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BOOK REVIEW: Dusty – An intimate portrait of a musical legend

9781849548762Dusty

An intimate portrait of a musical legend

Karen Bartlet

It’s easy to forget how unusual Dusty was for her time; being white, lesbian and having a dark and borderline sadistic sense of humour that gradually evolved into the rollercoaster emotional turbulence that we associate with her later life and relationships but she was also wholly her own women.

The first female pop performer to come out as bisexual and only a year into her career she was deported from South Africa for refusing to play to a segregated audience. Strong, determined, principled and talented Dusty never knew how to do dull.

523210455Bartlett has done some seriously good research and brings us lots of new material from friends, lovers colleagues and people who knew the performer and the woman well, there’s also a lot of well placed re-contextualised material which gives us familiar stories from a fresh perspective, particularly around her addictions and struggles with her sexuality, something which she grappled with all her life, and her peculiar attraction for throwing food.

However, this book also takes us back, far back into her own childhood and early days, when she stunned America and the UK with her soulful clipped sophisticated music, shows us a delicate talented girl grasping her potential and steering herself a clear path into the world class performer still impressive now almost 50 years later.

With a strong local connection recognized by having a city bus names after her, with her family ( and her for a while) living in Wilbury Road Hove and often being seen around town in her pink Thunderbird with her black girlfriend, you can read more of her Hove & Brighton history here. 

10801317746_32610fa099_bNever simple, always passionate this is a seriously good biography for all lovers of Ms Springfield.

Out now

Paper back

£9.99

More info or to buy the book see: The Robson Press

PREVIEW: Exhibition explores gender relations in bars and nightclubs

Artwork by University of Leicester researchers features in new exhibition as part of Liverpool Biennial art festival.

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Artwork by University of Leicester researchers is to be featured in a new exhibition exploring gender relations in night life drinking spaces.

The piece of art, in the form of a beer label, will be on display as part of the Liverpool Biennial art festival in an exhibition called ‘Gender Dilemmas: Negotiating Femininity and Masculinity in Contemporary Night Life’ which runs from August 26-28 in Road Studios in Liverpool.

The exhibition, curated by artist and senior researcher Amanda Marie Atkinson, aims to draw attention to public drinking environments and commercialised neo-liberal contexts in which contemporary femininity and masculinity are performed, positioned and reconfigured.

It will explore a number of important issues present in such heteronormative spaces; the pornification of night life and the mainstreaming of pole/lap dancing clubs; young women’s negotiation of intoxication in the performance of the ‘hyper-sexual’ self; the sexist nature of alcohol advertising; sexual content; alcohol hegemonic masculinity and ‘stag nights’; and the public bathroom as a public/private sphere in which the gender binary is reinforced.

Image: University of Leicester
Image: University of Leicester

The beer label, designed by Dr Clare Gunby from the University of Leicester’s Department of Criminology in collaboration with Dr Anna Carline in the Leicester Law School and Stuart Taylor in the Department of Criminal Justice at Liverpool John Moores University, will feature in the donation bar at the opening of the exhibition.

The bar compliments one piece in the exhibition which comments on the sexist nature of alcohol advertising e.g. sexist beer labels such as the House of Commons bar favourite ‘Top Totty’.

It will consist of alcohol with alternative marketing, produced by women and the feminist community (including men) and all money raised from the bar will be donated to The Homeless Period, a voluntary organisation providing vulnerable women in Liverpool with sanitary items.

Dr Clare Gunby
Dr Clare Gunby

Dr Clare Gunby, Lecturer in Criminology at the University of Leicester, said: “We hope that our contribution to the exhibition will highlight the tensions between sexually aggressive alcohol advertising, victim-focused crime prevention messages and the emotional labour women invest in trying to reduce their perceived vulnerability, when out in the evening.”

Dr Anna Carline
Dr Anna Carline

Dr Anna Carline, Senior Lecturer in the Leicester Law School at the University of Leicester, added: “The exhibition is a great opportunity to engage with the public about the gendered dynamics operating within bar and club spaces and to do that in a non-traditional academic way.”


