menu

INTERVIEW: Mark Inscoe – Man of Many Parts

Hove-based musical theatre star, Mark Inscoe, is about to reprise his West End role of the transgender woman Bernadette in the stage version of Priscilla, Queen of the Desert, having played the role in London’s Palace Theatre nine years ago. Brian Butler talks to him about homophobic bullying at school, Les Mis, Sweeney Todd and Priscilla.

Looking round Mark Inscoe’s home, you are struck by a large glass cabinet containing carefully laid out rocks – not the stripy seaside kind, but the fossilised variety. There’s a very good reason for the impressive display. “When I was 12 at a Jesuit school I got interested in geology and went on to read the subject at Exeter University.” 

But it wasn’t to be his career choice, as the theatre seriously took over the young undergraduate’s life.
“There was no O-Level in music at school but at 15 I was cast as a non-singing, non-speaking guard in the Mikado.” 

His teenage acting rise was meteoric, the following year he played the lead of Frederick in the Pirates of Penzance. Once at Exeter University, musical theatre became a passion and his friends included Anthony Stiles and George Drewe, destined to be the musical sensation we know today. Mark helped set up a musical theatre society at uni and stayed on after graduation for eight months to work on Stiles & Drewe’s musical Tutankhamun, in which he played Howard Carter.

While appearing in Stiles & Drewe’s Just So, he was spotted by Cameron Macintosh. Mark found himself in 1987 in the second cast of Les Mis. A wonderful start to a career spanning more than 30 years, but Mark describes it differently. “I didn’t push myself forward into the limelight, largely because I had no formal theatre training so my career has been a gradual progression. Even now I think I don’t get some of the more acting kind of roles because of that gap in my CV.”

With no major period out of work, and wide experience in voice-overs, cabaret, corporate entertaining and even computer game narration, he can pick and choose what he wants to take on. “Although there are fewer middle-aged roles, there’s less competition. I don’t tap dance so I’ve done what I call the more dramatic musical performances.“ 

The list is very impressive: from Higgins in My Fair Lady to Emile in South Pacific, Captain Von Trapp in the Sound of Music to the lecherous Judge Turpin in Sondheim’s Sweeney Todd. And of course, Bernadette in Priscilla, made famous in the original film by Terence Stamp. Mark will reprise the role in the first major revival of the stage show at Hornchurch.

How does it feel to do the part again?  “It’ll be a totally new approach with new director, new cast, and smaller scale than in the West End.” 

He thought having played it before would be a handicap but it hasn’t proved so. “It’ll be a more modest and honest version, more like the film.” 

Preparation includes make-up, wigs, costumes and, of course, heels, which he plans to wear all through rehearsals.

Did you do research to get inside the head of a transgender woman? “I used to know some transgender people back in the heyday of Madame Jo Jo’s club in Soho, when the world was negative they felt safe and comfortable in the club.“ 

And no, it hasn’t made him want to do drag except he’d like to do a show about April Ashley, the legendary transgender model and hostess.

What other roles beckon? He’d like to have a crack at Sweeney. He feels he is too old for the role, which he certainly isn’t.

Back to Priscilla.

Did you realise at the time how ground-breaking the film was? “I loved it. It was rebellious, it was brash. I didn’t think Stamp was feminine enough and then discovered he wasn’t really interested in the role.”

Do you have a favourite show you’ve done? “Grand Hotel and Priscilla.”

In the wake of the Kevin Spacey allegations, have you experienced bullying in the theatre? 
He says no, though he was bullied at school because even though he wasn’t ‘out’ he was just presumed to be gay. He led a double life and thinks it might be one reason he became an actor.
“My experience in the theatre is that people accept you for what you are, though I accept terrible things have happened to women in branches of entertainment.”

Are there more Stiles & Drewe around? “Yes, there’s some wonderful writing out there, but producers don’t want to take risks on new works, audiences like what they know and know what they like, that’s why so-called ‘jukebox musicals’ are so successful.”

He still has an ambition to repeat Tutankhamun“it’s an amazing piece”. In the meantime he is busy. Having narrated a BBC TV series, Secrets of the Human Body, and played the Sorcerer King in the computer game Divinity – Original Sin.

Priscilla info:
Priscilla, Queen Of The Desert, directed by Douglas Rintoul,
Queen’s Theatre, Billet Lane, Hornchurch RM11 1QT,
April 27-May 26; previews: Fri 27, Sat 28 & Mon 30 April.
Tickets: £12.50–£30/under 26s: £8 (Tue–Thur & previews).
Box Office: 01708 443333
or online: www.queens-theatre.co.uk

OPINION: Craig’s Thoughts – why are we so nasty to each other?

