menu

Brunswick Town Art Fair

Brunswick Town Art Fair

Local artists are being invited to participate in the third annual Brunswick Town Art Fair on Sunday, June 30 set in the historic Regency setting of Brunswick Square Gardens.

This is the city’s only summer outdoor event to showcases the work of local artists in an exhibition of painting, illustration, photography, sculpture, jewellery and ceramics. Admission is free for visitors and all work is for sale. Refreshments will be available.

Event: Brunswick Town Art Fair
Where: Brunswick Square Gardens, Hove
When: Sunday June 30
Time: 11am – 6pm
Cost: Admission free

More info email:  brunswicktownartfair@outlook.com
Facebook/BrunswickTown Art Fair

Equal marriage campaign in running for awards

Equality Campaign

The prestigious annual awards, run by SCVO (the Scottish Council for Voluntary Organisations), recognise and celebrate the efforts of charities, community groups and individuals dedicated to making Scotland a better place to live.

Equal Marriage, the UK’s first major campaign for same-sex marriage, was launched by the Equality Network in 2008. Since then the campaign has put the issue on the political agenda, engaged thousands of supporters, and successfully encouraged the Scottish Government to commit to legislation.

The People’s Choice Award is decided by a public vote and equal marriage supporters can vote for the campaign by visiting: www.equalmarriage.org.uk/vote

Tim Hopkins, Director of the Equality Network, welcomed the nomination as a tribute to the efforts of many.

He said:

“The fact that the Equal Marriage campaign has been shortlisted for the Scottish Charity Awards is a fitting tribute to the efforts of lesbian, gay, bisexual and transgender (LGBT) people, and their supporters, who have fought for equal rights over many decades and in the face of much adversity. As Scotland moves towards full equality for LGBT people, we are honoured that the judges have chosen to recognise this important and historic movement. It is a mark of just how far we’ve come as a society that the fight for LGBT equality is now being recognised and celebrated, when homosexuality was still criminalised just a few decades ago. SCVO’s awards play a valuable role in highlighting the efforts of third sector organisations and that’s why we are delighted to be part of this year’s celebrations.”

Martin Sime, Chief Executive of SCVO, said:

“Everyday people working and volunteering in charities right across Scotland make a difference to the lives of hundreds of thousands of the most vulnerable people in our communities. These awards celebrate the positive impact this makes and the tremendous effort made by charities and volunteers.”

Over the past five years the Equal Marriage campaign has involved many thousands of people and diverse communities from across Scotland, including equality and human rights bodies, faith groups, trade unions, and youth and student organisations.

The Marriage and Civil Partnership (Scotland) bill is set to be tabled in the Scottish Parliament this summer, giving MSPs the opportunity to vote for equal marriage and take Scotland a major step towards full equality for LGBT people.

The Equality Network say it is vital that supporters continue to write to their MSPs and support the campaign, pointing out that opponents of same-sex marriage are continuing to spend tens of thousands on efforts to block or amend the legislation.

Scotland decriminalised homosexuality in 1980, thirteen years after England and Wales. Since then the country has gradually introduced greater equality, and the Equality Network say that, if passed, equal marriage will be an historic step towards full legal equality for LGBT people.

Strictly Confidential

Strictly Confidential

Strictly Confidential is a song-and-dance extravaganza dreamt up, directed and co-ordinated by Craig Revel Horwood, tell-it-like-it-is judge on BBC1’s runaway hit, Strictly Come Dancing.  And it’s coming to a theatre near you.

Starring Lisa Riley and professional dancers Artem Chigvintsev, Natalie Lowe and Ian Waite, it will tell their individual stories and weave in routines – everything from ballroom to a clog dance – in an evening that Craig hopes will make your spirits soar even while you suppress the occasional sniffle.

You’ll have seen them on TV; you may have caught up with them on the arena tour. But now, here’s your chance to get up close and personal to the accompaniment of everything from pop hits to show tunes sung to a live band.

“‘I interviewed all four of them to find out their life stories,” says Craig, “the ups and downs of becoming dancers that brought them to the point of being involved in Strictly. I then wrote an autobiographical arc for each of them. I was keen to construct a show that wasn’t just a series of demonstration dances.”

So it is that we’ll hear from Lisa about losing her beloved mother, Cath, to cancer just weeks before Lisa started on Strictly. “Cath’s favourite song,” says Craig, “was In My Daughter’s Eyes. Lisa will tell the audience how she coped before going into a dance based on that song. It’s absolutely beautiful.”

