No. 1 in the rock chart last year and was given a 5-star review by The Guardian.

Lead vocalist Steve Hogarth, says: “I have been part of this band now for 27 years yet we’re as inspired as we ever were and still enjoying creating together. Luckily our music has remained free to evolve and change without the constraints of a corporate music business which otherwise might have killed us”. He continues, “We’re really looking forward to this little outing, especially as we’re playing a few places we haven’t visited for a while. It’s long overdue!”

MARILLION are:

Steve Hogarthlead vocals, lyrics, keyboards, guitars and percussion

Steve Rotheryelectric and acoustic guitars

Pete Trewavasbass, guitar, backing vocals and piano

Mark Kellykeyboards, samples, effects, backing vocals and programming

Ian Mosleydrums and percussion

FULL 2018 Tour Dates:

Sunday, April 8: Belfast Ulster Hall – NEW DATE

Monday, April  9: Dublin Vicar Street – NEW DATE

Wednesday, April 11: Gateshead The Sage – last few tickets available

Friday, April 13: Cambridge Corn Exchange – SOLD-OUT

Saturday, April 14: Birmingham Symphony Hall – SOLD-OUT

Monday, April 16 Brighton Dome – last few tickets available

Tuesday, April 17: Bristol Colston Hall – SOLD-OUT

Thursday, April 19: Reading Hexagon – SOLD-OUT

Friday, April 20: Liverpool Philharmonic Hall – SOLD-OUT

Sunday, April 22: York Barbican – NEW DATE

To book tickets online, click here: OR click here:

REVIEW: Journey to a Twisted Circus @Troxy, London

Roll up, roll up, the drag circus is in town for one night only. And man was it a night.

Ladies and gentleman, boys and girls, children of all ages, what you’re about to see will shock and amaze. It will flash you to a place of horror and wonder. It will inspire, it will transform. What you’re about to witness will change you’re life. It will be the only thing you desire. I welcome you… to the… Twisted circus.

Crash…….. A sudden burst of flames engulfs the stage and lights crowd the air, squabbling over who owns the audience. Faces are scattered everywhere with wide grins of glory. A flurry of glitter here a pink tutu there, drag is everywhere. And I love it. There is mystery, there is inspiration, and there is passion. I can’t believe I’m here.

Come to think of it, where is here?

Well sit tight, because it’s a bumpy ride full of catastrophe and craziness. We’ll start at the very beginning…

By any chance, have you ever tried to travel to London?  One word for you…stressful!

You get lost, tired, hungry – it’s a whole whirlwind. Back and forth, on one train, off the next. Like a crazy carousel going round and round, we were constantly in frantics, looking for the next platform.

We were on our way to Troxy, London, home of the drag show we were about to see, and we were starting to stress out. We had to find a way from Norfolk to London in the space of a few hours. The show starts at it was already 12:00pm. We had to catch a train fast.

Making our way to the station, we were panicking up a storm, but as luck would have it our saviour was on its way. The train pulled up just as we got there, so we charged on with the full force of a rocket. Phew.

An hour and a half later, we arrived at a station in London. Usually I love journeys and travelling, but this was horrendous because as we arrived, our luck changed. I had just found out our trains were delayed, the main line was cancelled, and it was another hour before the next one would get here. Great. We were running time fast, but we could do this. I didn’t know where the heck I was, and I was running out of money, but I had to get there. I had to see that show.

Three trains and about £30 worth of food later (damn London is expensive), we were finally in central London. Now all we had to do was find that venue. Oh wait – what’s the address? In all the calamity of catching trains, I had forgotten to check the address of the place.

Typical. All I can say is thank goodness for Google. I may be part of this Igeneration, and I might be useless with a map, but at least I had a trusty friend in my pocket. “take a left here, turn right there.”

Google got us in a continuous flip-flop of absolutely lost and knowing our way. And three lefts, four rights, 100 odd steps, and half an hour later we came to what looked like our destination. Troxy the sign said, and we breathed a sigh of relief. We had done it. It was stressful, but we had got there in one piece.

Now flash forward a bit.
It had been hours and so far nothing. The emptiness was heavy and thick. Around us stood a cathedral of walls, decadently decorated, and ceilings that reached for the skies. The people too were decorated, paint plastered on their faces to match their favourite stars. We were in a sea of an eager fish, frantically swimming about, trying to busy themselves to distract from the dead air.

“Excuse me, I’m just going to meet my friend over there,” a member of this curious cult screeched at me, as she barged her way through the mountain of people. “Sure,” I said,  thinking how hard it would be to lose your friend to the city of people. “Go ahead.” And what did she do? Barge her way through, only to stand right in front of me. Unbelievable. It was astounding really, but everyone was so…alive. We were swallowed in the crowd of people. Despite the emptiness and dead air, they were incredibly eager. Actually to say eager would be an understatement; you could feel the anticipation dripping from them – they were desperate to get to the front of the stage. Desperate to even breathe the same air as who we were about to see. For Drag fans, they were unusually bolshy and abrasive. And it was irritating.

To tell the truth, we were lucky to get in at all.  Along the tumultuous journey, numerous disasters cropped up and shook our hand. “We’re sorry to say, but there will be technical difficulties,” the robotic voice on the train had told us – and that was just the starter of our problems. I didn’t even know if the place would let us in. I didn’t have a ticket, or a lot of money, and the only form of ID I did have probably wouldn’t be useful. Dowsed in stress and we hadn’t even got to the venue yet.

So yes, that’s the hectic day I had to battle through before even seeing the palace of drag. But we were there, and the show was about to begin. Now let’s go back to the gig before we miss anything.