We’re happy for you. When you’re ‘masc’. Or come on in. It’s oh so shallow by Craig Hanlon-Smith @craigscontinuum

Russell Tovey announces his marriage and receives almost no Tom Daley-style vitriol from the gay community. It couldn’t be because we would all serious make a play for his rugby playing beau Steve Brockman, could it?

And so another openly gay celebrity has announced an impending nuptial to their current beau. In late February, Russell Tovey revealed plans to marry his boyfriend, Steve Brockman. The established gay press were all over it in no time, celebrating Mr Tovey’s engagement and referring to his partner, Brockman, as ‘his rugby playing boyfriend’. Social media went nuts and people were initially lovely. Too many to quote directly here but genuinely pleased hoards of gays and Tovey fans celebrating their love and future commitment. Hurrah.

Of course, as the day progressed, perhaps only a few moments as real life minutes equate to social media months, a few messages delved their toes into cheekier and slightly suggestive waters, and then some were downright horny. Openly describing where exactly they’d like to sit in a Tovey/Brockman ‘sandwich’ which is a polite homosexual word for ‘hot sweaty f**k orgy’. The rampantly determined did not hold back and despite not actually having an invitation to interject into the forthcoming marriage, this did not appear to bother most. And I’m assuming from the messages that I read, the grandmothers of these young men are not following them on Twitter, or perhaps they are and I’m just an old-fashioned girl.

Of course, only a few days earlier, yet more gay celebs had revealed their latest relationship developments and posted a picture of their unborn child courtesy of a surrogate mother, only the reaction both online and in the press had been a little different. This. perhaps, should not have been a surprise, as so it had been the case when Mr Tom Daley and his husband Dustin Lance Black first announced their intention to marry earlier last year.

Now, when the Daily Mail plays its expected nasty card following the announcement of Daley and Black’s impending delivery, no one is surprised. Just as the algorithmic Facebook feeds us the nonsense it knows we like from taking part in those online quizzes, the Daily Mail has a responsibility to its heartless readers. And as they’re all gleefully planting tiny union jacks into their crumbling sandcastles, Richard Littlejohn hangs the gays out upon the battlements. The Daily Mail has a fanbase and they want to hear all the hits, and encouraging homophobic vitriol is their multi-million best seller. Bring it on Littlejohn, we expect it. What I wasn’t prepared for, was the gay male twitterati joining in.

And so I asked the question: Why? Why from (some) gay men, such unpleasantness and use of violent language towards other gay men, celebrating their life together, marriage and now expected first child? I received many, many responses: ‘Oh we’re tired of them. They’re over exposed’; ‘If you put yourself out there you should expect it’; ‘They’re smug’; ‘The old one (he’s 43) has been in porn and lied about it’; ‘Daley sends nudes to other men’. The last one is borderline ridiculous as half of Brighton is up to that after a couple of shandies of a Tuesday, but I’m not sure I see any of them as a reasonable justification for vicious name calling that resembles bullying and intimidation, albeit from the safety of a smartphone. But there we have the uncomfortable explanation for it. Bullying and intimidation.

It’s common behavioural understanding that the bullied become the bullies and much of the gay male community is likely to have experienced bullying in some form and in many cases throughout their lives. The bullying domino effect is a spiral of catastrophic but almost inevitable behaviour, and our ability to make ourselves feel better about our perceived weaknesses by screaming obscenities at others is both a horrific and highly ineffective human recovery action. In short; clever boy for being nasty with your smartphone but you won’t feel better in the long run. It is, however, likely that the truth is much more complex and perhaps uglier than that.

The response to Russell Tovey’s engagement announcement was mainly positive and sexually suggestive so why such a disparity between types of gays? Could it be that Tovey’s rugby playing boyfriend persona, however distant and unobtainable, plays into our masculine ideal of how we would ourselves like to be received, perceived and desired?

Tom Daley is (perhaps, and I’m not endorsing such a view) an irritatingly hairless camp queen and his screenwriting boyfriend all velvet tuxedos and artistic flair – we actively seek to distance ourselves from this type of homo. And the morning after this year’s Oscar ceremony, US Winter Olympian Adam Rippon, slated on social media for his harness/tuxedo look by hoards of gay men. His supposed brothers. Rippon has done more for gay male visibility in six weeks than most can achieve in a lifetime, but perhaps competitive figure skating just isn’t tough enough to satisfy our masculine ideals.

I get it. Diving, screenwriting and skating in sequins is hardly muddy jock straps in the changing rooms. Steve Brockman is more likely to come straight off the sports field all over-developed thighs and bounding testosterone and feeds into a perception of what we really want to be. The type of gay that does not appear to be gay at all.

Gay men of all ages… ask yourself; have you ever looked at another homosexual man and thought ‘gays like that give gays like me a bad name’? And then whatever the behaviours we observe in the appointed pariah, we seek to distance ourselves from as much as possible. That level of finger-pointing, name calling and social distancing is likely to come from a form of self-loathing that is rooted deeply in those years of aggression and hostility that we were ourselves in the firing line of.