Event: Exhibition: Gender Dilemmas: Negotiating Femininity and Masculinity in Contemporary Night Life’

Where: Road Studios, 69 Victoria St, Liverpool L1 6DE

When: August 26-28

Times: 6.00 – 9.00pm (26): 12.00 – 5.00pm (27 – 28)

Cost: Free entry

People overcoming addiction need ‘family’ support

Laura Chapman considers the importance of family to LGBT+ people in recovery.

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There are many factors that make substance abuse within LGBT+ communities, unique; often times, substance abuse is linked to difficult experiences in one’s childhood.

Despite advances made in legal and social spheres, coming out as lesbian, gay, bisexual or trans (LGBT+) can result in rejection from one’s family and solace can sometimes be sought in drugs. Because there are so many factors which are related to the likelihood of success during the arduous process of drug rehabilitation, LGBT+ people need to be able to count on family support.

We should begin, perhaps, by defining the term ‘family’, which does not necessarily comprise a social unit involving parents and their children.

The definition provided by Rainbowfamilies.org is more ample and, in many cases, more accurate: “Love is what makes a family, whether your family consists of blood lines, adoption or foster care, friends, neighbours, people of the same-sex or people of different sex, race or colour.” 

For many people in the LGBT+ community, family is chosen; it is formed as a result of rejection and abandonment from one’s original family. Indeed, the psychological distress caused by isolation in one’s early childhood can lead to mental health and substance abuse issues, which arise in adulthood. Family can therefore be a significant trigger for continued drug use and relapse.

Many individuals feel that their family has let them down; for others, the intolerance is more subtle. Still, there may be a lingering feeling of loneliness and a sense of not being accepted and loved unconditionally.

Family systems can trigger symptoms of depression and anxiety, which in turn can cause a person to self-medicate through drug and alcohol use. Many LGBT+ people would love to have their original families involved in treatment and therapy, yet are fearful that this request will lead to further abandonment, criticism, shaming, and distance.

Families should realise that support can go a long way in increasing the likelihood of success when it comes to rehabilitation treatment. Indeed, many issues stemming from childhood need to be addressed and brought out into the open, if progress is to be made.

In therapy, family members are taught to understand the way the substance user self-identifies. Because the patient may have been rejected in their early childhood, families must understand the way the individual sees himself or herself – this includes birth, chosen gender and sexual identity.

Family should also comprehend why their loved one is in rehabilitation – what outcome is their loved one seeking? Is he or she attempting to quit drugs totally or to reduce harm by, for instance, reducing the amounts consumed, or by using drugs in a safer way than before?

There are several possible outcomes to treatment and families should report the aims pursued by the person in rehabilitation. The person in rehabilitation should not feel worthless or rejected if they do not manage to achieve their family’s goals.

Family therapy can help each member realise the maladaptive communication strategies, harmful relationship patterns and disrespected boundaries, that may have contributed to problems for everyone concerned, and increased the likelihood of substance abuse.

The goal of all individuals should not only be to help their loved one cease the abuse of substances; rather, they should also seek out new, more productive ways to resolve conflicts, express themselves, and respect others’ limits.

Finally, any support provided by families should be ongoing; each family member needs to make a sincere commitment to supporting their loved one even after immediate goals have been achieved. Some addictive drugs have very high relapse rates, so family support should be consistent.

Local artist steps down as Trustee of The Sussex Beacon

After thirteen years’ as a Trustee of The Sussex Beacon, Romany Mark Bruce steps down as Trustee and Vice Chair of the Board following the end of his term of office.

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Romany sculptured the iconic Brighton Aids Memorial, Tay in 2009 following a public competition.

He said: “It has been a privilege to be a trustee for so many years. The Board has faced many challenges over the years, and I have been fortunate to work with hardworking and motivated fellow trustees. I would in particular like to thank Simon Dowe, Chief Executive for his dedication and inspirational leadership over the last four years”

Simon Dowe
Simon Dowe

Simon Dowe CEO The Sussex Beacon, added: “I would like to thank Romany for his hard work, support and commitment over the years to The Sussex Beacon. He has contributed to the development of The Beacon and played a key role in raising awareness of the organisation and HIV in Brighton. Romany’s enthusiasm and energy will be missed and it is good to know that he will still be a supporter of the charity.”

The local sculptor and artist is looking forward to spending more time on his art work and will be undertaking exhibitions in America, Australia and Portugal.

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