A sudden crash and the stage lights up like lightning. Music blares through the room, seeping into the ground until it grabs the roots of our feet. All the waiting and anticipation had brewed a relentless fire in me; I too was infected with the crazy desperation to watch the Queens, overwhelmed by the possibility of actually seeing them in person.

Through the mist of the stage, a face is creeping into view. “Linda, Linda I’m telling you, it was a horrible dream,” the face whimpers, as the first performer finally meets the stage. In a burst of smoke and lights, clowns are suddenly sparking before him – creepy and twisting in their dance. What looked like a ringmaster joined them, prancing across the floor like mad men in a hypnotic trance. The beat was thumping, has everybody jumping, transforming the dead air into a burning inferno of passion. It’s broken and beautifully disturbing. “There were clowns, and drag Queens, Linda. It was a nightmare!” And that might as well been the trailer for what the night was about to hold.

Damaged dancers leave, their twisty energy glued to stage as the remaining circus floods in. A pink wig and gorgeous glitter waltzes onto the stage, and the crowd is just roaring with excitement. Who’s there, I can’t see. There are too many heads an shoulders in the way. For a short kid like me, it seems seeing the acts is rare. Nearing us, it becomes clear – that’s Farrah Moan. Ring girl Farrah (or is it Christina Aguilera) gets the crowd in all of a flutter with her pristine beauty and perfection. Then Kim then Violet, the Queens are pouring in and soaking us in tears of disbelief. It’s just a collection of drag royalty. Milk, Kim Chi, Violet Chachki, Chad Michaels, we were kids in a sweet shop; you’re far from short of talent to chose from. Every area is covered.

Shea Coulee, Kim Chi and Amanda Lepore seem to command the room, carrying the air of lionesses, with Chad actually dressing as one, claiming the whole stage as their serengeti. Dances are strong and striking. Pouncing from corner to corner, teeming with power, the girls are absorbing the rippling passion from the audience and using it for their own charge. They are so sharp they cut through the misty air,  splitting our brains in two.

Throughout the night it becomes more and more apparent just how many fans are here. Like any show, there were floods of people earlier. Outside, a long line of eager fans swallowed the block around the venue, spilling onto the streets beyond. But this transcended the comfortable level once walls circled round us.

“Put the phone down! Move out-of-the-way!” someone calls out. This is too much, I need to move. I merely creep an inch one way and I can’t help but crash into someone. Move the other and I’ll l make contact with someone else. It’s tough to breathe, It became claustrophobic so quickly.

A figure suddenly moves across the stage, and in-between the heads of the crowd I can just about make out what appears to be antlers. “Which Queen is that?”

“I don’t know, I can’t tell but i think it’s Kim Chi.”

I have to stand on my tiptoes to see, but I think I can spot the Queen and her crazy painted face. That has to be Kim. “I want to take you away with me” the anime voice is singing. That’s definitely her.

Shyly creeping onto the stage, she looks like a stag crossed with Bambi. But she has the gravitas of Grizabella as soon as she begins her lipsync. It’s perfect. For somebody that claims they can’t perform (I mean – did you see season 8), she has an incredible hold over the audience. I can’t help it – I’m literally swaying along with her solemn ode. All I’m missing is a lighter or a candle.

“Look at me, look at me I’m on TV” the song floats into the background as the Queen spreads her arms and tries her best to dance. Not going to lie, she looks like Pearl flapping about like that. But we love it. The crowd is screaming along with the song gleefully. We’re more than just onlookers we’re part of the show too. That’s how it feels as she waltzes down into our little group.

About five minutes later, Milk is sweeping in donning what looks like a pastor’s gown. It’s a little – how do I put this politely? Extravagant. She’s singing something about “Santa Clause touched me” (which is a slightly odd but awkwardly funny when she sings in her weird way), and just after her, most of the girls have stripped down to reveal almost very close, bordering on censor worthy, nudity. Weird.

You know what. They’re brave.

I hadn’t thought of this before, but watching drag race is nothing compared to this – it’s a completely different experience. Milk isn’t just the catty Queen from all-stars three, here she’s a veteran performer, a master of the stage and the second best girl of the night to grace it. We all knew Shea was an incredibly fierce competitor ; she won most of the challenges and dominated the fan’s hearts in her season. But here she’s on a pedestal. It’s like all of her prowess has been magnified by ten. She’s amazing. And I’d never seen Amanda perform before, but wow is she good too. She’s keeping up with Farrah and Violet, and they’re half her age.

I see two foam hands appear from the back of the stage, and I know what’s about to happen. “Touch the fashion, change you’re life! Touch the fashion, change your life!” we’re chanting along with Milk at full volume. “Touch the fashion, change you’re life! Touch the fashion, change your life!”

Is that the time already?  It’s half ten and the show is closing. It’s only been on for an hour or two! We spent longer getting there then watching it. But it was worth it.

What a night!

Now all we have to do is get home.

If I thought travelling in London during the day was bad enough, this is even worse. It’s dark, we’re lost and we’ve just missed the next train from fussing about at the merchandise stall. We’re getting on the next train now, after waiting for a few hours,  and it’s like something out of a cartoon: Right in front of us, there’s this rowdy group of drunks shouting and spilling their beers all over the show. To our left, the overly pda couple that in the most polite way need to get a room. And about two inches away, an angry guy is in a blistering row on the phone. And that’s all in about the space of five minutes. Crazy.

“So how was the gig, did you like it?” I say to my sister beside me, as we’re trying to drown out the commotion on the train with our chatter.

“Honestly, that was a night for the books!”

X