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Men may have witnessed rape in Steine Street, Brighton on Saturday night

Police wish to talk to three men who were in Steine Street, Brighton, when a woman was raped on Saturday morning.

Susssex Police

CCTV SHOWS three men, all walking separately, enter the narrow street leading towards the seafront moments after a man had led a 27-year-old woman there and raped her.

Detective Sergeant Emma Vickers said: “We believe the men may have noticed the two and we are asking them or anyone who was in or near the street between 8.45am and 9.15am on Saturday to call us on 101, email 101@sussex.pnn.police.uk quoting serial 407 of 25/10 or call the independent charity Crimestoppers anonymously on 0800 555 111.”

A 23-year-old man has been arrested for rape and has been bailed until November 1 for further enquiries.

REVIEW: Marriage of Figaro

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Marriage of Figaro,

Director Fiona Shaw,

English National Opera

This second outing of Fiona Shaw’s Figaro has mellowed and matured in the few years since the last time it graced the ENO stage. The wit is still there, the endless movement and revolving stage allowing us insight and side squints into the upstairs/downstairs business of this grand space and the status and levels of perception of all the various people that live in the palace of Count Almaviva outside Seville.

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The cast is nigh on perfect too, as good a Mozart cast as you could get and this just brings the essential silly charming froth of this most delightful of Mozart Opera’s to the fore.  Four of the main cast were debuting in their roles, which is of note and they all shone. Mary Bevan’s Susanna is a wonderful study of voice and character becoming more confident throughout the action and the evening, by the end of the night, triumphant in every way she was stunning.  His interactions with Lucy Schaufer’s delicious Marcellina were wonderfully funny with an arch comedy timing that was spot on; whenever they were on stage together they shone with glee and bravado.

Samantha Price’s Cherubino was fully of shy foolishness and purity and allowed her voice to fill the house with its fine clean spotless legato, charming everyone on and off the stage. David Stout’s Figaro gives us a studied performance of strength, with just the right touch of tenacious winging-it that the fast turning plot requires, this is a man who can rise to all challenges even if he’s not entirely sure what they might be. Stout and Bevan are a delightful pairing too, really believable devotion between them

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Sarah-Jane Brandon’s very human Countess Almaviva is stoic, heartbroken and utterly set on her course of action, from her frantic worry, to the sneaky gulping of sherry Brandon managed to make us love the Countess even when her singing was as coolly perfect as is required in this study of status and dignity, perfectly balanced.

All this polished light froth combined to conspire against the rather darker and exasperated jealousy of Benedict Nelson’s Count who still charmed us into liking him with the great warmth of his singing although his baritone went a-wandering on occasion, but was soon brought back on track.

Jaime Martin conducted the ENO orchestra with a pinpoint precision, allowing the music to bounce and skip fully layered with the complex  frivolity while keeping the narrative tension firmly on track.

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To read the synopsis and listen to an aria or two, click here:

The costumes and props are nicely anachronistic, the set ugly, suggesting a maze, but then it’s more of a suggestion than a  reconstruction of this busy 18th century silliness and I rather liked the stripped down sets and their constant whirly gig of motion, there were some rather cute and  funny sight gags too and I enjoyed tremendously the way the singers got to play with the movement of the stage and their own progressions through the scenes. Very well done all round. It’s been a long time since I’ve seen a production so full of movement that been so convincing.

The translation by Jeremy Sams is triumphant, bringing both the spirit of the original libretto by Lorenzo Da Ponte to the fore while giving it a wonderful modernity; it’s gloriously funny too and managed to keep as many of the subtly filthy sexual references that the original was famed for.

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This wonderful production is warm, engaging and very funny and I’d recommend Fiona Shaw’s Figaro to any lover of Mozart or for anyone thinking about a first visit to the opera. I’m not a huge fan of Mr Mozart but leaving a production as perfectly sound; vocally and musically as this just reminds me of quite how perfect he can be and the ENO should be cheered for this fine quality production.