But there’ll be some fun, too, including a ballet based on Emmerdale in which she appeared as Mandy Dingle. “She’ll also be doing the splits eight times a week which will bring water to my eyes, if not hers. I couldn’t believe it when she did it at Wembley. The entire arena shook. It was amazing. But then so is her singing voice. You wait until you hear her version of All That Jazz.”

Similarly, we’ll learn about Artem’s tough time growing up in Russia; about Ian confronting his sexuality; and how Natalie had to beat the odds to follow her dream.

“I want to show how they’ve battled obstacles with courage and that very often it’s through song and dance that they’ve found a way forward.

“I also want to take the audience backstage at Strictly to show the nerves that everyone feels before they come out and dance in front of 14 million people with a camera thrust in their face. I’m trying to reveal the face behind the mask.” Helping in that process will be a stunning selection of costumes worn on the TV show that will be on display at each venue visited by the Strictly Confidential tour.

Says Lisa: “I’m never happier than when I’ve got a smile on my face and I’m given the opportunity to perform. I could be working in Asda but I’m not; I’m doing the career I’ve always wanted. I think Craig spotted that quite early on. But not initially.

“Did people think I was going to be a female John Sergeant? Probably, yes. Before Robin Windsor and I danced our first cha-cha, the bookies’ odds on me were 88-1. On the Sunday morning, I was on the front page of every newspaper and my odds had plummeted to 6-1.”

Certainly, Artem couldn’t be happier. “I’ll be dancing with Lisa which I’m very excited about because she did so amazingly on Strictly last season.” He started dancing in Russia when he was 12. “Dance is very popular there so that wasn’t so unusual. I had so much free time after school that my mother enrolled me for dance classes.

“Initially, I enjoyed the social side of it but slowly it was something I realised I could do. At 16, I moved to Germany because I’d found a German dancing partner who really suited my style. It was scary and exciting at the same time. I had to learn quickly – how to cook, do my own washing and so on.”

Two years later, he returned home for about 18 months and then moved to America where he got involved with the Dancing With The Stars tour.

“It was while I was performing in Korea in the Burn The Floor show that I was contacted by the producer of Strictly and became one of the professional dancers in the competition in 2010. I was so lucky. I was partnered with Kara [Tointon]. We won the show – and I got the girl. We’re still together.”

Natalie wasn’t even walking, she says, when she’d be watching her brother and sister learn how to dance. “We lived next door to a ballroom dance hall in Sydney. I couldn’t wait to get started.

“I was five when I won my first competition and first represented Australia in an international contest in Taiwan when I was eight. I then went on to be a four-times ballroom dancing champion.”

She’s tall – five feet ten without heels – so finding a partner was difficult once she hit her teens. In time, “I partnered my brother, Glenn, for five years but then I outgrew him, too.”

After five series of Dancing With The Stars in Australia, Natalie joined the ‘cast’ of Strictly in 2009. “I could have gone to the American version but I wanted to come to the UK more because the quality of ballroom dancing here is the best in the world.”

She’s glad she did. “In my very first year, my partner, Ricky Whittle, and I were placed second. We had a great connection. He’s a natural mover.”

Ian Waite first got interested in dance around the age of 10 from watching old musicals with his grandmother who often looked after him. “My hero was Gene Kelly. I loved Singin’ In The Rain and An American In Paris.

“I was very sporty, very competitive. At 11, I went to dance classes with my father. The first competition I entered, I won. The dye was cast. At 18, I was European champion in my age group in Latin American dance.”

He then moved to Holland where he and his partner became Dutch champions while also being in the Top 10 in the world. Back in the UK, he teamed up with Camilla Dallerup and then joined Strictly for its second series. He’s been involved ever since. “And now comes Strictly Confidential. Can’t wait.”

Last word to Craig. “This is a show,” he says, “that in some ways isn’t so very different from A Chorus Line, currently back in the West End. It’s an exploration of the people who make their living through dance. And, I might add, a great night out!”

For tour details, call Ticketzone on 08444 99 99 55

Or view: www.strictlyconfidentialtour.com

More buses breeze up to the Downs

Breeze Buses Brighton

The Breeze buses have now moved onto increased summer timetables every Saturday, Sunday and bank holiday until the end of September.

If you’re travelling in from outside the city, take the train and get 2 single or return Breeze bus tickets for the price of one!  Just show your valid train ticket to the bus driver.

‘Breeze’ bus services 77, 78 and 79 are funded by Brighton & Hove City Council and the National Trust.  Together with the South Downs National Park Authority, they form the award-winning ‘Breeze up to the Downs’ Partnership, whose mission is to improve access by bus to popular downland destinations.

