Pergolesi is always a high baroque treat and it’s this, his Stabat Mater (1736), originally written for male soprano, male alto, and orchestra, which is his best known sacred work.

Today is was performed by an all female crew and a pianist, a seemingly pared down presentation which in fact allowed some of the more delicate subtleties’ to shine through. 

Whilst classical in scope, the opening section of the setting demonstrates Pergolesi's mastery of the Italian baroque 'durezze e ligature' style, characterised by numerous suspensions over a faster, conjunct bassline. The work became the most frequently printed work of the 18th century and is still one of the highpoints of Baroque music.

Sung by the Choir of Saint Michael & All Angels and ably directed by Philip Adams this was another triumph in this series of St Michaels small and affordable classical music concerts. 

The soprano (Susan Gilmour) and alto ( Alexandra Gibson) had lovely pure strong voices that filled the church in the most beautiful way. All the Angels of St Michael must have been pleased by this lovely concert as the overcast sky split asunder and radiant shafts of light came crashing into the church bathing the choir with it’s celestial illumination as they sang.

I loved this concert, even overlooking the one, rather overeager and slightly shrill choir member who really needed to be reined in a bit. The pianist, Michael Finnissy performed well and the audience enjoyed this pure reflection into the mind of a genius.

Sumptuous and just goes to prove that a little rococo goes a long way.

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