Craig Hanlon-Smith
Craig Hanlon-Smith

It’s without question desperately sad that when we perhaps needed it most, there was no one there to give us a hug and tell us that it would all be okay. But let’s not take any anger at our years of lost comforts on to the platforms of social media, and attack others for celebrating, and yes, showing off their flamboyant happiness. We may be tired of them, they may be over exposed, they may be smug, they may have had secret careers in pornography that they now deny, and they may, despite being married, be sending nudes to other men outside of their relationship. If you have something to say, say it. But make sure your own blotting paper is as clean as a whistle before you throw ink. And whatever you say, be nice. Be nice. It really is that simple.

Volk’s Electric Railway back on the rails

Volk’s Electric Railway will start running trains for passengers again from Friday, March 30.

After a year and a half of work and over £1.65 million in investment the 135 year old train will carry passengers along Brighton seafront between its new Visitor Centre, workshop and Black Rock station.

To celebrate the start of a new chapter in Volk’s history, news reader and volunteer train driver Nicholas Owen will officially open the line.

Visitors can also take part in creative workshops on the day and throughout the Easter weekend. Whether you’d rather decorate a top hat, make a Morse code machine or take part in a drawing tour of the seaside architecture you can learn something new on your journey.

Train tickets and drop in workshop places can be purchased on the day of travel, bookable family workshop tickets are available from volksrailway.org.uk

The new Aquarium Station Visitor Centre will house exhibits and learning about the history of the railway and its founder Magnus Volk who built the railway in 1883.  Magnus was a prolific inventor and designer who also created the ‘Daddy Longlegs’ which ran along tracks on the seabed, from Banjo Groyne to Rottingdean, powered by overhead electric cables.

The new conservation workshop houses a working model showing the railway as it was in 1933 and has a public viewing gallery where visitors can watch the trains being worked on.

Alan Robins, chair of Brighton & Hove City Council’s tourism, development and culture committee, said: “It will be great to have the Volk’s back on its tracks, it’s such a well-loved part of Brighton’s seafront; the seaside vista from the train is something to celebrate in itself. 

“Magnus Volk was an amazing local inventor and the new workshop and visitor centre are ideal places to learn more about his life and the workings of his trains.”

A round trip of the railway takes around 30 minutes

Opening times:
Monday-Friday 10.30am-5.30pm.
Saturday-Sunday 10.30am-6.30pm.

Train times:
Monday-Friday 10.30am-5.30pm.
Saturday-Sunday 10.30am-6.30pm.
Trains approx. every 15 minutes.

To book workshop places visit the website on www.volksrailway.org.uk
Prices – For a full list of ticket and workshop prices visit www.volksrailway.org.uk

Friends of Joiners Arms win ‘Best Community Campaign’ award

A campaign to save LGBT community pub lights up National Campaigner Awards.

The Sheila McKechnie Foundation’s 2018 National Campaigner Awards were held in London on Wednesday, March 21.

These annual Awards are unique in celebrating some of the country’s foremost change-makers across categories ranging from best use of digital to the young person’s award.

The winner of the Best Community Campaign award this year were Friends of the Joiners Arms, who won the award for their campaign against the closure of legendary east-end LGBT+ pub.

The pub was closed in 2015 by developers intending to replace the venue with a luxury residential development. After three years of campaigning, the developers agreed to include the pub as part of the new development. Not only that, it is the first time planning conditions have been used to require developers ensure a pub is protected for the LGBT+ community.

The campaign also won additional protections: a 25 year lease; a larger footprint than previously occupied; first year rent-free; and £130k towards fit-out costs.

This award is sponsored by the Sheila McKechnie Foundation and was presented by Craig Bennett, CEO of Friends of the Earth.

Speaking about their win, Friends of the Joiners Arms, said:We are incredibly honoured to receive this award. We are just one of the many campaigns representing the diverse queer community across the city, who have seen so many of their vital spaces taken away. This award is a recognition of how important this issue is, and that by joining together we can fight back!

SMK’s Chief Executive Sue Tibballs, added: ‘The SMK Campaigner Awards provide us with a unique opportunity to celebrate some of the most inspiring, innovative and often courageous people who are speaking out to effect change. Our communities are fairer, safe, kinder and more tolerant as a result. Our thanks and congratulations to them all’

The Sheila McKechnie Foundation (SMK) helps people and organisations effect positive and lasting social change – whether in their local community or across the globe, bringing communities together to share new ideas, knowledge and resources, helping people and organisations campaign more effectively and efficiently, build confidence, nurture talent and accelerate impact.

For more information about the SMK Awards, click here:

X