Taking the bus to the Downs has a far lower carbon footprint than driving and you’ll be doing your bit to help reduce the impact of traffic on the countryside.

During high summer (22 June to 1 September) the Devil’s Dyke bus will run every day – usually with open top buses.

A new set of three leaflets is now available giving details of each of the three bus routes.

The leaflets give details of times and fares for buses between the city centre or Brighton Station and Devil’s Dyke, Stanmer Park and Ditchling Beacon (buses, 77, 78 and 79).

The number 77 Devil’s Dyke bus even has its own Visit Brighton podcast – all about the things you can only see from the top of a bus on your scenic journey.

There’s 10% off for Breeze bus passengers showing their ticket on a range of refreshments near Devil’s Dyke and Stanmer Park.

Each of the leaflets has ideas for beautiful walks and details of special events.  For example, take the 79 bus to Ditchling Beacon and walk across the Downs to either Patcham (2.5 miles) or Lewes (5.5miles).

You can then return to the city centre on frequent buses from either Patcham or Lewes.  All this can be done on one ticket – the Explorer – or free if you have a bus pass!

Just phone 01273 292480 and the council’s Public Transport Team will be happy to post you a set of ‘Breeze’ leaflets.

They can also be downloaded from www.brighton-hove.gov.uk/breezebuses  or you can be pick them up from libraries, visitor information centres and bus company offices.

See also Brighton & Hove Buses’ latest ‘Bus Times’ book or www.buses.co.uk for even more ideas for trips out on the South Downs – including the 13X bus…which offers a fast weekend link from Brighton to Birling Gap and Beachy Head!

Breeze Bus Brighton

‘Roma Boys’ to be shown on Community Channel

Roma Boys

Roma Boys is an inventive, 30min film following the love story of two young men living in the Czech Republic, who face the dual prejudice that comes with identifying as gay and Gypsy. It will be broadcast at 9pm on Wednesday May 8 on the Community Channel.

David, a Prague university student and Roma Rights activist meets online and falls in love with Marek, a young Roma man living in the country. When a Roma Rights rally takes David near Marek’s home town, they finally arrange to meet in person. Excited, Marek decides to come out to his family, but the violent reaction from his father and uncles was not what he hoped for. Faced with threats from his own family, he needs to decide whether to stay true to his sexuality or his family’s perception of tradition and community values. Will he ever make it to meet David?

The film has a distinctive style, switching between documentary and dramatic form, receiving the Best Documentary Film Award at Famu Fest and the Best Czech Film Award at Fresh Film Fest. The Community Channel will be showing it as part of an upcoming season of programmes celebrating Gypsy, Roma and Traveller communities in the UK and Europe.

Community Channel is available to view on Sky 539, Virgin 233, Freeview 87, BT Vision, BBC iPlayer.

To Sleep To Dream: Corn Exchange: Review

ToSleepToDream2The European premiere of EarFilms‘ dystopian ‘auditory experience’ To Sleep To Dream blurred the lines between reality and dream-land, using blindfolds to deprive the audience of sight.

It’s 2040, and the world as we know it has been submerged beneath the oceans, leaving just one city, Lhaytar, remaining – a society built under the supreme control of one corporation, a city where dreaming is banned.

Narrator and writer Daniel Marcus Clark‘s soothing voice wove a story of standard dystopian fare, which followed the character of Jack, a worn-out worker bee, living a bleak existence of monotonous routine exacerbated by constant CCTV surveillance.

On departing, To Sleep To Dream recalled Wyndham’s The Kraken Wakes, stopped off at the surveillance state of Orwell’s 1984, and then arrived at the dreamtime warriors of Nightmare on Elm Street, with militia fighting to merge two worlds, or “realms”, together.

A total of 23 speakers were placed meticulously around the auditorium so that each audience member, regardless of where they sat, were able to sample the stunning palette of images and colours conjured up during the 75 minutes.

Immersive soundscapes from the 3D ambisonic sound system were at once meditative, at others disconcerting. The sloshing sea lapped over our heads; the scratching of a pencil during a secretive spot of doodling spiralled like nails down a blackboard; while disembodied robotic voices laid down the law in passive aggressive tones.

Such was the nature of the story that while the audience were encouraged to let their mind’s eye run free, the structure was either too stiff to be a playground for the imagination or too far fetched to be reflective, such as the transformation of Jack from grumbling oaf to superhero or a penchant for rushed soap opera cliff hangers. 

Nevertheless, To Sleep, To Dream was an experience, albeit one marred by its structure, yet beautiful when tinged with sadness. 

For more info, view: www.earfilms.com

X