View the trailer here:

Marriage of Figaro plays at the ENO until November 23

October 28 & 31

November 4, 6, 8, 14,19 & 23

For more information or to book tickets, click here:

English National Opera,

London Coliseum,

St Martins Lane,

London

Scotland hosts major conference for transgender and intersex rights this weekend

Charity calls for action to secure equality for transgender and intersex people.

Transgender Alliance

OVER 150 transgender and intersex equality activists from across the UK and Ireland will gather in Edinburgh this weekend (Oct 31 – Nov 2) in the biggest push for transgender and intersex rights Scotland has seen.

The inaugural Trans and Intersex Conference of the Isles is being organised by the Scottish Transgender Alliance, part of Scottish LGBTI equality charity Equality Network. The conference will call for action from the Scottish Government and public service providers to address the high levels of discrimination that transgender and intersex people continue to face both in the law and in society.

The charity says that following the introduction of equal marriage, transgender and intersex rights are now its key legislative priority.

While lesbian, gay and bisexual people now have almost full equality under the law, the human rights of transgender and intersex people are still not fully respected in Scotland, with huge problems securing legal gender recognition and only limited protections from discrimination.

In addition to legal equality, the conference will also call for action to tackle prejudice in Scottish society. Equality Network research shows that 98% of transgender people in Scotland say they have faced discrimination, with reported incidents ranging from verbal and physical abuse to discriminatory treatment in employment and when accessing services. While the Scottish Social Attitudes Survey 2010 showed that 49% of the public would be unhappy if a member of their family had a relationship with a transgender person.

Research has consistently shown that at least a third of transgender people in Scotland attempt suicide, with many citing the prejudice they face and the long barriers to securing gender reassignment treatment as contributing factors.

The Scottish Transgender Alliance says that, for transgender people, NHS Scotland is currently failing to meet its national patient waiting time guarantee of 18 weeks from referral to treatment. Instead transgender patients have to wait up to two years just for an initial appointment with a damaging impact on their mental wellbeing.

Nathan Gale, Scottish Transgender Alliance Policy Officer for the Equality Network, said: “Scotland likes to pride itself on our ambition to create a fair and equal society for everyone, but the rights of transgender and intersex people are too often left behind. In 2014, equality under the law should be a minimum standard for all citizens but for trans and intersex people we still haven’t achieved it. We also have much further to go to ensure that people no longer experience prejudice and discrimination in their day-to-day lives. We cannot truly say that Scotland stands for equality while trans and intersex people are still unable toaccess basic services that meet their needs, or even walk down the street without fear of getting abused. That’s why we are holding this conference and calling on the Scottish Government and public bodies to take action.”

Transgender people attending the conference have explained how prejudice and discrimination in Scotland currently impacts on their lives.

Cate Lauder, 37, from Edinburgh, said: “As a trans woman you learn to put up with abuse on a daily basis. I have lost count of how many times people have shouted offensive comments, given me dirty looks, or laughed at me in the street. I’ve even been groped on a few occasions and asked about my genitals by complete strangers. I like to think of myself as a confident person, but it can be really humiliating and sometimes you get scared that it could turn violent. No one should have to put up with that.”

Laura Aston, 47, from Edinburgh, added: “The doctor agreed to refer me for gender reassignment surgery back in 2012. That was over two years ago and I’ve only just been given a date for a first appointment. To make it worse, because the NHS have taken so long to get their act together, I’ve now been told my original assessment is out of date and I’ll need to get another one before I can finally get treatment. This will be the fifth assessment I’ve had to go through. I don’t think they understand the impact this has on you, I just want to get on with my life.”

The conference is being run as part of the Equality Network’s Scottish Transgender Alliance project, a national project funded by the Scottish Government to secure greater equality for transgender people in Scotland. It has been made possible by funding from VisitScotland.

In addition to equality activists, the event will also be attended by representatives of key public bodies and leading businesses, who will receive training to help meet the needs of transgender and intersex service-users. These include NHS Scotland, Police Scotland, Royal Bank of Scotland, NUS Scotland, Skills Development Scotland, Scottish Enterprise, Scottish Drugs Forum, Rape & Abuse Support, as well as local authorities, universities, colleges, and third sector organisations.

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